For this album, photographs by Thomas Lutz illustrate a narrative that is recounted with my music. A person - let’s call them „She“ - who leaves her parent’s house to lead an independent life. But then for whatever circumstances, she faces the danger of homelessness.

„She’s Leaving“, the title track, is inspired by an experience at age 17, when I left my parent’s house and carried a box of my things on foot to my new home. On my 38th birthday - the day my grandmother died - I wrote this piano piece.

„Variation I“ features a modified piano with sound built in the granular synthesizer. In „Variation II“ and „III“ this process is continued with addition of instruments and spatial effects.

„Night Tube“ is both a further variation and a reminiscence of „Waking the Witch“ by Kate Bush. Taken from the second side of her „Hounds Of Love“ LP, the concept piece „The Ninth Wave“ tells the story of a girl floating alone on the sea in a life raft. Voices of her family in her fantasy awaken her again and again, saving her from falling asleep, freezing to death and drowning.
In „Night Tube“ I think of a homeless person who nods off in the London subway at night and is startled, again and again, by inner and outer voices. In the metaphorical sense, it’s also about being scared awake in one’s own circumstances. There are currently an estimated 59,000 homeless women in Germany.

„Without A Sound“ closes the album. With this remix of the piano piece „She’s Leaving“ I tried to capture some of the emptiness and quiet vastness of Ryuichi Sakamoto’s music („async“). The trumpet samples come from a nocturnal jam session in the recording studio of the Stuttgart Musikhochschule in which I was involved.

With the additional „Threads of Reflections“ remix*, Belial Pelegrim contributes a unique cinematic soundscape with a generous and gentle atmosphere.

Credits:
1-6  Written, played, recorded, produced, mixed and mastered by Marie Wilhelmine Anders
https://soundcloud.com/marie-w-anders
https://soundcloud.com/moment_musik
7 Written by Marie Wilhelmine Anders. Produced, mixed and mastered by Belial Pelegrim
https://soundcloud.com/belial-pelegrim
Thanks to the colleagues from recording.de for their voices in „Night Tube“
Cover Pictures: Polaroids by Thomas Lutz
http://www.polanoid.net/people/profile?uid=74
Design by Clayton Jones
https://www.behance.net/claytonjones

Released December 31, 2021 by https://soundcloud.com/noisymeditation

A portion of the proceeds will be donated to Annapolis Lighthouse, a homeless prevention support center https://annapolislighthouse.org

She's Leaving

Variation III (Matratze)

“Music is a space of togetherness.
Ego has no sound in it.”
– Michel Heukrodt

🎧 Dj // Producer // Vinyljunkie since 1998

🎧 Record Label :

We Are One AUDIO Tension
https://soundcloud.com/weareonepodcastseries
Kamarad Meyer Musik
https://soundcloud.com/kamarad-meyer-musik
DEEP AFFAIRS MUSIC 
https://soundcloud.com/deepaffairs
PIRANHA SIBERIA DUB
https://soundcloud.com/piranha-siberia

👤Pseudonymen:
Pfiff // MAHK // Decade Connected // Unbroken Tension

▶️Founder// Host // Content Creator 
We Are One AUDIO Tension
We Are One Podcast Series
https://on.soundcloud.com/EWt6v




nihilism, solidarity and no fame!
live act and DJ: industrial ambient, mental tekno
collectives: @flimmergrenze, zecktek, femtek (@user-453228924), ex-@prozecco, fem*noise
releases: Melusines Vol. 1 // Phonon~ PHO002 // Phonon~ PHO001 // Unusual Suspects UN002 // "Genauso bloß anders", DEUTSCHLANDFUNK // Crux Axul 002 

2025-09-18/21 Bauhausarchiv Berlin with 1pp1, live
2025-06-25/29 reading-sound-performace, somewhere (still secret)
2025-06-13/14/15 somewhere area (Berlin area?)
2025-05-17 Rudolfstraßenfest, Dresden
2025-05-10 Krachathon, Leipzig, together with @Lasch, live
2025-04-04 Krachathon warm-up, Leipzig, Hitness Club, live
2025-03-07 about blank, Berlin, DJ-set, Euphoriot vs. Dynamic
2025-01-17 Punctum Krasovka, Prag (fem*noise x synth library prag)
2025-01-16 with sound&fury, music university HfM Dresden
2024-12-31 Dresden area
2024-10-03 DAVE Festival, live Ambient
2024-08-2/3 Metasolis Festival, live Ambient
2024-07-20/21 PolTek, near Wrocław (PL)
2024-06-22 Queer Pride Dresden, on a truck
2024-06-15 Sektor Evolution, Dresden, mental
2024-06-08 ZKM Karlsruhe. Fury Orchestra, live
2024-05-31 Zecktek, somewhere area
2024-05-25 Krachathon Leipzig, Live-set
2024-03-23 Kleinvieh, Dresden, DJ-set b2b Lhotka
2024-03-16 live-set at Hole of Fame, Dresden
2024-02-24 live-set at BIAS, Dresden
2024-01-20 Sektor Evolution, ATM-Party, Dresden
2024-01-06 with Fury Orchestra at Music University Dresden
2023-12-31 DD area (yeah!)
2023-12-15 STÄDTISCHE GALERIE Dresden, live-set in exhibition "Töne, Tänze, Klänge, Krach"
2023-11-17/19 ZENTRALWERK, mental tekno live-set with Edoed
2023-10-26 HOLE OF FAME, Dresden, live-set with VJ autr.tv
2023-10-14 DAVE-Festival, panel on underground vs. carrier as a musician/artist
2023-10-13 Kukulida, mental DJ-set
2023-09-23 mental tekno live-set with Edoed at street party Rudolfstrassenfest in Dresden, Zecktek-stage
2023-09-15 Easttek
2023-09-02 secret rave Usti area (CZ)
2023-07-28 MELUSINES / phonon~, Usti (CZ), narodny dom 
2023-07-21 SUBCONTRA festival, workshop
2023-06-23 IFZ leipzig
2023-05-10/11 secret rave somewhere
2023-04-11 dasKONZERTs, rockefeller center of the arts dresden, live-set
2023-04-08 secret rave somewhere, tekno DJ-set
2023-03-23 OXI berlin 
2023-03-08 petersburg art space berlin, live
2023-02-18 Festspielhaus Hellerau
2023-01-28 BIAS Dresden, live-set
2022-12-31 Sektor Evolution, Dresden
2022-11-26 „Shellac Archive“, 4.1-live-set in Usti nad Labem (CZ)
2022-11-17 Festival „V-Fest", Tilburg, live-set (NL)
2022-11-05 OBJEKT KLEIN A, Dresden, mental Tekno
2022-08 til 2022-11 6-channel sound installation at robotron Kantine / Kunsthaus Dresden
...
2011-07-14 my first live set at Fischladen Dresden

I played: 
lot's of secret raves, ZKM Karlsruhe, Festspielhaus Hellerau, Punctum (Prag, CZ), IFZ Leipzig, Sektor Evolution Dresden, Objekt Klein a, Kunsthaus Dresden, Kili Berlin, OXI Berlin, Zxxo Leipzig, street rave Tolerade, Petersburg Art Space Berlin, EKH Wien (AU), Zucker Bremen, Rabryka Görlitz, Rockefeller Center DD, Teknival Station of Destiny (CZ), Festival Kantine Gramschi, Festival We go apart with art, Festival Circuit Circle, Festival Punx Piknik Wroclaw, Festival Subkontra Oberpöbel, Festival V-Fest Tilburg (NL), several events by phonon~ in Usti nad Labem (CZ)

My page for re-posting great Souncloud music...whatever the genre. Listen to Pelegrim at https://www.soundcloud.com/belial-pelegrim

Dude from the hills. Thankyou for taking the time to listen and supporting my works, it is very much appreciated.

My new EP, 'all of heaven is against you' under CRSY is out now. Check it out via the links below :-) if you'd like a free code for the Bandcamp release then just give us a shout
Still CRSY, just fancied a name change 😁

II: The experimental side of Marie Wilhelmine Anders + repost channel :II
Dear DJ*s, please, give credits to the artists you play!

"momentmusik" was a concert series for experimental and improvised music, visual arts, performance and language at the Theater Rampe Stuttgart 2003-2004. The series was founded and directed by Marie Wilhelmine Anders and was used to promote the regional scene and national and international exchange. In the two years 14 concert evenings took place with a total of 26 artists.
The concerts:
07.04.2003*
unterton + Maciej Walczak / Lodz, Stuttgart / Livevideo
unterton were: Anja Füsti / Vibrafon, Perkussion, Oliver Prechtl / Elektronik
Marie W. Anders / Innenflügel, Tasten, Hammond XB-1
02.06.2003*
unterton + Carsten Netz / Stuttgart / Klarinette, Sax 
+ Christian Reiner /Wien, Berlin / Stimme
28.07.2003*
unterton + Thomas Maos / Tübingen/ Elektronische Gitarre
29.09.2003
unterton + Günter Heinz / Dresden / Posaune
03.11.2003
unterton + Boris Baltschun / Berlin / Sampler
08.12.2003
unterton + Hanfreich / Stuttgart / Synthesizer, Elektronik
02.02.2004
Marie W. Anders / "einblenden/atmen" für 4 Lautsprecher, Hammondorgel, CD + MD-Player, vorbereitetes Klangmaterial
01.03.2004
Set 1: Alessandro Bosetti / Berlin / Sopransaxofon +  Michel Doneda / Toulouse / Sopransaxofon
Set 2: Anja Füsti / Percussion +  Marie W. Anders / Innenflügel, Elektronik
29.03.2004
Jörg Kallinich / Tübingen / Dias & Projektion + Marie W. Anders / Elektronik
03.05.2004
unterton + Jo Ambros / Berlin, Stuttgart / Gitarre
07.06.2004
Set 1: MBK - Maybachkeller Stuttgart
Set 2: Roland Blach / Stuttgart / visual piano + Mark Lorenz Kysela / Stuttgart / Elektronik
05.07.2004
Anja Füsti / Percussion + Oliver Prechtl / Elektronik
04.10.2004**
Set 1: Chris Forsyth / New York / Gitarre + Chris Heenan / LA, Stuttgart / Altosax, Bass- + Kontrabassklarinette
Set 2: Oli Rubow /Stuttgar, Frankfurt / M. / Organic Electro Beats + Laurenz Theinert / Stuttgart / Visual Piano
06.12.2004**
Set 1:vestige vertical / Berlin
Lothar Fiedler / Gitarre, Elektronik
Michael Walz / Sinthesizer/Sampler
Michael Vorfeld / Perkussion, selbstentworfene Saiteninstrumente
Set 2: Volker Illi / Reutlingen / Overheadprojektor + Nikola Lutz / Stuttgart / Saxofon, Elektronik
* The concerts on 7.4., 2.6. and 28.7.2003 were funded by the Cultural Office of the City of Stuttgart and the Cultural Foundation of the Landesbank Baden-Württemberg.
** The concerts on 4.10. and 6.12.2004 were sponsored by the Cultural Office of the City of Stuttgart, the Cultural Foundation of the Landesbank Baden-Württemberg and the Ibis Hotel Stuttgart on Marienplatz.
momentmusik thanks the Theater Rampe warmly for the friendly support of the series.

Profile photo: Merit Schambach ©2020
Banner: Marie Wilhelmine Anders

Belial Pelegrim is an electronic musician and producer known for crafting dark, cinematic, and experimental music. His work blends elements of ambient, glitch, IDM, and neoclassical styles, often creating immersive soundscapes that evoke a sense of mystery and introspection. Pelegrim's compositions are characterized by their rich textures and atmospheric depth. He frequently explores themes of surrealism, metaphysics, and the ethereal, drawing listeners into complex auditory experiences. Pelegrim's music often incorporates a hybrid of organic and electronic sounds, pushing the boundaries of conventional genres.​

Let the dream go on✨ 💫 🌟


Didgerdioo, mouth harp, singing, poem, spoken word & soulful inspirations & chant mantras & photos & video clips & camera by Amanitalinda 🧚 🧚‍♀️ 🧚‍♂️

Music production by Jeamland℗2019-2025
Please see our main account for further details
Thank you so much🙏

Child of Nature: https://soundcloud.com/childofnature
Amanitalinda: @amanitalinda
Morten Jeamland: https://soundcloud.com/mortenjeamland

Love & Light ✨🌟❤️🌟✨

Avant-garde house music between lofi- and minimal / deep house, techno, glitch and electronica, plunderphonics and house, the Westend Ghetto Guys somehow occupy a niche of their own and live from strange glitches and bizarre sounds. Bootleg remixes and mashups for 'iamamiwhoami' also lead to an official remix ("N") and collaborations with other musicians (e.g. 3PM, Minute Taker, Christopher Norman, Klordop / Tis, Morgen Wurde) from the Swedish pioneers of viral video chips. Not surprisingly, the collective from the Westend Ghetto even published sample libraries for the renowned magazine "Computer Music" and for the 'sounds2sample'-Platform and offers highly acclaimed "ensembles" in the Reaktor community ("Native Instruments").

Real boost for your music →https://hypemusicprm.com/
Be on top!

hypemusicprm@gmail.com

Support all styles and genres of music.
Repost your music https://hypemusicprm.com

II: composer I producer I human being :II

MARIE WILHELMINE ANDERS is a wanderer in music. Musically and instrumentally trained since her earliest childhood, she received her first technical training as a sound engineer at GDR television. She played keyboards in a punk band in the East Berlin underground music scene, created field recordings and sound installations, studied classical composition at the University Of The Arts Berlin, and graduated as a music teacher at the Musikhochschule Stuttgart. In Stuttgart she was an active part of the experimental improvisational scene playing piano as well as a set of electronics. There she founded two ensembles, "Unterton" and "Hammerhaus", both of which brought together groove and free-flowing improvised forms from different perspectives. Additionally, she initiated and directed “momentmusik"—a concert series for experimental and improvised music, visual arts, performance and spoken word, which established the connection between her ensembles and the national and international scenes. 

In 2005 she ended her concert activity and moved back to Berlin. Eager for new forms of expression, Marie learned to play the electric bass, and began producing her music using DAWs and publishing it under the pseudonym Marie Wilhelmine Anders.

Marie's conceptual thinking and her craft as a modern classical composer allow her to congenially translate non-musical concepts into a modern electronic language, influenced by techno, electronica, ambient music and drum & bass. Between 2018 and 2023 she released 6 albums, 2 EP’s, over 10 remixes and more than 20 mixes. As a producer, Marie likes to work alone and independently. She is also increasingly in demand as a remixer.

Her best friend writes: "Marie works her way out of all restrictions and experiments with styles and musical directions.Thereby she adapts formal means and creates something very much her own out of it. As always, I am impressed by her accuracy in everything she does. Marie is the secret Phoenix among my friends, who every time after it has turned to ashes, puts on a new and even more splendid plumage. I have great admiration for her consistency, uncompromising artistry, unconditional honesty, absolute fidelity and loyalty. One speaks of the Phoenix as an eternally youthful bird. And he can fly.”

Profile picture: Merit Schambach ©2020
Banner: Marie Wilhelmine Anders