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Carly Rae Jepsen - The Loneliest Time

One Time

One Time (Aquilo Remix)

Psychic

Paper Trails

How To Be A Human Being

Season 2 Episode 3

The 5th Exotic

Time Is the Enemy

Prom Queen (Official Audio)

Your Love (Déjà Vu)

Drugs (feat. Two Feet)

Produced by Curtis Waters & Decz 

Video: https://youtu.be/Qgduhk26sIw

Lyrics:
Ice on my, Ice on my neck
Counting a check
Ice on my, Ice on my neck
Counting a check

Ice on my neck that’s incoming
I’m a pretty boy I’m stunning
Super speed sonic I’m running
Super super super speed sonic I’m running
Call me big papa I’m sonning
I supply the dick when she want it
I’m a bad boy Mclovin
I’m a, I’m a, I’m a bad boy Mclovin

Hey, good pussy sound like pasta
I got young dick, call the pastor
She give good brain, she a master
Little Einstein, bitch imma blast off
I can go slow or go faster
If I bust quick that’s a bastard
Young Bollywood get gassed up
Get rich quick, big bags yeah I’m cashed up

Ice on my neck that’s incoming
I’m a pretty boy I’m stunning
Super speed sonic I’m running
Super super super speed sonic I’m running
Call me big papa I’m sonning
I supply the dick when she want it
I’m a bad boy Mclovin
I’m a, I’m a, I’m a bad boy Mclovin

(Harm Franklin)
I’m a bad boy like puffy
She suckin on my neck like Buffy
On my British bird I had to go duppy
Fall asleep in that pussy like a cubby
90s pimp... 2000pimp (woo!)
Mercedes drip... CLS (woo!)
They just gassin, I ain’t convinced
She got a peach on her but she ain’t a princess
Whoaaaa used to be a hot boy but I’m straight gorgeous now
If u wanna see me u gon have to book appointments now
whoaaa call me stone cold cus I’m so stunnin yeah
whoaaa I smell like fresh cookies out the oven mixed with money

Ice on my neck that’s incoming
I’m a pretty boy I’m stunning
Super speed sonic I’m running
Super super super speed sonic I’m running
Call me big papa I’m sonning
I supply the dick when she want it
I’m a bad boy Mclovin
I’m a, I’m a, I’m a bad boy Mclovin

Stunnin' (feat. Harm Franklin)

Out Loud

Gay For A Day

Residue

How Did We Get Here?

Figure It Out

Stream + Download

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

One Time (Aquilo Remix)

Marian Hill

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