Harshp

"Lost It To Trying" from the album Lanterns, now available on ITunes: http://bit.ly/1hqLie6

Watch the official music video here:
http://www.youtube.com/watch?v=TkLT5krv_6c

Written, Performed & Recorded by Son Lux
Vocals - Lily & Madeleine (http://lilandmad.com)
Baritone Saxophones - Jack Bashkow, Steven Temme
Tenor, Alto Saxophones - Steven Temme
Flutes - Alex Sopp

Ryan Lott Music (ASCAP) administered by Domino Publishing Company USA (ASCAP)
© 2013 Joyful Noise Recordings + Son Lux / sonluxmusic.com

Lanterns

Lost It To Trying

Buy from iTunes

Son Lux - Lost It To Trying

Le1f - Wut

DJ MARFOX - TERRA BATIDA

Fatima Al Qadiri: Shanghai Freeway (Taken from Asiatisch Released 05/2014) On Hyperdub 

Amazon

Fatima Al Qadiri: Shanghai Freeway (Taken from Asiatisch Released 05/2014)

The new single from the forthcoming album, Mean Love, out Sept 2 on City Slang (EU) and DFA (US).

Pre-order the album:
iTunes: http://smarturl.it/SinkaneiTunes
Amazon CD: http://smarturl.it/SinkaneAmazonCD
Amazon LP: http://smarturl.it/SinkaneAmazonLP

Direct from DFA (US):
http://store.dfarecords.com/collections/frontpage/products/dfa2445

Direct from City Slang (EU):
LP: http://cityslang.frocksteady.com/shop/music/mean-love-1.html
CD: http://cityslang.frocksteady.com/shop/music/mean-love.html


How We Be

"Alternate World", from the album Lanterns, now available at Joyful Noise Recordings. bit.ly/14jPwRe

Written, Performed & Recorded by Son Lux

Vocals - Ieva Berberian, Cameron Schenk, Aaron Strumpel, Shara Worden
Mandolin - Chris Thile
Pedal Steel, Bass - Christopher Wray

Ryan Lott Music (ASCAP) administered by Domino Publishing Company USA (ASCAP) © 2013 Joyful Noise Recordings + Son Lux / sonluxmusic.com

"The sound that kicks off this song, and the record, is the fluttering voice of Shara Worden combined with Chris Thile's tremolo mandolin. In order to create the vocal sound, I recorded Shara singing three short 'ah' sounds on every pitch in her range. I snipped them all up, and using a sampler, mapped them so that I could 'play' her voice from a keyboard. Then I used some fancy programming to make each 'ah' repeat as I hold down a key, or more specifically, to 'bounce' like a ball propelled by gravity... and then reverse itself. The result is that each 'ah' bounces rapidly and gradually smears into the next, creating the illusion of a held note, and then spreads out again. When 'playing' the voice this way, an extra-natural vocal articulation is achieved, but the sound of the instrument itself is entirely acoustic, and even human. This bit of technical geekery is a play on 'alternate world,' presenting the familiar in a strange new light." - Ryan Lott

Lyrics:
ALTERNATE WORLD
ALTERNATE AGE
ALTERNATE LIFE

OH OH, WE'LL SHED OUR SKIN
WE'LL WALK THE OTHER SIDE
OH OH, WE'LL BRACE FOR IT
AND CONQUER EVERYTHING
OH OH OH 
AND CONQUER EVERYTHING

OH OH, WE'RE MAGICAL
WE'LL WAKE THE DEAD FROM SLEEP
OH OH, WE'LL SHED OUR SKIN
WE'LL WALK THE OTHER SIDE
OH OH, WE'LL BRACE FOR IT
AND CONQUER EVERYTHING
OH OH OH

TEAR ME AWAY, FROM THIS FIGHT
TEAR ME AWAY, TAKE ME TO AN...
ALTERNATE WORLD
ALTERNATE AGE
ALTERNATE LIFE

ALTERNATE WORLD
ALTERNATE AGE
ALTERNATE LIFE

MAKE WHAT WE BELIEVE
DON'T WE MAKE WHAT WE CAN


Buy on iTunes

Alternate World

'Room 302' is the second to feature Tink and follows 'Vernáculo' featuring Maluca and Chicago epic 'Talkin Bandz' featuring Shawnna and DJ Victoriouz.

Pre-order Future Brown's debut album at,
Bleep - http://smarturl.it/future_brown-bleep
iTunes - http://smarturl.it/future_brown-itunes

http://futurebrown.com
https://www.facebook.com/FutureBrown
https://twitter.com/FutureBrown

Future Brown

Room 302 (feat. Tink)

Pre-order at Bleep

Room 302 Feat. Tink

Keep On Dancing, We Are The City’s first venture into self producing, was recorded in the back of a bike shop in East Vancouver. This single features a hypnotic improvised chorus, “Whatever God is, It’s here with me now.” Captured in the recording is the first time the lyric and melody of this chorus were ever performed. 

Spotify - http://smarturl.it/rs4jez
iTunes - http://smarturl.it/tiqxqk
Amazon - http://smarturl.it/fvnl6n
Google Play - http://smarturl.it/KODG
Rdio - http://smarturl.it/KODR

We Are The City - Keep On Dancing

Das Racist - Rapping 2 U

Haiyti aka Robbery - Gigolo (prod. AsadJohn)

der scheiß ist weiß

artwork: instagram.com/mvngchrs

Yung Hurn & Rin - Bianco

You Don't Own Me (feat. Hanna Benn)

From PRINCESS EP out July 15th via True Panther Sounds / Awful Records

Pre-order limited edition princess vinyl : http://bit.ly/abra_princess_tps
Spotify: http://bit.ly/abra_crybaby_spotify
iTunes: http://apple.co/1ZwzawK

Facebook: https://www.facebook.com/darkwaveduchess
Twitter: http://twitter.com/darkwaveduchess
Instagram: https://www.instagram.com/darkwaveduchess

All music written produced and performed by ABRA.
Mixed by Johnathan Turner. Mastered by Heba Khadry.


CRYBABY

Crybaby

Téléchargez gratuitement le titre "KANÉ" : <a href="http://on.fb.me/FAUVE-KANE-fb" rel="nofollow" target="_blank">http://on.fb.me/FAUVE-KANE-fb</a> 

KANÉ - la vidéo: <a href="http://www.youtube.com/watch?v=kb1Nu75l1vA">www.youtube.com/watch?v=kb1Nu75l1vA</a> 

FAUVE sur Facebook : http://www.facebook.com/FAUVEcorp 
FAUVE newsletter: http://bit.ly/FAUVE-newsletter 
FAUVE sur Youtube: http://www.youtube.com/FAUVEcorp 
FAUVE sur leur site: http://www.FAUVEcorp.com 
FAUVE sur Twitter: http://twitter.com/FAUVEcorp 

Artiste : FAUVE / chanson : KANÉ

OK, d'accord
T'es pas un modèle de vertu
Et puis c'est vrai que t'es pas non plus
Un coup en or

D'ailleurs, si on regarde ton corps
Quand tu te mets à poil
Faut bien avoue que tout nu
T'es pas vraiment l'homme idéal

J'ai aussi appris que tu rêvais
D'être Lennon ou McCartney
Qu'est-ce que tu veux, mon vieux ?
T'as fait de mon mieux, ça s'est pas fait

Et puis on m'a dit que la nuit
Tu cherchais à revendre ton âme au Diable
Pour qu'il te rende moins laid
Plus fort, aimable et stable

Pourtant t'es beau, comme une comète
Je t'ai dans la peau, je t'ai dans la tête
Et quand bien même
Y aurait que moi
Tu peux pas t'en aller comme ça

Parce que t'es beau
Comme une planète
Je t'ai dans la peau, je t'ai dans la tête
Je te le répèterai
Tant qu'il faudra
Tu peux pas t'en aller comme ça

Et puis tu feras quoi, cané, dis-moi ?
T'auras l'air fin
Ça sert à quoi, caner, dis-moi ?
Ça sert à rien

Je sais, je sais
Tu fais parfois du mal aux gens
Parce que t'es pas toujours le mec
Le plus loyal
Ni le plus franc

Déjà qu'en temps normal,
T'es un peu pas normal, justement
Mais en plus, quand tu bois
Tu deviens rapidement assez sale
Limite flippant

Ça t'arrive aussi d'être un peu
Libidineux
Quand t'es pas carrément insistant
De faire des trucs pas très élégants
Pour t'excuser le lendemain
Piteusement

Et puis tes coups de sang, tiens
On pourrait en parler aussi
Quand tu sors les crocs
Sans grier gare
Pour un rien
Et contre n'importe qui

Pourtant t'es beau, comme une comète
Je t'ai dans la peau, je t'ai dans la tête
Et quand bien même
Y aurait que moi
Tu peux pas t'en aller comme ça

Parce que t'es beau
Comme une planète
Je t'ai dans la peau, je t'ai dans la tête
Je te le répèterai
Tant qu'il faudra
Tu peux pas t'en aller comme ça

Et puis tu feras quoi, cané, dis-moi ?
T'auras l'air fin
Ça sert à quoi, caner, dis-moi ?
Ça sert à rien

T'as peur de tout
C'est à peine croyable
Tu bloques sur un nombre de choses
Absolument incalculable

Ça dure depuis tellement longtemps
Je sais pas comment tu fais
Pour dérouiller autant
Même si je crois quand même
Qu'à la longue, ça t'a un peu abîmé
En dedans

D'ailleurs on t'entend parfois dire
Des choses étranges
Des trucs pas nets
De parler à l'envers Et de raconter des histoires
Sans queue ni tête

T'es devenu bizarre
Imprévisible
Déconcertant
Branque
Cryptique
Certains disent même
Qu'ils t'ont vu à ta fenêtre le soir
Parler aux satellites

Pourtant t'es beau, comme une comète
Je t'ai dans la peau, je t'ai dans la tête
Et quand bien même
Y aurait que moi
Tu peux pas t'en aller comme ça

Parce que t'es beau
Comme une planète
Je t'ai dans la peau, je t'ai dans la tête
Je te le répèterai
Tant qu'il faudra
Tu peux pas t'en aller comme ça

Et puis tu feras quoi, cané, dis-moi ?
T'auras l'air fin
Ça sert à quoi, caner, dis-moi ?
Ça sert à rien.

FAUVE ≠ KANÉ

Future Islands - Tin Man

Das Racist is a weed edge/hare krishna hard core/art rap/freak folk music trio based in Brooklyn, New York, comprised of Queens-born Himanshu Kumar Suri, San Francisco-born Victor Vazquez, and queens-born Ashok Kondabolu. Suri and Vazquez met at Sarah Lawrence bard pomona wesleyan art college in Massachusetts, where Victor was Himanshu's resident advisor in a "students of color for social justice" themed freshman year dormitory. The duo later added Kondabolu as a hype man and spiritual advisor. 

Mishka x Greedhead present the Shut Up, Dude mixtape.

You Oughta Know

Artist: Future Islands
Title: Tomorrow / Fountain 7”
Catalogue Number: UTR055
Formats: 7” / DIGITAL

Track listing:
A. Tomorrow
B. The Fountain

* * * RELEASE DATE / SEPTEMBER 3RD * * *

Since 2008’s ‘Wave Like Home’ debut album on Upset The Rhythm, Future Islands have gone from strength to strength, writing two classic albums of romantic yet melancholic synthpop for Thrill Jockey as well as exhaustively touring Europe and America to frenzied devotion. This new 7” on Upset The Rhythm ‘Tomorrow’ / ‘The Fountain’ sees the band at the top of their game, releasing some of their most compelling and sophisticated songs yet, building on the aching themes and poignant focus of their last album ‘On The Water’.

‘Tomorrow’ is a soulful swoon, its light tread is mesmerising amongst the slow burning synth cycles and relaxed bass progress. Samuel T. Herring’s ever-impressive vocal has never sounded more akin to Sam Cooke as he smoothly laments “I’m saying sorry every time we talk” before careening into a flight of sustained, arguably uncontrollable emotion. Some choice, additional vocals from Jenn Wasner (of Wye Oak), Lexie Mountain and Elena Johnston only make the song seem more impassioned; its ardent nature perfectly rendered into melody.

‘The Fountain’ meanwhile is a luscious narrative sunk into a slow dance. It’s a song that tells a tale of courtship, heady rush and leaps of faith. It’s a beautifully descriptive lyric, full of “shady groves”, “hanging gardens” and “human loam”, nodding a head to both Genet and Rilke as it passes. “I know my lines, and there’s a lot less space and a little bit of time… I know the way – It’s fine” sings Herring tenderly. Gerrit Welmers keyboard work here is stunning, the blooming chords and fluted air soaring across a landscape of crushed cymbals and quivering ambience, peaking with William Cashion’s deeply expressive, echoing bass ascent.

‘Tomorrow’ / ‘The Fountain’ was recorded and produced with long-term collaborator Chester Endersby Gwazda and mastered by Sarah Register (Talk Normal). Tyler Weeks provides the liminal, colourscape cover and the vinyl is heavyweight, white and limited to 1000 copies worldwide.

AVAILABLE HERE: http://upsettherhythm.bigcartel.com


Future Islands - 'Tomorrow'

<a href="http://i-donline.com/?p=70327">i-D Online: September Mixtape 2012</a>.

Fashion week kicks off this weekend, music, models, parties and expensive behaviour ensues. Fuel the next few heady days with this full-on deep house, disco beat laden blend of hip hop heavy tracks and tunes. 

Text and selection: Milly McMahon

facebook.com/iDmagazineofficial
 twitter.com/iD_magazine
youtube.com/user/idmagazineonline

Hype Wlliams - Track 2 Feat. Inga Copeland

Toute la musique de FAUVE à écouter ou en Vinyles & CDs : https://lnk.to/FAUVE 
S'abonner à la chaîne youtube de FAUVE : http://bit.ly/FAUVE-abonnementYT  
FAUVE sur Instagram : https://instagram.com/FAUVEcorp 
FAUVE, le site officiel : https://www.FAUVEcorp.com 
S'inscrire à la newsletter : https://FAUVEcorp.com/newsletter 
FAUVE sur Youtube  : https://www.youtube.com/FAUVEcorp 
FAUVE sur Twitter : https://twitter.com/FAUVEcorp 
FAUVE en concert : https://FAUVEcorp.com/concerts
FAUVE sur Facebook : https://www.facebook.com/FAUVEcorp

BLIZZARD

Pre-order the new album 'It Is What It Is', released 3 April on Brainfeeder: https://thundercat.lnk.to/it-is-what-it-isSo

Thundercat
Apocalypse
BF040

1. Tenfold
2. Heartbreaks + Setbacks
3. The Life Aquatic
4. Special Stage
5. Tron Song
6. Seven
7. Oh Sheit It’s X
8. Without You
9. Lotus and the Jondy
10. Evangelion
11. We’ll Die
12. A Message for Austin / Praise the Lord / Enter the Void

Forever a wildcat and wild card, Los Angeles’ bassist/songwriter/vocalist Stephen Bruner, aka Thundercat, is impossible to tame artistically. A true master of his craft, he can be found playing bass with Flying Lotus, Erykah Badu and Suicidal Tendencies, in the same breath as performing live with the likes of Stanley Clarke, Snoop Dogg or the Red Hot Chili Peppers. His 2011 solo debut (The Golden Age of Apocalypse, co-produced by Flying Lotus) created an equally genre-blurring enigma of indie rock and jazz, with a touch of electronica.

On his second album, Apocalypse, Thundercat pairs up with executive producer Flying Lotus to pull the veil back and reveal the simple truths of the cycle of life, for all its beauty and destruction. An album about loss and rebuilding, trying to gain something back, and capturing that moment of clarity where one finally finds feet back on the ground again. Bringing a fusion of pop, soul, electronica, prog rock and funk into an unexplored dimension, the album slowly descends and tunnels to the core of what it takes to grasp peace, at a time that it seems most far.

From the deep, rumbling entrance of ‘Tenfold,’ each of the 12 tracks coalesce with Thundercat’s signature bass, his riffs and basslines gliding sky high to meet Fly Lo’s astral touch. Bruner’s vocals and harmonies also soar with open honesty, rising above heartbreak with uplifting odes to love and companionship (‘Tron Song’) and wise mantras to live by (‘Special Stage’). The album plays as a comedy and tragedy at the same time, delicately addressing tracks like ‘We’ll Die’ while bringing the all-out cosmic funk of the anthemic ‘Oh Sheit, it’s X.’

As heavy as the lyrical weight may be, the divine musicality of Flying Lotus, and Thundercat’s instrumental collaborations, brings light. Navigating dense rhythms and intense harmonic progressions, the LP pushes through the hypnotic strands of ‘The Life Aquatic,’ the analogue explorations of ‘Lotus & The Jondy’ (recorded in Adrian Younge’s studio with drummer Thomas Pridgen), and Thundercat and Lotus’ prog rock jam ‘Seven,’ a spontaneous improv recording that organically materialized in less than an hour. It’s no wonder the kindred pair often refer to their freeform sessions as “going to space.” Continually pushing tracks to their furthest point, they take the listener to another place completely – somewhere beyond time, a place that transcends this realm. As the aforementioned track ‘Seven’ (named for its challenging time signature) asks, “Can you hear the sounds of infinity?”

Harshp

Mariélène