indica

oOo that's my type

Evolution Pt 1

Think High

Written by: Madison Rose
Produced by: Roka + Cole Commandeur 
Mixed by: David Nakaji
Mastered by: Chris Athens

Lyrics:

[Verse 1]
Livin' out in Bushwick 
But you work in Manhattan 
Said you came to be an actor 
But maybe you'll start rappin' ayo
(Ayo)
Don't know why I would assume someone who 
Was tryna' figure out their life would know what to do with me
(With me)
Ya say you didn't know where this was goin'
Ya seem to know when it's three in the morning
That was the moment 

[Pre Chorus]
Said I only need a man 
If he's printed on green 
If his name is José, Jack, or Johnny 
You slowing me down
I got important places to be

[Chorus]
Diamonds in my mouth
If we ain't talkin' money 
What we talkin' about?
These boys all chasin' me hands out
Keep my fingers fixed on my crown
Diamonds in my mouth
If we ain't talkin' money 
What we talkin' about?
You'll never take me face down
Diamonds in my 
Diamonds in my 
Diamonds in my mouth
Diamonds in my mouth
Diamonds in my mouth
Diamonds in my mouth

[Verse 2]
Playa from the West Coast 
Teeth dressed all gold
Saved himself as Daddy in my phone
Then wonders why when he calls I'm never home
You picked the wrong bitch to clean up your mess
I ain't wipin' up shit in this Givenchy dress
The only fuckin' I'm doing is fuckin' up a check
And bet I'm only in the kitchen b-b-b-b-breakin' my own bread

[Pre Chorus]
Said I only need a man 
If he's printed on green 
If his name is José, Jack, or Johnny 
You slowing me down
I got important places to be

[Chorus]
Diamonds in my mouth
If we ain't talkin' money 
What we talkin' about?
These boys all chasin' me hands out
Keep my fingers fixed on my crown
Diamonds in my mouth
If we ain't talkin' money 
What we talkin' about?
You'll never take me face down
Diamonds in my 
Diamonds in my 
Diamonds in my mouth
Diamonds in my mouth
Diamonds in my mouth
Diamonds in my mouth

[Outro]
Diamonds are a girl's best friend
If ya hit my line, I'm hittin' end
If ya textin' past 10 PM 
You don't even need to send, oh 
Diamonds are a girl's best friend
I'm never fuckin' with you lames again 
Diamonds are a girl's best friend
Diamonds are a girl's best
Diamonds are a girl's

DIAMONDS

Morning sex is cool. Especially when you're really digging the girl. TFW your sheets smell like her perfume.

P-line:
℗ Siena Liggins

production by @nydgemusic

Flowerbomb

Dounia & Kehlani - Rich Girl Mood

"Commit Me," is available now where all digital music is sold and streamed, worldwide. 

Spotify: https://spoti.fi/2KR3g07
iTunes/Apple Music: https://apple.co/2KJP2yb
Amazon Music: https://amzn.to/2lWkafK
Donate to @MusiCares: https://www.grammy.com/musicares


--

Follow Suzy for updates & live shows:
http://suzyjonesmusic.com
http://twitter.com/suzyjonesmusic
http://instagram.com/suzyjonesmusic
http://facebook.com/suzyjonesmusic
Snapchat @ senojyzus

--

Written by Alex Boyd and Andy Rose

Produced by Andy Rose

Recorded at Tone Row Studios in Los Angeles, CA.

Performed by Suzy Jones, Alex Boyd, Andy Rose, Ethan Phillips, Joshua Lopez, Jordan Katz, Matthew Demerritt, David Ralicke, Lyrica Garret, Sonia Moore, Lyrica Anderson, Tianna Brown

Mixed by Joe Zook

Mastered at Mayfield Mastering in Nashville, TN by John Mayfield

Commit Me

We Need To Talk

Homiesexual

Sugar Honey Iced Tea (S.H.I.T.)

EP 8

Self Aware

F.ck Me Eyes

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

oOo that's my type

Marian Hill

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