Ilia Belorukov - alto saxophone, recording and mixing
Marina Džukljev -  inside piano

Recorded on December 1st, 2022 at MSUV, Novi Sad (Serbia)



However vast the darkness, we must supply our own light. 
Stanley Kubrick (1968)

Marina Džukljev & Ilia Belorukov - Reality Detached

Marina Džukljev, fender rhodes
Ivo Poderžaj, bass and objects
Jaka Berger, prepared drums

Excerpt from the concert in Ljubljana (Slovenia), September 2015.
Confine Aperto concert series at Spanski borci.
Many thanks to Tomaz Grom and Zavod sploh

Džukljev/ Berger/ Poderžaj Trio

https://manjaristic.bandcamp.com/album/secret-conversations

Secret Conversation is their first recording session as a duo - strong encounter of two improvisers pushing the limits of their classical background in to unknown sonic synergies /// Recorded in Cultural Center "Parobrod" November 22nd 2015 //
credits
released December 3, 2015 

Manja Ristić, violin, editing 
Marina Džukljev, piano, sound objects, percussion 
David Srbljin, sound engineering 

Manja Ristić & Marina Džukljev - Secret Conversations -  27.8

Free improvisation
Vasco Trilla, drumms objects
Marina Dzukljev, piano

Recorded by Lazar Živanac
Novi Sad, October 2016

Marina Džukljev / Vasco Trilla Duo

SZILÁRD MEZEI, MARINA DŽUKLJEV, VASCO TRILLA ‎– STILL NOW (IF YOU STILL) 

Szilárd Mezei - viola
Marina Džukljev - piano
Vasco Trilla - drums, percussion

An exciting album crossing free improvisation with chamber approaches and extended techniques from Serbian violist Szilard Mezei performing in a trio with pianist Marina Dzukljev and drummer/percussionist Vasco Trilla, recording in Novi Sad, Serbia in 2016.
"This is one of the most creative and astonishing sets of free improv I’ve heard recently! ". - Bruce Lee Gallanter, DMG
http://www.fmr-records.com/

FMRCD442-0217

Buy CD: 
http://www.fmr-records.com/shopcart.asp?mode=add&itemno=FMRCD442
Download:
http://www.subradar.no/album/vasco-trilla/still-now-if-you-still-featuring-marina-džukljev-szilárd-mezei

Mezei / Džukljev / Trilla: The place of no escape

Solo concert held at Hagenfesten, Dala Floda (Sweden)
August, 2018.
Special thanks to Joel Grip and Milenko Micanovic.
Photo credit: Heiko Purnhagen.

http://www.hagenfesten.se/en/

Solo at Hagenfesten

Solo concert from Stockholm at FRIM på Fylkingen, live improvisation
December 2018.
Recorded by: John Chantler
Photo: Aleksandr Alex

Solo at Fylkingen

Milana Bjelobaba - violina
Nevena Busarac - violoncelo
Marina Dzukljev - klavir

Novi Sad, Akademija umetnosti, 2009.

From Wikipedia, the free encyclopedia
The Piano Trio No. 4 in E Minor (also called Dumky trio from the subtitle Dumky) is a piece by Antonin Dvořák for piano, violin and cello. It is among the composer's most well-known works.
At the same time it is a prominent example for a piece of chamber music deviating strongly from the sonata form.

Dumky, the plural form of dumka, is a term introduced into Slavic languages from the Ukrainian. Originally, it is the diminutive form of the term duma, plural dumy, which refers to epic ballads, specifically a song or lament of captive people.[1][page needed] During the nineteenth century, composers from other Slavic countries began using the duma as a classical form used to indicate a brooding, introspective composition with cheerful sections interspersed within. Dvořák used the dumka form in several other compositions, including his Dumka for Solo Piano, Op. 35; Slavonic Dance No. 2; String Sextet; and his Piano Quintet, Op. 81


Dvořák completed the trio on February 12, 1891. It premiered in Prague on April 11, 1891, with violinist Ferdinand Lachner, cellist Hanuš Wihan, and Dvořák himself on piano.[1] The same evening, Prague's Charles University awarded the composer an honorary doctorate. The work was so well received that Dvořák performed it on his forty-concert farewell tour throughout Moravia and Bohemia, just before he left for the United States to head the National Conservatory of Music of America in New York City. The trio was published while Dvořák was in America and was proofread by his friend Johannes Brahms.[2]

Structure:

The piece is in six sections:
Lento Maestoso (E minor and major)
Poco Adagio (C♯ minor)
Andante (A major)
Andante Moderato (Quasi Tempo di Marcia) (D minor and major)
Allegro (E♭ major and minor)
Lento Maestoso (C minor and major)
The composition features six dumky episodes throughout. The initial three dumky are connected together without interruption in the harmonically complementary keys given above, in effect forming a long first movement. The final three dumky are presented in unrelated keys, thus giving the overall impression of a four-movement structure.[3]
Music critic Daniel Felsenfeld describes the form as follow:
The form of the piece is structurally simple but emotionally complicated, being an uninhibited Bohemian lament. Considered essentially formless, at least by classical standards, it is more like a six movement dark fantasia—completely original and successful, a benchmark piece for the composer. Being completely free of the rigors of sonata form gave Dvořák license to take the movements to some dizzying, heavy, places, able to be both brooding and yet somehow, through it all, a little lighthearted. [4]
Musicologist Stephen Hefling observes, "Whereas in the [Opus 81] quintet he had borrowed a plan from to mold his dumka into a quasi-traditional framework, here he allows each of the six dumky to stand fully realized on its own

Dvorak - Dumky Trio - 1. Movement, Lento Maestoso

Dvorak - Dumky Trio - 5. Movement, Allegro

MRM Trio are:

Marina Džukljev, organ (eco tiger)
Richie Herbst, modular synth
Miodrag Gladović, electric guitar, electronics, lights.

Extract from the upcoming album.

MRM Trio

KKB trio + Marina Džukljev

Hans Koch, clarinet and bass clarinet
Jonas Kocher, accordion
Gaudenz Badrutt, electronics
+
Marina Džukljev, piano

2K+ concert series together w/ Improstor
extract from the concert @ Cultural Centre of Vojvodina “Milos Crnjanski”, Novi Sad (SRB)

20.05. 2019.

recording and editing: Vladimir Raskovic

photo> Manja Holodkov

KKB trio + Marina Džukljev

Jaka Berger - prepared drums
Marina Džukljev - piano
Samo Šalamon - acoustic guitars

Music by Berger, Džukljev and Šalamon
Themes by Jaka Berger

Released at FMR records (UK) in 2019.

Physical copy avaliable:
marinakeys@gmail.com
or
www.fmr-records.com

released May 3, 2019

Recorded by Jure Gruden
Mixed and mastered by Jure Gruden and Jaka Berger
Recorded in Dejan Berden studio in 2018
Artwork by Brgs

https://marinadzukljev.bandcamp.com/album/fresh-dust-trio-hilarious-experts

Fresh Dust Trio - Coal Trains

Marina Džukljev (SRB) is a pianist, educator and active performer in the fields of free improvisation, classical, contemporary and applied music.
She collaborates with wide range of multimedia artists across region and further such as: Dieb13, Franz Hautzinger, Joel Grip, Chris Pitsiokos, Jasper Stadhouders, Vasco Trilla, John Dikeman, Isabelle Duthoit, Tristan Honsinger, Richard Barrett, Hans Koch, Korhan Erel, Jonas Kocher, Michale Thieke, Luis Vicente, Christof Kurzmann, Biliana Voutckova and many others.
She is a member of the quartet, septet, tentet and the large ensemble of the composer and violist Szilard Mezei, with whom she has recorded and published music over the many years of collaboration.
Marina is an active member of duos Noid / Marina Džukljev,  dieb3/ Marina Dzukljev, Thieke / Džukljev, Raed Yassin/ Marina Džukljev duo, Belorukov/ Džukljev, trios: Mezei /Trilla / Džukljev, Flowers we are...(w Schellander and Noid) Trio, MRM trio, Weber/ Griener/ Džukljev Trio, quartets: TiTiTi (SI), Barrett/ Džukljev/ Voutchkova/ Zarić quartet and was a member of international ensemble Šalter, to name a few.
Marina is a curator and the organizer of Improstor - improvised music concert series and Festival in opposition in Novi Sad.

https://marinadzukljev.com/
https://marinadzukljev.bandcamp.com/

Marina Džukljev

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