I had to throw the revolution on a dead maus joint just to see if you would fuck with it. Strength and honor to Tahir.

The song is reflective of the socio-economic reality we have come to live in. A society that is technologically advanced for the most part (Type 0 see Kardashev scale and Michio Kaku on civilizations)but hurtles on with a misaligned global value system frozen in the neolithic age. It cuts away the intellectualized approach you would expect from an academic lecture and deliberately grounds itself in a seemingly unrelated incongruent rhetoric hinged on the abstract and fantastical (use less adjectives). This comes from the realization that cerebral interactions with listeners are counter intuitive, because the science behind listening to music suggests that there is a lucid internalization of ideas. This means that mathematical or highly scientific stimuli fail to be internalized because they are too bulky to permeate through the membrane that is responsible for forming an understanding. Excuse the crude analogy. What I have done here is thrown concepts such as structural violence, environmental holocaust, the psycho-social tension of occupying the lower tier of a wealth imbalanced society, distorted family models, organized religion pathology, detrimental formal education, free market (free for all)tyranny into a readily consumable blend. Some of you will not know what these concepts are and the song does a poor job at elucidating them but your curiosity is peaking, if only to open a tab in your browser and type the search string "structural violence". This simply act will lead you to discover your activist spirit and just like that my job will be done. This is suggestibility, the art of planting ideas in people's heads. It is only unethical when the designer and the listener do not want the same thing. We all want a better world. Disclosing my intentions like this also renders any surreptitious methods ineffective. Decentralization is the most efficient methodology of sustainable design and the revolution needs to be sustained. ZFT is as an emergent group of the Zeitgeist movement that seeks to socialize people to the idea of a technological utopia or a technological apocalypse that will create the necessary conditions for such a utopia to exist. Enjoy.

"For anything that is unfortunate enough to call itself man, hope is a dangerous thing but we are The friends of God"

The Zeitgeist Movement (Freestyle)

Just another mixtape jam to lay down the science. Strength and honor to all my people.

Whatever you like

New joint by Namibian super producer and skateboarder turned rapper. Mark Mushiva.
LYRICS: https://genius.com/Becoming-phill-feat-mark-mushiva-not-fucking-wit-u-lyrics

Not fucking with u

Summertime tune for the lovely women of flowering seasons.

Written by: Mark Mushiva and Vuyo Bytheway
Produced by: VuyoMusic
Mixed by: Kjetil Harlekin
Cover by;; Espen Dalen 
Alex Melbye on bass


The Love Song(Prod.Vuyo)

Clan of the dragon fist

Just wanted to make a track for my anime, sci-fi, hip-hop loving people.
Engineering by Isack Kapembe
Artwork by Christopher Burrows
beat by POISON FLOWERZ, song inspired by MFDOOM & RZA - Warbooks

Warrior’s Code: A story of redemption 

[Admit it, I am I not much better than you]
[laugh]
[Well I guess that you would be the only one foolish enough who would dare to come hear, you’ve got courage]

I’m in a mood of sorts trying to find a place to record
and redeem myself son that lost the family sword
so many rappers, tried to shock me like faulty adaptors
revenge story learned the face of all my attackers
and went after them, killing everyone of them I saw
I made right all the things I couldn’t prove by law Vincent 
at night I burned incense and heightened all senses remember all lessons
I’ve come a long distance since spent nights under moons like giant headlights
win ten fights in real-life never a website
pace move slower, boa constrict Noah
kill the master of beasts meet the new master of beats
and now the old master’s dead and I assume the mantle
I’m Baby Moses Floating Down the Okavango
man who can phase me? I’m feral like wolves raised me
I’ve got the Will, I said I’m Ferrell like whites raised me 
no matter whose barrel is aimed it’s locked safety
safely tucked in, careful whenever hugging 
cos that’s when they pull the blade
it’s hidden in the braids, the fireworks, the distractions from the parade
they steal your gaze
as the knife it pierces armor, who will avenge me
that’s why I call my son Karma
who will attend me, my whole life they tried to end me man, yo, my whole life they tried to end me

As the world turns, I keep screaming let the world burn
and curse my enemy’s ash until it’s all urns
cos when it’s all set and done, what’s the altern
we ain’t got shit but the warrior’s code

now as the world turns, we keep screaming let the world burn
and curse our enemy’s ash until it’s all urns
so when it’s all set and done, what’s the altern
we ain’t got shit but the warrior’s code

I found a sword with a magic garden, an old man said I beg your pardon
this sword is forged from warrior’s souls you’ve got to earn it son
and so I trained until the winter come
but I’m still haunted by my troubled past
and so I let off a double gasp
and prepare for the final task
it’s Madlib the way the vinyl blast
master summons me in a hurry
it’s time to see if I’m worthy
we’re sparring but it looks like he’s really trying to hurt me
but as his coming towards me
I finally realize what the words mean
I’m the chosen one if I choose to be it
so I defeat him with a move
I didn’t know that I could use
the surprise in his eyes, he didn’t know that he could lose
the master and the student part ways
the mutual respect that part stays
I’m walking miles away but I decide I should stop at a rented car place
I get something cheap and I start heading north
with my new sword it’s time to see what life has in store
no more battling niggaz with support that’s half way
only hanging with babes that look like Anne Hathaway

As the world turns, I keep screaming let the world burn
and curse my enemy’s ash until it’s all urns
so when it’s all set and done, what’s the altern
we ain’t got shit but the warrior’s code

now as the world turns, we keep screaming let the world burn
and curse our enemy’s ash until it’s all urns
so when it’s all set and done, what’s the altern
we ain’t got shit but the warrior’s code

Warrior's Code: A story of redemption

The grand debut, first single to come from the Namibian Hip Hop & Poetry collective, Black Vulcanite. This song catalogs the penmanship of each of the members and projects an insightful montage based on how they feel about their individual success and struggles with art. The song was exclusively released on one of SA's biggest sub-culture blogs Cheka.co.za. The beat was produced by Maloon and recorded by Blue Chilli entertainment for Mark's "Life & Times of Jimmy Fatchild" and Alithatdudes currently untitled mixedtape.

I hope they write

1st single off my new joint of the same name, Turbo Summation. 

Singer AMA Uris
Produced by Becoming Phill
Post-production credits
Harry

Turbo Summation 1.0

REMEMBER THE FUTURE EP: Track 04
Produce by Wad00 a+ Maloon TheBoom

WATCH VIDEO HERE: http://youtu.be/mOKIfcMwEV4

04. Visions feat. Sandra Amarie + Tanya Daringo

REMEMBER THE FUTURE EP: Track 06
Produced by Maloon TheBoom

06. Beware Of Cars

REMEMBER THE FUTURE EP: Semper Fidelis 
Produced by Anonymous
Mark Question
Semper Fidelis (Always Faithful)

The Love Song(Prod.Vuyo)

Mark Mushiva

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