not punchy and powerful like your current compositions, but incredible nonetheless...personally I wouldn't mind a new song with a similar feel to this ;)

What a delicious experience! How do I get it on my radios... hey I can drive my car with the computer playing!

Looks like the old Lion King's Simba game. ^^

I love how it opens up in this part.... Fascinating work Mark!!

Simply beautiful. One of the best tracks for uplifting the mood. :D

Music for string orchestra.

From my score for the feature documentary film "Why We Ride."


Why We Ride (Original Motion Picture Soundtrack)

The Seed

ｓｔａｔｅ ｏｆ ｅｃｓｔａｓｙ ｌｏａｄｉｎｇ． ． ．

This is my Third release.

Any feedback is much appreciated.

Much Love & Stay Wavvy! 🌊

Seventh Heaven

Here is a personal reinterpretation of a demo soundtrack called "Renewal" by composer Alex Wallbank.

I wish you good listening !

VST libraries used :
- Spitfire audio BML Mural strings vol 1 & 2
- Cinematic Strings 2.1
- VSL Soprano Choirs
- EastWest Voices of Passion
- Shevannaï
- ... and Spitfire audio BML Horns, Reeds, Bone ...

VST effects used :
- EastWest Spaces
- Sonnox Oxford Inflator

Note : the first 17 seconds are identical to the original composition.

The Story Begins - Alternative demo soundtrack

For licensing please contact:
afullin94@gmail.com

Buy on Bandcamp here:
www.alexandrfullin.bandcamp.com

Artwork photo by @giulianopoles 

Facebook page:
www.facebook.com/Alexandr-Fullin-Music-420363924821331/

All rights reserved, © Alexandr Fullin 2015

We'll Meet Again, One Day

Buy it here: https://itunes.apple.com/us/album/binary/id1223874661
Also on Spotify, Apple Music, Amazon, Google


Music by Mark Petrie
https://www.facebook.com/Mark.Petrie.Composer/
http://www.markpetrie.com

Story of the track:

A track from 13 years ago!
This particular track has a lot of meaning for me. I wrote it back when I had just turned 24, right out of music school (Berklee) and very little in the way of prospects for a career in composing at that time.
I got the opportunity to score an amazing low budget independent feature film called Cafe and Tobacco, starring a young Enrique Murciano (right before he got famous for starring in Without a Trace.) The film was set in Miami and followed a Cuban American family, but the director Michael Justiz didn’t want a traditional Afro-Cuban score. The concept was to have a sweeping, evocative score that had hints of Cuban culture, which would better represent a family with Cuban roots that was, generation by generation, assimilating deeper into American culture.
I had to do the entire project - about 40 minutes of music, without much of a budget, a studio, or even a computer! I know what you’re probably thinking, computers weren’t around then - haha! But it wasn’t that long ago: 2003 - most of my fellow students had computers but I was too poor at the time. So I cheekily used my school’s computers to make midi mock-ups of the music, which I then sent to the director for notes and approval before we recorded live instruments.
To record the various instruments, I called on a lot of favors from fellow Berklee students, including, but not limited to: engineers, super talented guitarists, percussionists, vocalists, a flautist, a conductor and even an entire strings section.
Because I didn’t have a computer, I was walking around with a very precious hard drive containing all the music and files from each recording (and there were at least a dozen separate recording sessions!)
Anyway, this was the final piece of music in the film, finally allowing the main themes of the score to play in their entirety, summing up a life affirming message and giving the audience a lift as the credits began, following a very intense scene. Sadly, Cafe and Tobacco never made it beyond a few well-received film festival screenings (where it won awards).
A few months later I submitted this piece as my application for the BMI Pete Carpenter Fellowship, which I was fortunate enough to be picked for. It was an amazing opportunity to fly out to LA and learn from the TV composing legend Mike Post for a few months. I’ve lived in the LA area ever since.
The music is rough compared to the slickness of what I have to produce today for movie trailers, but I’m still really proud of it, all these years later. With my circumstances at the time, scoring Cafe and Tobacco was an epic undertaking.
I found it the other day in my iTunes and decided to spruce up the mix a little, and wanted to share it with you guys! Maybe you hear a little bit of the future trailer-ness in there somewhere :)
Thanks as always for your support!
All the best,
Mark

Buy it on iTunes

Tico Walks Off

Marcus Warner - After the Rain

Music By: Luke W. Standridge

If you are interested in licencing this track, or if you want me to write original music for you contact me at lukethecomposer@gmail.com

Heavenly Place

First released September 2016
Re-released April 2020 as part of Leviathan

Leviathan features immense arrangements and soaring melodies in a revival of James Everingham’s earliest musical ideas, recorded with legendary players at Hans Zimmer’s Remote Control Productions

Leviathan

Spotify

Guardian

Add my new track to your "sleep", "focus", or "study" playlist today!! 
Also available on iTunes & Spotify.

Midnight Sea

Adventures To Be Had

From my upcoming album (2019)

For licensing information, please contact: https://www.riptidemusic.com/licensing

Eternity

Follow me here to be among the very first to hear new tracks!

Tico Walks Off

Mark Petrie

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