The Light Is Still There (Peter Sandberg Remix)

Tintswalo (Piano Version)

sometimes it's scary but it's still just you and me (Leaving Laurel Revisit)

Looking Up

Looking Up (feat. Sydney Bryce)

Everything Changes, Nothing Ends (The Remixes)

Looking Through The Mirror Of The Soul (Chihei Hatakeyama Remix)

It’s Just Like Falling Asleep (Tagavaka Remix)

• Buy/Stream 'World Piano Day 2025': https://anjunachill.co/cwpd.pbt
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Anjunachill celebrate this year’s World Piano Day with a 20-track compilation featuring serene and emotive compositions from the Anjuna catalogue.

Showcasing standout moments from the label, the collection features artists such as Cephas Azaria, Mark Barrott, Martin Roth, Nils Hoffmann and Durante. This year's collection features four exclusive tracks from a diverse group of artists, including South African composer Ad Harmonium, Scottish producer Tagavaka, pianist and composer Laurel Violet, and Welsh pianist and composer Gwenno Morgan.

‘World Piano Day 2025’ is out March 28th on Anjunachill.

Release Date: 28 Mach 2025

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#Anjunachill #Anjuna #GwennoMorgan #WorldPianoDay

Dusky - Lost In You (Pianopella)

Ocean Clouds

KMT KI Media 2025 (15.07.2025)
Album Nr. 94 "Silent Garden by KMT" - Style: Ambient, Chillout, New Age, Ethereal, Lullaby | Tracks: 30 (ai generated)
Lyric: None (instrumental)

Thema: Dieses spezielle Album habe ich für Ordinationen ins Leben gerufen um die Wartezeit der Patienten erträglicher zu machen und ihnen die Angst so gut wie möglich zu nehmen. Mein Zahnarztbesuch war der Auslöser - die Stille war für mich mehr als unangenehm.

Track 01: Tranquil Embrace
ambient, new age

Track 03: Soothing Stream
ambient, new age

Track 05: Gentle Breeze
ambient, new age, chillout

Track 07: Ethereal Dawn
ambient, new age, ethereal

Track 09: Crystal Waters
ambient, new age

Track 11: Silent Stars
ambient, new age

Track 13: Golden Slumber
ambient, new age, lullaby

Track 15: Velvet Twilight
ambient, new age

Track 17: Healing Light
ambient, new age

Track 19: Serene Sanctuary
ambient, new age

Track 21: Inner Peace
ambient, new age

Track 23: Floating Clouds
ambient, new age

Track 25: Tranquil Garden
ambient, new age

Track 27: Silent Snowfall
ambient, new age

Track 29: Gentle Waves
ambient, new age

If you would like to use my music commercially, contact me. No financial income may be generated from my music without my permission. For private purposes my music is free if my name is mentioned.

Thank you very much for your time and ear. Enjoy the your journey through my artificially generated music paradise.

© Album cover and music generated with AI by Kurt Michael Treichl

Best Regards,
Kurt Michael Treichl (KMT KI Media) - Austria / Salzburg

Visit me at
https://www.mystic-arts.com
https://www.ai-music.at
https://www.kmt.zone

09 Crystal Waters v1

composer : Alexandre Lepoutre
Gear 
Orange crush Amp
Yamaha Revstar guitar
memory man with hazarai pedal
EarthQuaker Devices Afterneath Pedal
Plugin : reapitch , valhalla supermassive, Blackhole eventide...

Five o'clock in the morning

Buy/Stream: https://anjunabeats.ffm.to/twtw.pbt
Follow Anjunabeats New Releases on Spotify: anjunabeats.ffm.to/newreleases.pbt
Release Date: 6th November 2020

Stream 'On The Record 003 - Trance Wax': https://anjunabeats.ffm.to/otr003.pbt

Anjunabeats is pleased to unveil the debut artist album from Trance Wax - an alias of Belfast’s Garry McCartney, also known as Ejeca.
Celebrating the formative sounds that Garry and his childhood friends - and sometime collaborators - Bicep first fell in love with as Belfast teenagers, Trance Wax began as an anonymous series of vinyl-only bootlegs back in 2015.

Tapping into the deep love of trance across the dance community, Garry’s lovingly crafted edits of classics from Yves Deyurter, BT and Mauro Picotto became peak-time anthems for Bicep, Nina Kraviz, Denis Sulta, The Blessed Madonna, Job Jobse to name a few. Each vinyl run sold out in hours. Copies on Discogs often sold for hundreds of pounds. Resident Advisor described the edits as “somewhere between Shed and Evian Christ”. BBC Radio 1 commissioned Trance Wax for a hallowed Essential Mix in mid-2018. The collective nostalgia for trance - a foundational force in emotional dance music - was well and truly awoken.

It was no surprise, then, that Garry found his way to London’s trance standard-bearer: Anjunabeats.

The connection began when Trance Wax edited two classics from the Anjunabeats vault, ‘Clear Blue Water’ and ’Satellite, both from Above & Beyond’s much-loved OceanLab project. Trance Wax was invited to support Above & Beyond at two sold-out shows at London’s Printworks, his distinctive breakbeat-nodding take on classic trance striking a chord with the Anjuna fanbase and the Anjunabeats label team! As the relationship grew, Garry’s creative urge to explore the Trance Wax influences more fully was nurtured. An album deal was inked.

The result is a stirring, self-titled LP debut from Trance Wax featuring 14 original compositions. The album is a celebration of communal euphoria and a love-letter to the golden age of trance - arguably European dance music’s most fertile period - through the eyes of a modern production star at the top of his game.

You’ll hear a touch of early Chicane with a dash of modern Bicep in ‘Beul En Latha’ - a Gaelic term for ‘sunrise’ - while tracks like ‘Throne’ and album closer ‘Northern Sky’ are a nod to The Future Sound Of London. Endorsed by Mistajam and Danny Howard at BBC Radio 1, ‘Lifeline’ is a sweaty, Balearic piano-house cut, made for marathon sessions on the Space Ibiza terrace. ‘Manaya’ is Trance Wax’s homage to the uplifting sound of early 00’s Eurotrance, and has already managed to find its way into the sets of Above & Beyond and Armin van Buuren.

Garry has also enlisted some trance royalty for the album. Moya Brennan, the iconic voice of Chicane’s ‘Saltwater’, provides the vocals for ‘Rivers’, whilst Jan Johnston guests on ‘Nitedream’ - unlocking memories of her classic ‘Skydive’ with Freefall.

Trance Wax’s self-titled album is out now on Anjunabeats.


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The Light Is Still There (Peter Sandberg Remix)

Mark Barrott

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