Name: Vivaldi Concerto Grosso in D minor- I. Prelude&Fugue by Marinas Decacorde
Duration: 4 min 2 s
Description: Nikita Koshkin's transcription of Vivaldi Concerto Grosso in D minor for 9 guitars. All parts played and recorded by Marina Krupkina

Tears in heaven - Eric Clapton live

Violão Silent 8 cordas, comprimento de escala: 628 mm. Rodolfo Cucculelli and Giorgio Avezza  Luthiers. http://liutaiatorino.blogspot.it
Marco Ruviaro violonista: http://www.marcoruviaro.com/

Chorando Pra Pixinguinha (violão Silent 8 Cordas)_Marco Ruviaro violonista.

Cryin' - Aerosmith

Livio Gianola- 03 Hacia Ti

Prelude&Fugue in b-flat minor by Nikita Koshkin
Marina Krupkina - guitar
July 2016

Prelude&Fugue in b-flat minor by Nikita Koshkin

Nikita Koshkin's arrangement of "Jingle Bells" for ukulele and guitar orchestra. Ukulele part composed by Marina Krupkina

Jingle Bells (arrangement)

Jingle Bells for ukulele and guitar orchestra

Usher - Waltz Fantasia is a new life of legendary "Usher Waltz" (Nikita Koshkin). Arrangement for guitar and string quartet made by the author.
Guitar - Marina Krupkina
Tatiana Eremyan (first violin) 
Ekaterina Novakovskaya (second violin) 
Marusya Muravyeva (viola) 
Alexandra Kobrina (cello)
-----------------
Mixed by Mike "MixaKeys" Barakhovsky (Mix Factory Studio)

Usher - Waltz Fantasia

Nikita Koshkin - Usher-Waltz Fantasia

Almost all of these guitar pieces were written by me in the early 2000s. I was beginning to learn to play the guitar and wanted to study music, but I didn't like memorising notes from guitar books, neither did I like the pieces presented in them. So I have composed several simple tunes that I could enjoy playing.
First of them, '№0', was written after I had heard a similar melody on TV. A boy was repeatedly playing a short theme, so I had assumed that it would be useful for me and my studying process to try to replicate the same theme by ear. I had copied several chords from one of my favourite songs, then rearranged the progression and changed the style of playing, which resulted in a new piece.
The last one, '№13', was created in the studio while I was trying to record other tracks for this album. I am not a very skilled guitar player, so I had to record lots of takes over and over. Some of them were very long ones, too, because I needed to capture the full strings' sustain. This is because one chord progresses and resolves into another one, and sometimes one particular or several strings vibrate for quite a long time. Eventually I got too weary of this process and decided to play around, change the routine to something new and more enjoyable. I quite liked the melody that I ended up with and tried to learn it. So it became a new piece and was consequently recorded. I added several notes from №13 into №0, which ended the album. Doing this has resulted in creating a reference to the track '№13' which is the last one that had been written and that I have decided to place in the beginning of the album.
So I finished recording guitar, added some ambient sounds and now I hope that it can make faster not only my late night journeys home from work in a night bus.

acoustic guitar
percussion
some things that sound like percussion
chimes (or not, I don't remember)
field recordings

Played, recorded and mixed by Pasha Shishkin at "Maybe Tomorrow / Antillia Records" studio

If you want download this album track by track or pay for whole flac+cue - just check my bandcamp: https://muzofob.bandcamp.com

8 short pieces for guitar

8 short pieces for guitar (№13, 1, 2, 3, 4, 5, 6, 0)

Nikita Koshkin's transcription of Vivaldi Concerto Grosso in D minor for 9 guitars. All parts played and recorded by Marina Krupkina

Vivaldi Concerto Grosso in D minor- I. Prelude&Fugue

From the Classical Guitar Alive radio program interview archives, Russian guitarist-composer Nikita Koshkin talks about his fondness for programmatic music and his extraordinary piece, "The Prince's Toys.'

Nikita Koshkin on Programmatic Music and his piece The Prince's Toys

#decacorde #tenstringguitar

Marina Krupkina is a performer on decacorde (ten-string guitar), composer,
arranger.

Decadorde is a very special kind of guitar. Additional strings
expand the capabilities of the instrument and enrich the sound with new overtones,
and low basses give a special depth and warmth.

Original modern music, as well as arrangements for a ten-string guitar 
are created and performed by Marina.
The light eclecticism of her style reflects the essence of the decacorde and 
connects the classical roots of ten string guitar, dating back to the 18th century,
with modern guitar tendencies. 

Marina Krupkina performed in the Smolensk Regional Philharmonic,
Gnesins Concert Hall, Cultural Centre of Yuri Bashmet (Moscow), Moscow
school of music "GuitarDo", the book club-store "Hyperion" (Moscow), etc.

Discography:
"But Does It Djent? .." (2018)

Vivaldi Concerto Grosso in D minor- I. Prelude&Fugue

Marinas Decacorde

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