This song is a cover of an insert track from the feature-length debut film Eraserhead by the late filmmaker David Lynch, who recently passed away. His works have been a source of inspiration for me ever since I encountered The Elephant Man at the age of 10. May David Lynch rest in peace.

In Heaven Everything is Fine(Featuring Maki Tsurumaki)

https://www.youtube.com/watch?v=HsFlaOhuXxw
https://www.instagram.com/p/DFVNye7qdO4/

Deep Dive Part III

Disquiet Junto prompt 0683 instructed us to make a piece of music that is half in space and half not in space.

Radio waves travel at the speed of light, and when the first radio transmission crossed the Atlantic it was said that distance had been abolished. Without distance, there's no space. So half of the song is a story that takes place on a radio, and is about a radio, and was performed in part on a radio, removed from place and space.

There are no synthesizers or synthetic samples in this piece. Instrumentation was a heavily processed guitar played with ebow, a Schechter Damien 7-string guitar, shortwave radio, shoebox cassette recorder, and field recordings. The radio noises and vocal parts are removed from space through a custom convolution reverb I created using a spike of low-frequency AM noise as an impulse response, essentially placing the sounds in the ionosphere.

The story I tell in the song is true.

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

Soft, Driven, Slow, and Mad (disquiet0683)

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

Glitch Wash (disquiet0683)

Created as a response to:

one by one
praising and withdrawing inside -
winter moon

Naviar haiku challenge 578: details here: https://www.naviarrecords.com/haiku-music-challenge

With the exception of the gongs, a combination of a modified Dreamsynth bell preset and Gong Amp, everything was made with one monster virtual modular patch using VCV Rack (Mostly Surge XT modules). 

Probably not the best way to do it, I should have learned from how easy it was splitting things last week, but everything including the gongs was multi-track recorded as a single live performance. Apart from pushing my far from shabby CPU to it's limit I wasn't able to modulate as many things as I'd have liked, ran into the not enough physical knobs/sliders limit.  ,

One by One - (naviarhaiku - 578)

Original Music from:
https://soundcloud.com/wilhelm-matthies/kokeka-2-4-11-time-stretched
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https://soundcloud.com/wilhelm-matthies/crumbling-walls-opening
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https://soundcloud.com/wilhelm-matthies/crumbling-walls-inch-by-inch

Photo by Ivons

Wilhelm Matthies & Senglar  - Crumbles Part I

Io dormo ne`ll Autobus e tu in Auto
https://www.youtube.com/watch?v=zGLB8UPsOQQ&t=3s

Io dormo ne`ll Autobus e tu in Auto

Imutovide_01

tameosen

(Focus, Time, Danger, Watchfulness)

I. Warning Invocation (drumbeat, 2x)
HERE (.) IS A DAN–GER–OUS PLACE — — /
ANY–THING CAN HAPP–EN (—) / IF YOU LET IT (—) — — //

EYE (.) ON THE TAR–GET — — /
FO–CUS IN THE NOW — — //

(repeat, gradually louder, pulse like marching)

⸻

II. Vigilance Mantra Layers

Layer 1 — Continuous Watch
WATCH (—) / BE–ON WATCH (—) /
DO NOT RE–MOVE YOUR EYE — — //

Layer 2 — Time as Commodity
TIME IS THE SEED (.) /
TIME IS THE NEED (—) /
TIME IS A FRAG–ILE BREED — — //

Layer 3 — Moment Lock
BE HERE (—) / STAY NEAR (—) /
THIS TAR–GET IS YOUR FATE — — — //

⸻

III. Lock Refrain
TIME IS THE HAND (—) /
THAT HOLDS US ALL (—) /
DO NOT LET GO (—) /
OR YOU WILL FALL — — — //

Litany of the Vigilant Seed (Feeding Need)

in the slurp

Dawless synth recordings and live performances
Producing scores for films and Installations

Io dormo ne`ll Autobus e tu in Auto

Mario Mentrup Musik

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