Prelude  Far far, in the fog of the ocean, the roar of bottomlessness, where do we come from, where do we go, in the cold of presumption, rowing, no land, no hold, torn apart to the utmost transparency of the skin, which trembles in the hearing of other entities, feeling is heart is clarity, a hand reaches for us, that it does not let us go, I ask. Absolutely wonderful

Cascading sonics...a beautiful dream-like quality

Beautiful sound design. Excellent production work!

Bandcamp

Circle (free download)

Marie Wilhelmine Anders - Frozen Music (Album) [brq148]

Here I delved deep into the background and the genesis of each individual track of the album:
Read here: https://www.magneticmag.com/2023/11/the-directors-cut-marie-wllhelmien-anders-frozen-music-broque-music/

Marie Wilhelmine Anders’ new, multi-genre concept album “Frozen Music” follows up on her albums “Travels” (Broque) and “She’s Leaving” (Noisy Meditation). Being her fifth album, which refers to the poetry of Robert Louis Stevenson, "Frozen Music" also evolves around another main source if inspiration that is drum ’n’ bass: Sunchase (who mastered „Frozen Music“ superbly), dBridge, Calibre, Krust, Goldie (Mother!), Optical, T.Power, LTJ Bukem, Banaczech, are just a few of her main influences. While searching for the connecting elements between the poem template from the late 19th century and the time when d’n’b was created 100 years later, she found the sound of the foghorn, invented in the year Stevenson was born. The foghorn was first installed in Jamaican sound systems in the 1950s, and it created an unexpected power in the bass range, and from there found its way into the raves and d’n’b productions of the children of the "Windrush" generation in the UK. The second connecting element Marie found was the music of Claude Debussy: his "liquid works" (David Toop) - influenced by the music of Java, Cambodia, Vietnam, Japan - in turn influenced the later generation of ambient music producers. The chord progressions from his "Prelude" from "Pour Le Piano" reappear in a stretched and filtered form in Marie’s ambient intro track "Prelude" and in a few other places in "Frozen Music“. The nine tracks of "Frozen Music" find their very own form in the atmospheric recreation of the pictorial language of Stevenson's poem "Evensong" and in its relationship to some of the most fascinating genres in electronic music. Being a classically trained composer Marie juxtaposes ambient, breaks, d’n’b and techno. She approaches the boundaries of genres with a kind of innocence, always listening to the connections between the different styles. In “Frozen Music” she picks up on these connections. This works so well because the musical forms often don't adhere to what you would deem traditional structure. Dynamic quality, form, sound design and, last but not least, the mix of her music are all the more carefully coordinated and result in a catchy flow that makes „Frozen Music“ another masterpiece, that not only brings food for thought, but, most importantly, transports the grooving d’n’b sound of the 90’s onto the contemporary stage.

All tracks written, produced and mixed by Marie Wilhelmine Anders https://soundcloud.com/marie-w-anders
Female vocals and field recordings by Marie Wilhelmine Anders
Mastered by Alexander Pavlenko at 22-22 Studio
Artwork by Marie Wilhelmine Anders & Thomas Lutz

Release date: November 14, 2023
Record label: Broque (Munich) https://www.broque.de
Free mp3 download 👉 https://www.broque.de/label/en/release/mp3-download-en/5020-148-marie-wilhelmine-anders-frozen-music-2
https://soundcloud.com/broque
Promotion: Pullproxy (Berlin)
https://www.pullproxy.com/publicity/campaigns/releases/3424-frozen-music
https://www.pullproxy.com/publicity/campaigns/artists/3614-marie-wilhelmine-anders

Frozen Music

Embers

Marie Wilhelmine Anders - Embers

Marie Wilhelmine Anders - Frozen Music (Album) [brq148]

Here I delved deep into the background and the genesis of each individual track of the album:
Read here: https://www.magneticmag.com/2023/11/the-directors-cut-marie-wllhelmien-anders-frozen-music-broque-music/

Marie Wilhelmine Anders’ new, multi-genre concept album “Frozen Music” follows up on her albums “Travels” (Broque) and “She’s Leaving” (Noisy Meditation). Being her fifth album, which refers to the poetry of Robert Louis Stevenson, "Frozen Music" also evolves around another main source if inspiration that is drum ’n’ bass: Sunchase (who mastered „Frozen Music“ superbly), dBridge, Calibre, Krust, Goldie (Mother!), Optical, T.Power, LTJ Bukem, Banaczech, are just a few of her main influences. While searching for the connecting elements between the poem template from the late 19th century and the time when d’n’b was created 100 years later, she found the sound of the foghorn, invented in the year Stevenson was born. The foghorn was first installed in Jamaican sound systems in the 1950s, and it created an unexpected power in the bass range, and from there found its way into the raves and d’n’b productions of the children of the "Windrush" generation in the UK. The second connecting element Marie found was the music of Claude Debussy: his "liquid works" (David Toop) - influenced by the music of Java, Cambodia, Vietnam, Japan - in turn influenced the later generation of ambient music producers. The chord progressions from his "Prelude" from "Pour Le Piano" reappear in a stretched and filtered form in Marie’s ambient intro track "Prelude" and in a few other places in "Frozen Music“. The nine tracks of "Frozen Music" find their very own form in the atmospheric recreation of the pictorial language of Stevenson's poem "Evensong" and in its relationship to some of the most fascinating genres in electronic music. Being a classically trained composer Marie juxtaposes ambient, breaks, d’n’b and techno. She approaches the boundaries of genres with a kind of innocence, always listening to the connections between the different styles. In “Frozen Music” she picks up on these connections. This works so well because the musical forms often don't adhere to what you would deem traditional structure. Dynamic quality, form, sound design and, last but not least, the mix of her music are all the more carefully coordinated and result in a catchy flow that makes „Frozen Music“ another masterpiece, that not only brings food for thought, but, most importantly, transports the grooving d’n’b sound of the 90’s onto the contemporary stage.

All tracks written, produced and mixed by Marie Wilhelmine Anders https://soundcloud.com/marie-w-anders
Female vocals and field recordings by Marie Wilhelmine Anders
Mastered by Alexander Pavlenko at 22-22 Studio
Artwork by Marie Wilhelmine Anders & Thomas Lutz

Release date: November 14, 2023
Record label: Broque (Munich) https://www.broque.de 
Free mp3 download 👉 https://www.broque.de/label/en/release/mp3-download-en/5020-148-marie-wilhelmine-anders-frozen-music-2 https://soundcloud.com/broque
Promotion: Pullproxy (Berlin)
https://www.pullproxy.com/publicity/campaigns/releases/3424-frozen-music
https://www.pullproxy.com/publicity/campaigns/artists/3614-marie-wilhelmine-anders

Prelude

Marie Wilhelmine Anders - Prelude

composed,mixed & produced by David Blouin 
cover art by David Blouin
mastered by Robert Soma-Lewis at Ambient Works

Faded Roses

Onism

Deemkeyne - Touching The Ground [2023]
Slope Point [slp036]     

Tracklist:	
1. Klirrend  
2. Touching The Ground 
3. Touching The Ground (lotech/hijack Reshape) 
4. Sensor 06:15
5. Sensor (Xyiz Remix)  
	
All tracks mastered by Pheek.
Original picture by Henrik Dønnestad.
Cover design by Slope Point Team.

Buy on Bandcamp

Deemkeyne - Klirrend

Va - 042

R.Hz - Meadow

Haze
Artist: Takashi Mori
Label: Liberty Rhythm
Catalog: LBRTHY113
Release Date: 2023-11-10
https://www.beatport.com/release/haze/4304711

Haze

Takashi Mori - Sanga [Liberty Rhythm]

Interplanetary Transfusion

VA - Slope Forms X [2024]
Slope Point [slp045] 

All tracks mastered by Pheek. 
Original picture by Susan Wilkinson. 
Cover design by Slope Point Team.

Amaral Borges - Astros Theory

Killing Field

II: composer I producer I human being :II

MARIE WILHELMINE ANDERS is a wanderer in music. Musically and instrumentally trained since her earliest childhood, she received her first technical training as a sound engineer at GDR television. She played keyboards in a punk band in the East Berlin underground music scene, created field recordings and sound installations, studied classical composition at the University Of The Arts Berlin, and graduated as a music teacher at the Musikhochschule Stuttgart. In Stuttgart she was an active part of the experimental improvisational scene playing piano as well as a set of electronics. There she founded two ensembles, "Unterton" and "Hammerhaus", both of which brought together groove and free-flowing improvised forms from different perspectives. Additionally, she initiated and directed “momentmusik"—a concert series for experimental and improvised music, visual arts, performance and spoken word, which established the connection between her ensembles and the national and international scenes. 

In 2005 she ended her concert activity and moved back to Berlin. Eager for new forms of expression, Marie learned to play the electric bass, and began producing her music using Cubase and publishing it under the pseudonym Marie Wilhelmine Anders. After discovering the poems of the Scottish poet, Robert Louis Stevenson, she began to develop her new electronic musical language incorporating and building upon his verses. Marie's conceptual thinking and her craft as a modern classical composer allow her to congenially translate his lyrics into a modern electronic language, influenced by techno, electronica and ambient music. Between 2018 and 2021 she released 4 albums which built upon each other and referred to Stevenson’s work (including a remix album of her tracks), and more will follow. As a producer, Marie likes to work alone and independently. She is also increasingly in demand as a remixer.

Her best friend writes: "Marie works her way out of all restrictions and experiments with styles and musical directions.Thereby she adapts formal means and creates something very much her own out of it. As always, I am impressed by her accuracy in everything she does. Marie is the secret Phoenix among my friends, who every time after it has turned to ashes, puts on a new and even more splendid plumage. I have great admiration for her consistency, uncompromising artistry, unconditional honesty, absolute fidelity and loyalty. One speaks of the Phoenix as an eternally youthful bird. And he can fly.”

Community: https://forum.technoforum.de/ubb/ultimatebb.php
https://www.femalepressure.net

Profile picture: Merit Schambach ©2020
Banner: Marie Wilhelmine Anders

Marie Wilhelmine Anders - Prelude

Marie Wilhelmine Anders

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