Headspace

Habits Of My Heart EP Available Now
http://smarturl.it/habitsofmyheart

Sample: Sufjan Stevens "Concerning the UFO Sighting Near Highland, Illinois"

Produced by Jaymes Young
facebook.com/jaymesyoungmusic
twitter.com/jaymesyng

Habits of My Heart

Habits of My Heart (EP Version)

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Stream / Download - Say It Loud - out right funkin' now !! .

DOWNLOAD: smarturl.it/GR_SayItLoud?IQid=sc

GRiZ TOUR DATES:  mynameisgriz.com/tour

Say It Loud is an album that took me all around the United States recording sounds from funk jam sessions to children's choirs, trumpet solos in the forest to saxophone lines in the boiler room of my house - it is an album for everyone. This music is meant to be experienced, danced to, sang along with, felt… that's what it's all about.

'Say It Loud' Track Listing
01 The Anthem ft. Mike Avery
02 Funk Party
03 Get Down ft. Sunsquabi and Manic Focus
04 Need This ft. The Floozies
05 It’s All Good ft. Jessie Arlen
06 A Fine Way to Die ft. Orlando Napier
07 For The Love ft. Talib Kweli
08 Stop Trippin’ ft. iDA Hawk
09 Headspace (Time Is On Our Side)
10 Turnin’ ft. Orlando Napier
11 Take It High ft. Ivan Neville [BONUS TRACK]

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Twitter: twitter.com/mynameisGRiZ
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Website: mynameisgriz.com/

Say It Loud

Headspace (Time Is On Our Side)

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Debut album "Feel Something" available now!
Download/stream: https://Atlantic.lnk.to/FeelSomethingSO
Watch the "We Won't" video here: https://Atlantic.lnk.to/WeWontVideo

Follow Jaymes Young: 
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We Won't

Download

6 Doors

download for free here: http://bit.ly/1QWuU6u

take all the quarters from my drawer
hang my pride up on your door
I've grown tired of being ignored

I'm not painting any fence for someone else
I'm not climbing to get stuck up on your shelf

where do I start
can barely speak
cause you kept my voice living on its knees
but I'm in reverse now
don't follow me
cause I loved you most when you loved me least
no more

dead broke but I refuse to beg
break I'm breaking these chains right off my legs
keep all the words you ever said

I'm not painting any fence for someone else
I'm not climbing to be stuck up on your shelf

where do I start
can barely speak
cause you kept my voice living on its knees
but I'm in reverse now
don't follow me
cause I loved you most when  you loved me least
no more


gtrs by adam agati

SPOTIFY

When You Loved Me Least

produced by Felix Snow 

talk to me @ twitter.com/kiiara

low kii savage

Hang Up Tha Phone

Don't You Cry For Me

DOWNLOAD NOW

ACT ONE

I Know Why

we hope you enjoy this piece of us.

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Elevated

BASSNECTAR - UNLIMITED - OUT NOW
www.bassnectar.net/unlimited

Eons ago I used to see that phrase popping up everywhere in graffiti around the Bay Area. Of course music can overwhelm and overpower and posses our nervous systems better than any other drug: but I like to think about this in the sense of a cultural mindset, not just a literal proclamation that we can get high on music. For me, it means that music can be medicinal, and also significant to our lives as a shapeshifting force for culture, identity & community. As members of a musical community, you all have the chance to prioritize the health & safety of your nervous systems, and to treasure your bodies & their well being, instead of being careless, reckless, or harmful with such precious cargo. To me this song is about magic more than anything, and creating it with LUZCID was a joy and a pleasure. I also want to thank Katrina again for the vocals: we love your voice :)

Unlimited

Bassnectar & LUZCID - Music Is The Drug

Ocean Eyes

ocean eyes

Taken off our forthcoming Fable EP out independently on March 31. We're also touring the USA, Canada, Australia, and the UK this February - June 2017! Tickets here: vallisalps.com/live ❤️

Written by Vallis Alps
Mastered by Tom Coyne
Artwork by Jennifer Gauthier

Special thanks to: 
Antonia Gauci & Studios 301
REC Studios Sydney





Lyrics

On your eyelids
Orbits lighted
Stories in the lines across your face

Thought and reason
Reappearing 
Holding out your hands against the race

And I didn’t think I would stay for this
And you didn’t think I would go
But now we’re alone in the atmosphere
A place I’ll never know
And nothing goes unspoken 
When the colors unfold
Cuz now we’re alone in the atmosphere
Oh

And I realized
This is paradise
Almost paradise
Here in paradise
And my heart was taken by the surprise
This is paradise
This is paradise

And now we’re alone in the atmosphere and I’m fading
Here we are 
Here we are
And now we’re alone in the atmosphere and I’m fading
Here we are
Here we are

Towards the evening
Shadows kneeling
Down for all the triumph that we’ve made

So paint your solace 
And hold what’s honest
Glory doesn’t come for those who wait

And I didn’t think I would stay for this
And you didn’t think I would go
but now we’re alone in the atmosphere
A place I’ll never know
And nothing goes unspoken 
When the colors unfold
Cuz now we’re alone in the atmosphere
Oh

And I realized
This is paradise
Almost paradise
Here in paradise
And my heart was taken by the surprise
This is paradise
This is paradise

And now we’re alone in the atmosphere and I’m fading
Here we are 
Here we are
And now we’re alone in the atmosphere and I’m fading
Here we are
Here we are

Fading

Marian Hill x Lauren Jauregui (Fifth Harmony).

Follow Marian Hill:
MarianHillMusic.com
facebook.com/MarianHillMusic
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instagram.com/MarianHillMusic
youtube.com/MarianHillVEVO
@marianhill

Back To Me

Get "The Temple of I & I" now at http://thieverycorporation.com/release/temple

Follow Thievery Corporation
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Temple Of I & I

Let The Chalice Blaze

vocals + lyrics by @wales
music by @shallou

Spotify: http://smarturl.it/shalloubegin
Apple/iTunes: http://smarturl.it/beginapple
__
#social#

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free download

Begin (feat. Wales)

Tunes Always Compliment Time

Amateur Jester of All Trades 

Just a guy trying to do the stuff while I'm at the place with the thing.

Instagram: @tact.mp5

*I DO NOT OWN THE RIGHTS TO ANY MUSIC IN MY PLAYLISTS*

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

I Know Why

Marian Hill

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