what a journey.. an absolute epic and future classic! :-O

Marie Wilhelmine Anders - Frozen Music (Album) [brq148]

Here I delved deep into the background and the genesis of each individual track of the album:
Read here: https://www.magneticmag.com/2023/11/the-directors-cut-marie-wllhelmien-anders-frozen-music-broque-music/

Marie Wilhelmine Anders’ new, multi-genre concept album “Frozen Music” follows up on her albums “Travels” (Broque) and “She’s Leaving” (Noisy Meditation). Being her fifth album, which refers to the poetry of Robert Louis Stevenson, "Frozen Music" also evolves around another main source if inspiration that is drum ’n’ bass: Sunchase (who mastered „Frozen Music“ superbly), dBridge, Calibre, Krust, Goldie (Mother!), Optical, T.Power, LTJ Bukem, Banaczech, are just a few of her main influences. While searching for the connecting elements between the poem template from the late 19th century and the time when d’n’b was created 100 years later, she found the sound of the foghorn, invented in the year Stevenson was born. The foghorn was first installed in Jamaican sound systems in the 1950s, and it created an unexpected power in the bass range, and from there found its way into the raves and d’n’b productions of the children of the "Windrush" generation in the UK. The second connecting element Marie found was the music of Claude Debussy: his "liquid works" (David Toop) - influenced by the music of Java, Cambodia, Vietnam, Japan - in turn influenced the later generation of ambient music producers. The chord progressions from his "Prelude" from "Pour Le Piano" reappear in a stretched and filtered form in Marie’s ambient intro track "Prelude" and in a few other places in "Frozen Music“. The nine tracks of "Frozen Music" find their very own form in the atmospheric recreation of the pictorial language of Stevenson's poem "Evensong" and in its relationship to some of the most fascinating genres in electronic music. Being a classically trained composer Marie juxtaposes ambient, breaks, d’n’b and techno. She approaches the boundaries of genres with a kind of innocence, always listening to the connections between the different styles. In “Frozen Music” she picks up on these connections. This works so well because the musical forms often don't adhere to what you would deem traditional structure. Dynamic quality, form, sound design and, last but not least, the mix of her music are all the more carefully coordinated and result in a catchy flow that makes „Frozen Music“ another masterpiece, that not only brings food for thought, but, most importantly, transports the grooving d’n’b sound of the 90’s onto the contemporary stage.

All tracks written, produced and mixed by Marie Wilhelmine Anders https://soundcloud.com/marie-w-anders
Female vocals and field recordings by Marie Wilhelmine Anders
Mastered by Alexander Pavlenko at 22-22 Studio
Artwork by Marie Wilhelmine Anders & Thomas Lutz

Release date: November 14, 2023
Record label: Broque (Munich) https://www.broque.de 
Free mp3 download 👉 https://www.broque.de/label/en/release/mp3-download-en/5020-148-marie-wilhelmine-anders-frozen-music-2 https://soundcloud.com/broque
Promotion: Pullproxy (Berlin)
https://www.pullproxy.com/publicity/campaigns/releases/3424-frozen-music
https://www.pullproxy.com/publicity/campaigns/artists/3614-marie-wilhelmine-anders

Frozen Music

Prelude

Marie Wilhelmine Anders - Prelude

Breeze

Marie Wilhelmine Anders - Breeze

Signal

Marie Wilhelmine Anders - Signal

Marie Wilhelmine Anders - Frozen Music (Album) [brq148]

Here I delved deep into the background and the genesis of each individual track of the album:
Read here: https://www.magneticmag.com/2023/11/the-directors-cut-marie-wllhelmien-anders-frozen-music-broque-music/

Marie Wilhelmine Anders’ new, multi-genre concept album “Frozen Music” follows up on her albums “Travels” (Broque) and “She’s Leaving” (Noisy Meditation). Being her fifth album, which refers to the poetry of Robert Louis Stevenson, "Frozen Music" also evolves around another main source if inspiration that is drum ’n’ bass: Sunchase (who mastered „Frozen Music“ superbly), dBridge, Calibre, Krust, Goldie (Mother!), Optical, T.Power, LTJ Bukem, Banaczech, are just a few of her main influences. While searching for the connecting elements between the poem template from the late 19th century and the time when d’n’b was created 100 years later, she found the sound of the foghorn, invented in the year Stevenson was born. The foghorn was first installed in Jamaican sound systems in the 1950s, and it created an unexpected power in the bass range, and from there found its way into the raves and d’n’b productions of the children of the "Windrush" generation in the UK. The second connecting element Marie found was the music of Claude Debussy: his "liquid works" (David Toop) - influenced by the music of Java, Cambodia, Vietnam, Japan - in turn influenced the later generation of ambient music producers. The chord progressions from his "Prelude" from "Pour Le Piano" reappear in a stretched and filtered form in Marie’s ambient intro track "Prelude" and in a few other places in "Frozen Music“. The nine tracks of "Frozen Music" find their very own form in the atmospheric recreation of the pictorial language of Stevenson's poem "Evensong" and in its relationship to some of the most fascinating genres in electronic music. Being a classically trained composer Marie juxtaposes ambient, breaks, d’n’b and techno. She approaches the boundaries of genres with a kind of innocence, always listening to the connections between the different styles. In “Frozen Music” she picks up on these connections. This works so well because the musical forms often don't adhere to what you would deem traditional structure. Dynamic quality, form, sound design and, last but not least, the mix of her music are all the more carefully coordinated and result in a catchy flow that makes „Frozen Music“ another masterpiece, that not only brings food for thought, but, most importantly, transports the grooving d’n’b sound of the 90’s onto the contemporary stage.

All tracks written, produced and mixed by Marie Wilhelmine Anders https://soundcloud.com/marie-w-anders
Female vocals and field recordings by Marie Wilhelmine Anders
Mastered by Alexander Pavlenko at 22-22 Studio
Artwork by Marie Wilhelmine Anders & Thomas Lutz

Record label: Broque (Munich) https://www.broque.de 
Release date November 14, 2023
Free mp3 download 👉 https://www.broque.de/label/en/release/mp3-download-en/5020-148-marie-wilhelmine-anders-frozen-music-2 https://soundcloud.com/broque
Promotion: Pullproxy (Berlin)
https://www.pullproxy.com/publicity/campaigns/releases/3424-frozen-music
https://www.pullproxy.com/publicity/campaigns/artists/3614-marie-wilhelmine-anders

Evensong

Marie Wilhelmine Anders - Evensong

Elektropub Oct 27th 2023 – Part 3 (of 3):
070) Visitor – "Labour of Love"
071) ABU NEIN – "Going Down"
072) Alpha Sect – "Priority"
073) Carlo Onda – "Bad to the Bone"
074) E-Bony – "Broken Law"
075) Solo Ansamblis - "Fosforinis Baseinas"
076) Phase Fatale & Silent Servant – "Crashed Communion"
077) Karl Kave - "Geratewohl"
078) Svaj. – "Until We Fall"
079) Blitzmaschine – "Blondes Mädchen [Album Version]"
080) SDH – "Denial"
081) Border. – "Consent (Chris Shape and Miss Lucifer REMIX)"
082) JE T'AIME – "Satan's Bitch"
083) Left For Pleasure - "Hinter Schweren Gedanken"
084) Maenad Veyl feat. Years of Denial – "Stranger" 
085) SJÖBLOM – "TheStorm_TheForeignResortRemix"
086) Noromakina – "Creep"
087) Tuxedo Gleam – "All You Want"
088) Agent Side Grinder – "A Question of Time (Depeche Mode Cover)"
089) AD:keY – "Alles Was Ich Will (Single Mix)"
090) Faktura – "Vestigio"
091) Retrograth – "Mirror Sentences"
092) undertheskin – "\\ BURN"
093) Alien Skin – "Cleopatra (I Don't Love You) 2023 Single mix"
094) 32CRASH – "Merlin's Gun"
095) Majestoluxe – "Smog Motel"
096) Zirkular Dion – "Воровка ССС"
097) Figure Section – "In The Spiral Staircase (Original Mix)"
098) Ductape – "Sinners"
099) Molchat Doma – "doma molchat"
100) Tout Debord - "Rester là"
101) Parole e azioni - "Ancora cento"
102) Turquoise – "Tumulte"

Elektropub Oct 27th – Part 3 (of 3): 130-152 BPM

ECOUL087 By @nicolass_barnes

https://ecoulsnd.bandcamp.com/album/b-d

PREMIER: Nicolas Barnes - Bōdō

Kurz vor Jahrestorschluss wollen wir nochmal den DAVE Podcast mit neuer Energie versorgen. Da passt es doch super, dass niemand geringeres als @Mint4000 einen Mix abliefert. Immerhin hat der Leipziger 2023 den DAVE DJ Contest gewonnen. Viel Spaß mit einem Mix, der gut in sein Soundverständnis beim Auflegen einführt. Das ist nämlich äußerst vielgestaltig, wenn man sich den Mix so anhört. Gutes Futter jedenfalls, um den Weihnachtsblues wegzublasen.

Interview: https://www.dave-festival.de/podcast/dave-podcast-45-mint4000/

DAVE Podcast #45

Interview

DAVE Podcast #45 - Mint4000

Kaboom! As we approach the end of 2023, we present the last regular edition of TANK Radio to help you finish the year on a high note. TR183 is mixed by the talented Mystery Kid from Nantes, delivering a captivating mixtape featuring her distinctive dark disco sound. Who needs fireworks when you can wrap up the year with a banging mixtape; courtesy of Mystery Kid?! 

Tracklist:

1)	ATOEM - Lunacy	[Yotanka Records]
2)	AVTEL - Preciousness  [kinetika music]
3)	Justin Marchacos - Anticipate	[Katermukke]
4)	Lake Avalon - Orbitar  [Katermukke]
5)	Affkt - Eternal Sunshine  [Multinotes]
6)	VAPA - Techno Chapelle	[VAPA RECORDS]
7)	Jares - Voices  [Katermukke]
8)	David Keno - When It Rains   [Katermukke]
9)	Matchy - The Way  [Katermukke]
10)	Kiko - Serial	[Watergate Records]
11)	Enamour - Collider	[Katermukke]
12)	Kuriose Naturale - Emma Lok  [Katermukke]
13)	Khafuri - Sakura (Undefined Pattern Mechanical Mix)	[Veneno]
14)	Jares - Better Days  [Katermukke]
15)	Amadori - Out of Time  [Katermukke]

TR183 - Mystery Kid

After 2 years it's finally done, my next variety album "Bracket Reset".
This is a fully dedicated work for the Super Smash Bros Melee community.
I hope you enjoy it!

Just playing and messing with some beats, telling a story from the heart.

Not Friends

Roffanu

II: composer I producer I human being :II

MARIE WILHELMINE ANDERS is a wanderer in music. Musically and instrumentally trained since her earliest childhood, she received her first technical training as a sound engineer at GDR television. She played keyboards in a punk band in the East Berlin underground music scene, created field recordings and sound installations, studied classical composition at the University Of The Arts Berlin, and graduated as a music teacher at the Musikhochschule Stuttgart. In Stuttgart she was an active part of the experimental improvisational scene playing piano as well as a set of electronics. There she founded two ensembles, "Unterton" and "Hammerhaus", both of which brought together groove and free-flowing improvised forms from different perspectives. Additionally, she initiated and directed “momentmusik"—a concert series for experimental and improvised music, visual arts, performance and spoken word, which established the connection between her ensembles and the national and international scenes. 

In 2005 she ended her concert activity and moved back to Berlin. Eager for new forms of expression, Marie learned to play the electric bass, and began producing her music using DAWs and publishing it under the pseudonym Marie Wilhelmine Anders.

Marie's conceptual thinking and her craft as a modern classical composer allow her to congenially translate non-musical concepts into a modern electronic language, influenced by techno, electronica, ambient music and drum & bass. Between 2018 and 2023 she released 6 albums, 2 EP’s, over 10 remixes and more than 20 mixes. As a producer, Marie likes to work alone and independently. She is also increasingly in demand as a remixer.

Her best friend writes: "Marie works her way out of all restrictions and experiments with styles and musical directions.Thereby she adapts formal means and creates something very much her own out of it. As always, I am impressed by her accuracy in everything she does. Marie is the secret Phoenix among my friends, who every time after it has turned to ashes, puts on a new and even more splendid plumage. I have great admiration for her consistency, uncompromising artistry, unconditional honesty, absolute fidelity and loyalty. One speaks of the Phoenix as an eternally youthful bird. And he can fly.”

Profile picture: Merit Schambach ©2020
Banner: Marie Wilhelmine Anders

Marie Wilhelmine Anders - Evensong

Marie Wilhelmine Anders

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