Blind Gig with Karlheinz Essl and Denovaire live at Dainadoo, Graz on 10 Feb 2011. Karlheinz Essl performs on his self-developed electronic instrument m@ze°2 (written in Max/MSP), whereas Denovaire played the Indian string instrument Esraj. Both musicians met for the first time on stage and never played together before.

action rituelle is an electronic music performance premiered by Karlheinz Essl on his self-created computer instrument m@ze°2 during a concert at an Austrian cloister church in August 2004. In a state of trance-like meditation, sound worlds from various religious ceremonies are brought into new and unusual relationships: Gregorian chant, dances of the Aboriginal people, Jewish Sufi music, and Hinduistic temple songs are melted together into a global harmonic structure, reconciling the ideologic tensions between those - often hostile - religions. Ad maiorem dei gloriam!

action rituelle: KarlheinzEssl & Denovaire

Blind Gig with Karlheinz Essl and Denovaire live at Dainadoo, Graz on 10 Feb 2011. Karlheinz Essl performs on his self-developed electronic instrument m@ze°2 (written in Max/MSP), whereas Denovaire played the Indian string instrument Esraj. Both musicians met for the first time on stage and never played together before.

Conclusion: Karlheinz Essl & Denovaire (2011)

The Light

Created in 2011 within the institution's cutting-edge studios, these pieces are united by their deep engagement with spatial sound as a compositional material and their use of ZKM’s proprietary software, Zirkonium, for 48-channel spatialization.

Dyspersive Velocity of the Masses shifts focus to the kinetics of collective sonic entities. Here, synthesized sound masses behave like complex systems, swarming, colliding, and dispersing across the auditory field through intricate feedback and response mechanisms. Utilizing Ambisonics for full-sphere immersion, the piece explores themes of velocity, density, and emergent behavior, translating abstract concepts from physics and systems theory into a powerful, visceral experience.

These compositions are not merely "recorded"; they are documentations of performances within a specific architectural and technological environment, the 48-loudspeaker dome of ZKM. The stereo versions presented here are careful reductions of the original multichannel works, which were designed to be experienced in a dedicated sound diffusion space.
créditos
de Dyspersive Objects, lançado em 20 de setembro de 2025
Composed, produced, and spatialized by Hugo Paquete
Developed during a research residency at ZKM | Institute for Music and Acoustics (2011)
Spatialization using Zirkonium software
Mastered for high-resolution digital release

License: All rights reserved. Unauthorized duplication, reproduction, public performance, or broadcasting is prohibited.
℗ & © Hugo Paquete

Dispersive velocity of the masses 2011 Hugo Paquete

Composer Marina Vesic 

Lyrics by Milos Vojinovic Kimba
Voice by Sasha Ognjanovic Sale 
performed by hc band Scarps 
recorded by Fat Zed - Zlatko Petkovic 
2007. in Krushevac City - Serbia 

Trn u oku -  for voice and HC band

Cicle of songs for piano and sopran

1. Mermaid
2. Lagoon
3. This moment is eternity

Lyrics - Nightwish

Lidija Jevremovic, sopran
Marina Vesic, klavir

Recorded at Barewired Studio, Zemun 2008. Serbia


1. The Siren

2. Lagoon

3. This moment is eternity

Los Engranajes del Tiempo ( Colaboración de Scott Lawrence)

Saša Ognjanović - vocals, guitars
Ivan Marković - bass guitar
Zlatko Petković - drums, back vocals
Milan Barković - keyboards

Airplane - Self command - Scarps 2004

Paramour, muzika za harfu i gudače.
Snimak izvođenja na XI festivalu harfe u Dvorani Kolarčeve zadužbine 04.04.2012.
Beogradski gudački orkestar Dušan Skovran, dirigent Obrad Nedeljković, harfa Ljiljana Nestorovska.

Ognjen Bogdanovic - Paramour (Live at Kolarac Hall)

Marina Vesić (b.1982.) Serbian/ Vienna based contemporary composer, film composer, pianist, performer, music producer. She had graduated contemporary music composition and orchestration under the guidance of professor Zoran Erić and got Master Diploma under the guidance of professor Tatjana Milošević and music production and sound engeneering course under the guidance of professor Djordje Petrović at The Music Academy, University of Art in Belgrade, Serbia.
Marina composing contemporary music, experimental, avant-garde music, also ambiental and spiritual music. She collaborate with artists of different profile from all over the world. She had a project MUSIC PROFUSION I in collaboration with American composer Jerald Wolf in 2006. MUSIC PROFUSION II was in collaboration with hard core metal band called Scarps. 
Miss Marina is, since 2009., a composer for choir Transfiguration from Belgrade and collaborate with conducter Bratislav Prokić.
From 2010. Marina collaborate with swiss painter Christine Fausten.
In 2011. Marina start a collaboration with Elmar Guantes, composer and performer from Munich, Germany, in improvisations for double bass (Elmar Guantes) and pianoforte (Marina Vesic).
In spring 2011. Marina make a collaboration with Danish artist, painter and poet Bo Gorzelak Pedersen in multimedia project where she is composing original music inspired by his poems and paintings.
Miss Marina got a specialisation diploma for Composition and Electroacoutic music  at The University of Music and Performing Arts in Vienna, Austria, Institut for Composition and Electroacoustic Music by the guidance of prof.Dr. Karlheinz Essl.(2012)
- Collaboration with composer/guitarist Jurica Jelic, singl " Moving Mirrirs in the Bright Sky ", 2011. New album " NIGHT TIME " -2013.
-Collaboration with UK Composer and music producer Julian Broadhurst in album KONNYEK, 2012/2013
-Collaboration with librettist Bo Gorzelak Pedersen, Denmark, Opera " SEA OF MOONS " ,2013
-Collaboration in a multi media project with sound artist Hugo Paquete, Portugal, 2013
-Collaboration with film director Mar Glaz, Pariz, 2013
.

The Light

marinavesic

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