let s see what s working fine

Spectator . OST -  Lodewijk de Boer & Frans Zwartjes

Elephant Stone puts our spin on the Doors' 70s classic LA Woman. Nothing will ever be the same again.
Out March 4th, 2014. Preorder NOW from itunes: http://georiot.co/cnH

Elephant Stone - L.A. Woman

...it wasn't really me

SSIEGE - Virgo Oscura

Headache - Truisms 4 Dummies [NIGHTCORE]

Our blood is not as  boiled - Peace Trigger Warning Acidrock

Track features on the album - Mirage
Released 14 October 2016

Rocket Store:
https://josefinohrnandtheliberation.bandcamp.com/

Itunes:
ttp://hyperurl.co/JosefinOhrnMirage 

Published on 19 July 2016
Artist: Josefin Öhrn + The Liberation
Tracks: In Madrid / Rainbow Lollipop
Album: Mirage
Catalogue Number: Launch096

C+P Rocket Recordings 2016

Josefin Öhrn + The Liberation - In Madrid / Rainbow Lollipop

I. 2c 
II. Flutter
III. Moments in Love

out 04.28.17 https://boomkat.com/products/grafts

GRAFTS

Music composed and produced by Caterina Barbieri between September 2015 and January 2016. Mixed at Elektronmusikstudion in
Stockholm (SE). Composed with an ER-101 Indexed Quad 
Sequencer and a Verbos Harmonic Oscillator. 
Images by Giovanni Brunetto 
Photography by Angelo Jaroszuk Bogasz 
Mastered by Giuseppe Ielasi 
First edition pressing of 500 double LPs packaged in a gatefold jacket. An edition of 200 sets on transparent blue vinyl is available for Important mailorder customers: http://importantrecords.com/imprec/imprec449
Bandcamp: https://caterinabarbieri.bandcamp.com/album/patterns-of-consciousness
"...has an imperial, exacting beauty." (The Wire)
“…few albums have hit us as hard as Caterina Barbieri’s 70-minute opus, Patterns Of Consciousness. On her debut full-length, Barbieri commands tsunami-height waves of arpeggiated analog synths." (Fact Mag)
"Patterns Of Consciousness finds Caterina Barbieri at her best, elegantly moving between melodically pleasant yet twisted sequences and comforting, reassuring sonic spaces. Every piece, while given a singular identity, is part of the bigger picture: a work of art that will push you, pull you, and then eventually leave you with your back against the wall once you get to the last track. " Alessandro Cortini (Nine Inch Nails)

Gravity that Binds

'Destroyer' is taken from The Green Child's self-titled debut album out January 12th through Upset The Rhythm.

Available to pre-order here now:
http://upsettherhythm.bigcartel.com/

Artist:  The Green Child
Title: The Green Child

Label: Upset The Rhythm
Catalogue Number:  UTR102
Release Date:  Friday 12 January

Track listing:
01. Traveler
02. Her Majesty II
03. Bertha
04. New Years Eve
05. 46 Timelines
06. Walking Distance
07. Marie Elene
08. Destroyer

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child. 

With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions. 

‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?

‘The Green Child’ is due for release on January 12th through Upset The Rhythm on 180g black vinyl, accompanied by some spirited sleeve design by James Vinciguerra.

The Green Child

The Green Child - Destroyer

Crossing Remix  Andrew Weatherall

This week’s Intermission introduces a sound piece by the legendary experimental film director Franz Zwartjes(1927-2017), who lived and worked in The Hague most of his life. Franz Zwartje’s music archive was recently released by @trunkrecords as well as @purge-xxx
Pt.2 appears on the ZWARTJES TAPES 1 LP, which is available at Page Not Found as well as a publication embracing his practice “The Holy Family”.
Thank you to Trunk Records for the permission to share the audio.

Frans Zwartjes - Pt.2 fragment

Tomorrow's World (The Future We Imagined)

Song taken from Molly Nilsson's 5th full-length album THE TRAVELS, released
June 21st 2013 on DARK SKIES ASSOCIATION and NIGHT SCHOOL RECORDS.

Preorder Spiral picture disc (limited to 100), Standard Black vinyl and CD here:
http://nightschoolrecords.bigcartel.com/artist/molly-nilsson

THE POWER BALLAD

Bless the poets in their graves
who say we're all gonna be saved
In the most unpredictable way
On the most predictable day

Who loves a sceptic? 
And who do skeptics love?
Who won't surrender to the mysteries above
we were all born to be
so dangerously free

The Power of Love
vs. the Love of Power

Don't wanna grow in their gardens
I wanna be the weed beyond the fence
I wanna live outside the frame
with no name in my defense
Fame, only makes you inhumane
Look at the kings all gone insane
I only wanna be rich
if everyone in the whole world is

The Power of Love
vs. the Love of Power

I'd rather wear shirts with broken seams
than to wear their hand-me-down dreams
Fashion only lasts a little while
but an open mind is always in style
You gotta be brave to be so afraid
I feel like I win every time I fail

The Power of Love
vs. the Love of Power


Molly Nilsson "The Power Ballad"

Dawless synth recordings and live performances
Producing scores for films and Installations

Our blood is not as boiled - Peace Trigger Warning Acidrock

Mario Mentrup Musik

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