@nerozang
@phobhorecords

New Premiere At our music temple...For now, its Technological-slow emotional lysergic journey by Nero Zang taken from Pho Bho's 6th release, Inverted Echoes, is a various artist blending different club’s shades.

releases December 13, 2021
Mastered by Ruud Lekx
Designed by Federico Spini

BUY YOUR INVERSION

PREMIERE | NERO ZANG - NASSAU [PHO BHO]

In ancient Greek mythology, Zeus was the king of the Olympian gods and the supreme deity. Zeus was the god of the sky, lightning, thunder (Κεραυνóς / ΚΕΡΑΥΝΟΣ), law, order, and justice. The Cyclopes were three, orb-eyed, immortal giants who forged the thunderbolts of Zeus. The lawless Titans, encouraged by Gaia (Γαῖα/Γη/earth), tried to wrestle control of the world from the olympian gods in a ten-year battle known as the Titanomachy. The Titans were the brothers and sisters of Cronus and it was only through the help of the Cyclopes (who made Zeus his thunderbolts) and the hundred-handed giants or Hecatoncheires (Briareos, Cottus and Gyges) that Zeus was finally able to imprison the Titans in Tartarus, the deepest part of the underworld. Making himself ruler of the skies, Zeus then gave dominion over the seas to Poseidon and of the underworld to Hades.

KEΡΑΥΝΟΣ was one of the most powerful symbols in ancient Greece – if not the most powerful. As contemporary science proved, the thunder that dominated the earth before the creation of life gave birth to the primordial substances by enhancing the production of nitrogen and thus amino acids which are essential for the production of proteins and life. In numerous civilisations they believed that the overlord of thunder was a deity.

In Celtic mythology, Taranis was the god of thunder. In Slavic mythology it was Perun and in Scandinavian it was Thor. In India, the god of thunder was Indra and in Finland it was Ukko. In China, Lei Gong was worshipped as the deity of thunders and in Rome the people who died because of a thunder were considered as blessed. Inkas believed that thunder was the son of the sun and the moon and in Christianity thunder is the voice of god.

The music of » ΚΕΡΑΥΝΟΣ « was composed by using environmental sounds and field recordings from the five continents: 

OCEANIA | Tarkine Rainforest
ASIA | Okinawa
EUROPE | Ancient Olympia and Iceland
AFRICA | Uganda, Botswana and Namibia
AMERICA | Amazon Rainforest and Niagara Falls 

» ΚΕΡΑΥΝΟΣ « will be released on occasion of our 25th anniversary in 2021.

ΚΕΡΑΥΝΟΣ

Novi_sad »Europe« taken from »ΚΕΡΑΥΝΟΣ«

mixed feelings

Artwork: Diogo Pinto and Marta Gaspar
Master: Hugo Santos
Recording Engineers: 
Bernardo Barata and Burnt Friedman

PH003 - Mohammad Reza Mortazavi 'Focus' A1 Going

Moon Wheel — Maze Siren

Valentina Magaletti and Julian Sartorius maintain a dialogue of irregular tempos and off-kilter percussion on their first collaborative record titled Sulla Pelle. 

Valentina is a force in the world of electronic and experimental music - working with Tom Relleen under Tomaga, jazz/pop band Vanishing Twin, the collective ‘UUUU’ with a couple of releases on Editions Mego, as well as various collaborations with the likes of Nicholas Jaar and Raime/Moin to name a couple. 

Julian Sartorius is a denizen in and of the beat – he's collaborated with artists such as Matthew Herbert, Shahzad Ismaily, Sylvie Courvoisier, as well as touring worldwide and widely through Europe with his solo show on the bill with the likes of Deerhoof, Faust, and Jaki Liebezeit. It’s apparent that time is not perceived in an ordinary manner by Julian – he's released a “Beat Diary” consisting of 365 beats and, on a daily basis, adds an element to his collage and modifies an 8-second audioloop under the project called Morph. More recently, he played percussion on the track ‘Firesmoke‘ on Kate Tempest‘s new record ‘The Book of Traps and Lessons‘. 

Sulla Pelle chisels away at your headspace at varying velocities with a harmonious flow - at times gently carving out channels that dramatically flood with syncopated kick drums and shifting propulsive beats. It’s as much about monotonous playing as it is about those moments where it seems as though every vertebra branches into tentacles and antennas ricocheting hits in foreign symbiosis.  

Rasping prepared drums that traverse the body into all sorts of ceremonial throttles, hedonistic arm flails, primal cheer at every incipient dynamic accent. This raw and sparse drumming and percussion record sees Valentina and Julian cueing each other in on interlocked ratchets and clanks with different mallets and metalwork from Malcom Catto’s studio on top of modular tinkering and occasional distant subdued ramblings.  

Sulla Pelle will be released end of August digitally and on vinyl with artwork by Benjamin Kilchhofer.

Valentina Magaletti & Julian Sartorius - Sobaka

Vienna's young youngster Paul and Leonard are starting the Westbahn series with a 7 inches - Open your mind wild between "!" and "?" - two punctuation marks that are focusing on underlining the senses of the language. 

Check Check Check.

The 7’’ record containing two tracks (? + !) comes with an extra 300g silk print of a drawing by Leonard. Both tracks were mixed by Sam Irl in Vienna and Mastered by Wouter Brandenburg in Amsterdam.

https://soundcloud.com/mariemariemariemarie
https://soundcloud.com/paulebhart

NTOAB Jeez is Paul Ebhart & Leonard Prochazka - ! - on Westbahn Label (Vienna)

vibes & zig tracked by tapes + mix mup + kmos. taken from ZIGTRAX LP on workshop records. distributed by hardwax.

https://hardwax.com/30621/zigtrax/zigtrax/

workshop XXII

ZIGTRAX "Untitled A2"

Schleswig-Holstein is a thin land bridge between the mighty hull of the North German lowlands and the long pointed head of the Jutland peninsula, with the gentle Baltic Sea on one side, and the rough North Sea on the other. Numerous lakes, deciduous forests and wide corridors have shaped this region since its formation during the last ice age. The varied landscape, covered with fertile clay and littered with countless large and small granite blocks, is the legacy of the glaciers.

Fascinated by the cultural and geographical history of his homeland, Phil Struck recorded sonic impressions after hikes, wanderings, daydreams, historical readings and childhood memories. Schleswig-Holstein Aufnahmen is the distillation of these diaristic recordings, made between 2017 and 2019, using a sampler, synthesizer, and worn flea market records. Much like the cyclical musings of W.G. Sebald, or Cluster’s pastoral electronic miniatures, these works are intrinsically tied to the landscape of which they were born. The wobble and crackle of the samples is evocative of the craggy scenery of the lowlands, and also describes the patinated atmosphere of memory, found in the work of Vladislav Delay, Pole, Caretaker, Philip Jeck, Ken Jacobs, and Bill Morrison. The painting adorning the album cover was done by Struck’s great grandfather who was also seduced by this meandering windswept land.

Limited edition of 100 LPs with risograph printed artwork.

Tracklist:

A1 Horizonte (Intro) (2:12)
A2 Baizubai (5:41)
A3 Speckenbeck (2:05)
A4 Grube (7:00)
A5 Feuermachen (2:52)
A6 Weiher (3:30)

B1 Sommertage (6:45)
B2 Wogen (11:24)
B3 Jens (3:49)

Buy Limited Edition LP: www.seance-centre.com/shop/phil-stru…tein-aufnahmen

Buy Digital: philstruck.bandcamp.com/album/schlesw…ein-aufnahmen

Phil Struck -  Sommertage (21SC)

The Last Cut is The Deepest

Sweet Sins (Abul Mogard Remix)

Rory McPike dons his 2200 alias and picks up the guitar for some sun-bleached, Krautrock-leaning downtempo.

'World's Fare' is out October 10th on Altered States Tapes.

Pre-order: bit.ly/2GGBL9g

@rdjm0
@altered-states-tapes

Premiere: 2200 - Cryo Freeze [Altered States Tapes]

exploratory record label publishing a wide spectrum of experimental music and visual art through timeless physical editions.

Valentina Magaletti & Julian Sartorius - Sobaka

Marionette

Related tracks