Très bien construit, très bien produit. La voix reste l'élément central dans un environnement pourtant dense et très captivant. Super ! / Very well constructed, very well produced. The voice remains the central element in an environment that is nonetheless dense and very captivating. Great!

Awesome electro with completely relevant commentary. Love the glitch elements. We are indeed in dire times my friend.

This is very deep monologue and spoken word ❤️❤️❤️Are the narratives your own writing material?

And, of course, I love the “pretty amazing” stuttering glitch throughout the track but I have to stop the music when I’m commenting so that I can listen to the narratives intently

Rub And Tug Dub

Misty Moon.mp3

They do what they want simply because they can.   
I do what I can, because I am here.

They no longer feel the hypocritical need to justify their actions.   
I do not justify. I bear witness.

They speak loudly. They reverse the facts.   
I speak softly. But I do not lie.

Totalitarian culture does not force. It erases.   
I do not shout. But I trace. Even if it’s fragile.

The algorithm holds captive, but does not elevate thought.   
I watch over the moment. And I breathe in the present.

Meta thrives on noise. Amazon on speed.   
I watch over the link. And I breathe in the slow.

Exxon and Lockheed thrive on destruction.   
I do not thrive. I breathe. And I watch.

Violence is a drug. It excites, it justifies.   
I am not excited. I am here. Sober. Present.

Diplomacy is possible, but refused.   
I do not refuse. I extend my hand. Even if it trembles.

The world approaches universal death in a frightening way.   
I am not the universe. But I am alive. And I remember.

Russell and Einstein wanted to remember their humanity, and forget the rest. I am what is forgotten. And I remember.
credits
released October 19, 2025
license
all rights reserved

🙏🏻

The Algorithm of Impudence

2014 (uunitzz n blickyhomeboy)

“The Fear of the Generation” – an underground synth journey through the darkness of our time: war, despair, and a collapsing world. Yet beyond the noise and fear, a light breaks through — God as our final hope and saviour.

Fear of our Generation

SOMEWHERE

Endless motion without escape.
Circles drifts through layers of synth, reverb, and tension — a slow rotation between beauty and decay. Every pulse feels familiar, every silence deeper than before.
Minimal. Hypnotic. Eternal.

🎧 Headphones recommended.

CIRCLES

163 honeycomb/kb

🎶 you just stand there

(Cinematic | Emotional | Orchestral)
Sometimes silence hurts more than words.
This piece was born from that very silence — the moment when love collapses, and the one you trusted most just stands there, watching you fall.
It’s not about revenge, it’s about realization.
When love dies, hate doesn’t destroy — it repairs what’s left of a broken soul.

A fragile piano carries the memory of warmth, while Bohemian violins cry softly between the shadows.
Her voice drifts through the fog — neither angel nor ghost — whispering what’s left of connection.
This is not a song of anger. It’s the echo of what remains when everything else is gone.

🎻 Production Notes
Lead lines use Virharmonic’s Bohemian Violin for feather-light bowing, intimate vibrato, and fluid legato phrasing — creating a breathing, human tone that weaves between sorrow and strength.
Abbey Road One forms the cinematic backbone, while Native Instruments Piano Noire shapes the emotional pulse.

Female vocals were rendered in ACE Studio, as no suitable singer was available in time.
Melody, phrasing, dynamics, and emotional design were all composed by me.
🎧 I care about real, honest music — composition, arrangement, performance design, mixing & mastering are entirely handcrafted.
No AI, no Suno, no Udio, no Mubert — everything you hear was created by me.

I believe AI should never replace the artist — it can assist, inspire, or speed up a process, but it should never define the creative vision.
When you hand over the full creation to AI, you surrender your growth as an artist and become dependent on a machine that doesn’t feel, dream, or doubt.
Real art is born from imperfection — from human emotion, not automation.
Stay real 🎶❤️🎶 
🖋️ Lyrics (English & German)

You were my fire,
now I’m cold in the light.
Between love and rage,
you fade out of sight.

Du warst mein Feuer,
jetzt frier ich im Licht.
Zwischen Liebe und Zorn
verblasst dein Gesicht.*

Your name’s a poison in my chest,
my heart’s a grave that never rests.
I hate you ‘cause I still need you,
and love just dies when it bleeds through.

Dein Name – ein Gift in meiner Brust,
mein Herz – ein Grab, das niemals ruht.
Ich hasse dich, weil ich dich noch brauch,
und Liebe stirbt, wenn sie hindurchblutet.*

I fall — you just stand there.
Broken — but still fair.
I scream — no one cares.
Love is dying, and hate repairs.

Ich fall — du stehst nur da.
Gebrochen — und doch so klar.
Ich schrei — und keiner hört.
Die Liebe stirbt, der Hass sie heilt.*

I wear your face under my skin,
burned and scarred where you’ve been.
Swore I’d never let you go —
but had to break you just to grow.

Ich trag dein Gesicht unter meiner Haut,
verbrannt, gezeichnet, wo du einst warst.
Ich schwor, dich nie gehen zu lassen —
doch ich brach dich, um zu wachsen.*

Everything in me — still pieces of you.
I see your ghost in everything I do.
If you can hear me, curse my name —
but don’t forget it.

Alles in mir — noch Splitter von dir.
Ich seh dein Gespenst in allem, was ich tu.
Wenn du mich hörst, verfluch meinen Namen —
doch vergiss ihn nie.*

When it’s done, it’s just stone and dust.
I hate you now — ‘cause I must.

Wenn alles vorbei ist, bleibt Stein und Staub.
Ich hasse dich jetzt — weil ich’s muss.

💿 Credits
Music, lyrics, arrangement, mix & master: DestKorn (Matthias K.)
Vocal rendering: ACE Studio (melody & expression by DestKorn & Nicole)
Artwork: DestKorn
℗ 2025 DestKorn | © 2025 DestKorn
All rights reserved. Unauthorized use, reproduction, or distribution is prohibited.

you just stand there

I saw a video of a catfish eating a pigeon that had come to drink water on the banks of the Seine River that runs through Paris. From the catfish's perspective, it's easier to eat an unsuspecting pigeon than to go to the trouble of chasing a small fish. The TV commentary said, "Humans build cities, and nature acquires new adaptations." The number of bears in Japan has become so large that they are coming down from the forests into urban areas and attacking people. Global warming has made Japan's summers harsher, depriving us of the opportunity to enjoy the autumn leaves in our beloved forests.

№358 Silent Predator

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

The Algorithm of Impudence

Mark Mori

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