Live recording from my set at TechWorks 2019 in the Glen Green Arena, Millstreet, County Cork. Enjoy

Tracklist:
Intro:
Nicolas Cuer - Transmysion (Hell Driver Remix)
DJ Murphy, Dolby D - Deadpoil (Darmec Remix)
Cosmic Boys - Phoenix (Original Mix)
Mark Greene – ID
Cosmic Boys - Connexion (Original Mix)
David Granha - Leads Of Death (Original Mix)
Mark Greene - Majority (Original Mix)
ID – ID (Mark Greene Remix) 
Gary Beck - Video Siren (Original Mix) 
Mark Greene – ID
Mark Greene – ID
Mark Greene – ID
Mark Greene – ID
Mark Greene - Manipulate (Original Mix)
Mauro Picotto - Lizard (Andrea Signore Remix)

Live from TechWorks 2019, Glen Green Arena, Cork

𝙋𝙍𝙊𝘿𝙐𝘾𝙀𝙍 | 𝘿𝙅 | 𝙋𝙍𝙊𝙈𝙊𝙏𝙀𝙍 | 𝙍𝙀𝘽𝙊𝙊𝙏 𝙀𝙑𝙀𝙉𝙏𝙎 𝙍𝙀𝙎𝙄𝘿𝙀𝙉𝙏 & 𝙎𝙊𝘾𝙄𝘼𝙇 𝙈𝙀𝘿𝙄𝘼 𝙈𝘼𝙉𝘼𝙂𝙀𝙍

Producer | DJ 
Promos: markgreeneproductions@gmail.com
Bookings: dixruptcommunity@outlook.com
Mark Greene is an electronic music producer and qualified sound engineer based in Ireland. After completing his training in the Sound Training Centre in Dublin under Will Kinsella (Hybrasil), Mark began signing some early tracks to various labels in Europe. Quite soon after, Mark was releasing tracks on well established labels like Bush Records, Naked Lunch, Elektrax and Carl Cox’ longstanding imprint Intec Digital. A string of popular releases allowed Mark to play gigs across Europe with regular trips to Amsterdam, in particular for the annual ADE each Autumn.

An avid drummer as a child, Mark has always had an affinity for heavy kick-drums in his tracks. As the years have gone by his productions have gained some bpm and Mark’s music is now finding its way into the hands of DJs at the forefront of the industrial techno scene. Rebekah, I Hate Models, Theo Nasa, Chris Liebing, D.A.V.E. The Drummer, Amelie Lens and more are supporting his productions of late, particularly his original tracks on his newly established DORCHA Records - meaning ‘dark’ in the Irish language.

Mark launched DORCHA in 2020 to circumnavigate the typical months-long process of releasing on other labels. DORCHA is a place for Mark to release tracks on his own schedule and experiment with various different styles and creative approaches. The aim of the label is to identify new artists and build a small roster to carry the DORCHA flag.

Each month you can tune into Mark’s Progress Radio show for one hour of unreleased music from himself and some of the best producers in techno. Broadcasting on several stations around the world, the show will reach the 100 episode milestone in 2022.

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

„Techno has to have that dirty purity...“

Mostly Techno, some Trance, maybe a little House here and there.

ZONE 5314: i Love House, Dance, 80s & 90s music!


Thank You For Listing Everybody👊!


Beautiful zenders !

The best 80s & 90s music !

House & Dance reposter !

Born:1971 / Men.


ROTTERDAM SOUTH SIDE THE NETHERLANDS!!! 

              
                    🟥⬜️⬛FLR🟩⬜️🟩