Bass writing like this is rare in modern music because the bass is usually behind the melody. But you bring the bass to the front of the melody makers. Awesome.

beautiful arrangement nicely produced great mix

Weekly Wave

pynth sop

We are pleased to present track 4 from our latest album, 'Haunting One Seven,' full album available on Bandcamp, we hope you’ll enjoy!

outstation.bandcamp.com/album/haunting-one-seven

Haunting One Seven

Velveteen

Mystic Unity is a musical journey that crosses borders and shows the beauty in the connection between cultures. Through the fusion of Arabic sounds and Western harmonies, I want to celebrate the diversity and depth of two musical worlds and show what can happen when we are open to each other.

Mystic Unity invites us to embrace different perspectives and discover the unknown ... melodies and rhythms merge in a unique way. I look forward to taking you on this journey and hope it inspires you.

DAW Cubase
Halion Sonic 7
Groove Agent SE
Retrologue 2
Padshop 2
Colors LoFi Tapes
Framedrum X3M
Transverse
Hybrid Hit
Verve
Kalimba
Moroccan Vocal Phrases
Olympus Choir Elements
Mimi Page
Wave Cre 8
Evo Elysium
Flux
Navi Harp
Habitat by Domink Eulberg
Halion Symphonic Orchestra
Kontakt Etheral Earth
Ocular Sounds

125 bpm

Picture by Ralf Seemann on Pixabay

mystic unity

O Come, All Ye Faithful  (Trad.  Instrumental)

Stones is made by composer David Watson and Kathleen Jones made the lyrics to it later. This is a cover from the game Ultima Online Official Theme Music

Stones (My version for Ultima V)

Winter Bossa

Pierre Bordetti productions (c) 12/2024.

Merry Christmas to all and many thanks for your continued support.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Lyrics

Like every morning,
I turn on the radio,
like every morning,
Bad news makes the show,
depressing grayness,
absent brightness,

war wins everywhere,
the climate change,
floods everywhere,
drought even stranger,

Before it's too late,
let's sing of love,
before it's too late,
let's pray to the lord god,
let's forget this nightmare,
let's stop all these wars,

Alone glimmer of hope the Music

Sixth track of a set of short piano pieces called "Rêveries pour Piano".
Ostinato Diagonal.
Ostinato on the right hand on a single note, with the same rythmic pattern. The rest of the music builds up around this.

Rêveries pour Piano VI - Ostinato Diagonal

The title is just about all that remains of a track that initially sounded very Fleetwood Macish

Fleeting

A man realizes that he never really dies in the infinite realm of the Multiverse.

Quantum Immortality

Noisy Soundscape with synth random notes. Kaospad in FX.

R&N (14.2)

'well, fuck me' with Falsestart

Falsestart: beat, bass, synth
Scotty: guitar, lyrics, vocals

Well, fuck me.
Is there a way to extinguish the greed,
exploitation, injustice, inequality?
Start a revolution, kill the cause to find peace. 

Are we living
enslaved or free? 

Well, fuck me.
Is there a way to extinguish the greed,
exploitation, injustice, inequality?
Start a revolution, kill the cause to find peace. 

You are no one.
Just a cog in the machine. 

Well, fuck me.
Is there a way to extinguish the greed,
exploitation, injustice, inequality?
Start a revolution, kill the cause to find peace. 

Distractions.
Buy shit and watch our TV. 

Well, fuck me.
Is there a way to extinguish the greed,
exploitation, injustice, inequality?
Start a revolution, kill the cause to find peace. 

Amass debt to exist, live. 

Well, fuck me.
Is there a way to extinguish the greed,
exploitation, injustice, inequality?
Start a revolution, kill the cause to find peace.

well, fuck me (with Falsestart)

Powerful Universe (2024) Anthology CD2 Track 12

afro club night

This recording is an overdubbing of my guitar on the work "Taking It Back feat. IPG" of "Paploviante".
https://soundcloud.com/paploviante-and-friends/taking-it-back-feat-ipg1

When I first heard this work on the "IPG1" page, I still didn't understand how wonderful it was. I realized that when I heard "Lillithe" make it into a work. I once again admired the musical talent of "Lillithe". I thought there was no room for me to get in there. But that wasn't the end of the story. This is because "Paploviante", a partner of "Lillithe", finished it in another work. The work was also a wonderful finish. As I listened to it many times, one day I suddenly began to wonder, "I think this is blues." I chose a blues three-code that matches the work of "Paploviante". I checked whether the scale derived from it fits the Vocal of "IPG1". It matched exactly. The three chords are introduced below, so if you are practicing playing the guitar, please play the guitar with our recording.Please take this opportunity to check the relationship between the blues chord progression and the blue note scale.

Three Codes
A7 D7 E7

Vocals and Verses: IPG1 - Ian Greaves
https://soundcloud.com/ipg1/taking-it-back-vocals-95-bpm
PAPLOVIANTE and FRIENDS --- Taking It Back feat. IPG1 
https://soundcloud.com/paploviante-and-friends/taking-it-back-feat-ipg1

Lillithe --- Taking It Back feat. IPG1
https://soundcloud.com/lillithe/taking-it-back-feat-ipg1
Various"Taking It Back"
https://soundcloud.com/ipg1/sets/taking-it-back

Taking It Back - IPG1 , Paploviante And JUNZO

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Thank you for visiting!  Please listen with headphones for the full effect.  

I just want to say that nothing would have been done here without the encouragement from the really great people here in the SC community.  Thank you.
🇺🇸🇮🇹🇮🇪🏴󠁧󠁢󠁥󠁮󠁧󠁿

O Come, All Ye Faithful (Trad. Instrumental)

~Mark F

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