A chilled down playlist for chilled down moments.

Photo by the wonderfull
Ronja Falkenfach

Whispering into your Phone

Here it is! This weeks episode of Pacific Spirit. This time around we were graced by one of Melbourne's top DJs, https://soundcloud.com/noise-in-my-head.

A relatively mellow affair with a grip of unreleased and forthcoming releases from some of our favorite labels and some stone cold classics was the result. DJ D.DEE is up for the first hour and NIMH handled the second.

S/O to everybody who danced with us at 333 Clarke after the radio show. That was a treat!

If you enjoyed this please don't hesitate to tune in every Friday on NFR from 4-6pm PST: nofunradio.com/

Pacific Spirit 006 | DJ D.DEE & Noise In My Head

Fledgling duo Youkounkoun give some '80s French synth-pop the edit treatment on Plaisir Partagé sub-label Edits Du Plaisir.

'Señorita' is out December 7th on Edits Du Plaisir.

 Pre-order: bit.ly/2BTgww2

@youkounkoun-music
@plaisir-partag

Premiere: Youkounkoun – A Quoi Tu Danses Quand Tu Penses [Edits Du Plaisir]

1. Crumb - Nina
2. Better Person - Zakochany Człowiek
3. Surfing - Hit The Spot
4. Zenit - Waitin’
5. Yves Tumor - The Feeling When She Walks Away
6. Past Time - I Can Treat You Better (ft. Ariel Pink)
7. Pink Rhythm - Trust Me
8. The Silver Field - Rain

www.ReverberationRadio.com

Reverberation #365

Jumani - We Can Work It Out

Kenneth Bager has compiled the first 'Copenhagen 2019' compilation, released on Music For Dreams the 26th of April 2019.

Stream / Download in all digital stores: https://orcd.co/copenhagen2019vol1

Connect with Music For Dreams
FB : https://bit.ly/2MEexC2
SC : https://bit.ly/2w0qOqR
YT : https://bit.ly/2bIaezU
IG : https://bit.ly/2Le2u9s
TW : https://bit.ly/2L9HyjX
BC : https://bit.ly/2MRzxGj
Home : https://bit.ly/2Psgksm

Connect with Kenneth Bager
FB : https://bit.ly/2N58gfy
SC : https://bit.ly/2mgVZsd
YT : https://bit.ly/2bIaezU
IG : https://bit.ly/2w0p8NY
TW : https://bit.ly/2nTndX1
BC : https://bit.ly/2MRzxGj
Home : https://bit.ly/2Psgksm

Copenhagen 2019, Vol. 1 - Compiled by Kenneth Bager (Full Comp) - 0174

Buy http://bit.ly/2Xxr2oj

Digging G-Edits #7: Jamie xx, Disclosure, Demuir, Auntie Flo, Till Von Sein, Horse Meat Disco, Moon Boots, Souldynamic, Mia Dora, Terry Farley...

Inta [G-Edits #7]

1 - McCoy Tyner - Beyond the sun
2 - Portico Quartet - window seat
3 - Dj Food - Consciousness
4 - SMODBT - Dayly Lotus
5 - Hypnotic Brass Ensemble - Satin Sheets
6 - David McCallum - The edge
7 - Dr Dre - The next episode (Feat Snoop Dog & Nate Dog)
8 - Rick James - Mary jane
9 - Children of Zeus - Hard work
10 - Matt Muse - Ain't no (prod by Ace da vinci)
11 - Rapsody - Ibtihaj (feat. D'Angelo & GZA)
12 - VNDMG - Blastoff
13 - Mackadena, MC Random & MC Fats - Around The World (A Sides remix)
14 - Black Milk & Nat Turner - Sunday Outtake 3
15 - Rotary Connection - I Am The Black Gold Of The Sun
16 - Beck - Debra
17 - Dreamville - Sacrifices (feat. EARTHGANG, J. Cole, Smino & Saba)
18 - Freddie Gibbs & Madlib - Crime Pays
19 - Blu & Damu The Fudgemunk - Feet on the Ground
20 - Dom Giavonni - Davis ft. Taylu
21 - Almeta LATTIMORE - These Memories (alternate mix)
22 - Bob & Earl - Harlem Shuffle
23 - TAXIE - Rock Don't Stop
24 - Lanu - Dis-Information
25 - The Pionneers - Papa Was A Rolling Stone
26 - Smino - TEQUILA MOCKINGBIRD
27 - Zikomo - Champion Riddim
28 - Blind Melon - No Rain
29 - Van Morisson - The Way Young Lovers Do

Mikkusu #33

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/violet-bed-of-roses/
We are honored to release the debut album from @Violet, the alias of Inês Coutinho, Lisbon born and raised DJ, producer boss of Naive records, co-founder of Rádio Quântica, and mina resident. Violet began producing music in 2012 and has released music on One Eyed Jacks, Love on the Rocks, Paraíso and Naive. Inês uses her seemingly boundless energy to amplify other artists all the while progressing her own creative practice. 
‘Bed of Roses’ contains 10 songs made as a sort of childhood-teenage memories diary, a return to things Inês liked then and also the difficult things she’s been through. The feeling behind the album is self forgiveness in an optimistic way but also in an adult way, aware of the bruises (thorns) but also of the invaluable love and life experiences (roses). The title comes from the Bon Jovi song that Inês loved as a 9-year old and doubles as an intent of positivity paired with the inescapable darkness of life. Inês says, “I wrote this music as a healing device that I hope can somehow help heal others too.” All songs have been mastered by George Horn at Fantasy Studios. The jacket features an original design by Eloise Leigh that incorporates themes of self-inspection and hope mixing a teen bedroom girly vintage scrapbook aesthetic with contemporary 3D mapping techniques. Each LP contains a postcard featuring a childhood photo of Inês with notes.

Bed of Roses

Violet - They Don't Wanna Know

Artwork is one of UK club culture's most recognisable faces, whether that's his role in dubstep's evolution, hit singles with Magnetic Man, or his ongoing solo journey.

This mix affords the London selector space to dig into his disco, house, and boogie cuts, a frisky selection to while away those darkening Autumn evenings...

Clash DJ Mix - Artwork

After a long time of planning we are happy to finally present you the twelfth R|A|S Records Mix. The longtime record collector @stirnband shows his dark side and refers to his musical roots. Post-Punk, No Wave, experimental Electronics and EBM – or as he called it: "German Angst in Flipperbuden".

Photo by Max Langer.

R|A|S Records Mix 012

R|A|S Records Mix 012 | Stirnband

Luc Léandry - Another Day in Paradise (inst.)

Kicman-Kalson-Collins-Cascino - Man Of The World

Two sought after Slyngshot tracks finally getting reissued alongside another two yet unreleased jams on the latest YAPPIN 12".

https://www.discogs.com/DJ-Slyngshot-They-Still-Cant-Grasp-It/release/9189811
RELEASE DATE: 27.01.2020

Distributed by CLONE distribution.
------------------------------------------------------------------------------------------------
A1 Battlecat
A2 Gimme 2 Bars
A3 They Still Can't Grasp It (Instrumental)
B1 They Still Can't Grasp It (Original)

They Still Can't Grasp It

DJ Slyngshot - They Still Can't Grasp It

https://www.nts.live/shows/ohbliv/episodes/ohbliv-9th-march-2020

Ohbliv 090320

https://www.nts.live/shows/tim-koh/episodes/kokonut-trip-w-tim-koh-11th-march-2020

Kokonut Trip 110320

CleS welcomes his audience with a warm overture, immediately announcing the character of his performance: an introduction like no other, a wind of contemporary jazz. This is followed by a languid and suave saxophone dialogue, in the manner of Jan Garbarek, and the appearance of a double bass. A demonstration of fortuitous aesthetics, reinforced by a guitar and lyrical musings.
In this set, the artist walks with the tempo, plays with time, with an extraordinary fluidity: a micro bossa-nova colour sliding towards a Drum and Bass rhythm, and suddenly, a formidable twist asserts a precise jazzy minimal beat.
Temporal ballads, a festival of rides cymbals, fiery double bass phrases.
At times, the rhythm takes on a configuration of free jazz intertwined with minimal, few clues indicate a rhythmic yet meticulous coherence, before switching to a succession of more conventional grooves: sometimes bossa, sometimes jazz, with disconcerting ease.
The synthesizers occupy a large place, a dub flavour stands out to quickly give way to majestic violins on a set of raw sound signals. Digressions of major chords and solid ride cymbals complete the poetry of a violin accompanied by glass sounds. 
A funk flip guided by a knitting bass, then plunges abruptly back into a minimal groove: whimsical imaginations, chunky and agile basslines. This is followed by guitar ramblings, a funky microhouse atmosphere and a delicious piano with Cuban accents. A final return to jazz unveils a trumpet on triplets of cymbals, a distant echo of what could be the voice of William Burrough, and even the furtive appearance of a harp. CleS concludes his story with a sung voice, then vocalizing; a psychedelic witness of the old school.
In the end, this precious piece brilliantly distills diverse and varied influences, ranging from contemporary jazz to pure and sophisticated electronic music and rumours of Vienna Dub.

CleS accueille son auditoire avec un exorde chaleureux, annonçant immédiatement le caractère de sa performance : une introduction comme il s’en fait rare, un vent de jazz contemporain. S’en suit un dialogue de saxophone languissant et suave, à la manière de Jan Garbarek, et l’irruption d’une contrebasse. Une démonstration d’esthétique fortuite, confortée par une guitare et des envolées lyriques.
Dans ce set, l’artiste se balade avec le tempo, joue avec le temps, avec une fluidité extraordinaire : une couleur micro bossa-nova glissant vers une rythmique Drum and Bass, et soudain, un twist formidable assoit un beat minimal jazzy précis.
Divagations temporelles, festival de cymbales rides, phrases de contrebasse ardentes.
Par instants, le rythme prend une configuration de free jazz entrelacé de minimale, peu d’indices indiquent une cohérence rythmique pourtant méticuleuse, avant de basculer sur une succession de grooves plus conventionnels : tantôt bossa, tantôt jazz, avec une aisance déconcertante.
Les synthétiseurs occupent une grande place, une saveur dub se détache pour rapidement laisser place aux violons majestueux sur un décor de signaux sonores crus. Digressions d’accords majeurs et cymbales rides solides viennent compléter la poésie d’un violon accompagné de sonorités de verres. 
Un renversement funk guidé par une basse tricotante, puis replonge brusquement dans un groove minimal : élucubrations fantasques, basslines dodues et agiles. On assiste ensuite à des divagations guitaristiques, une atmosphère microhouse funky et un délicieux piano aux accents cubains. Un ultime retour au jazz dévoile une trompette sur triolets de rides, un écho lointain de ce qui pourrait être la voix de William Burrough, et même l’apparition furtive d’une harpe. CleS conclut son histoire avec une voix chantée, puis envolée ; témoin psychédélique de l’ancienne école.
En fin de compte, cette pièce précieuse distille avec brio des influences diverses et variées, allant du jazz contemporain à une musique électronique épurée et savante, en passant par des rumeurs de Dub Viennois.

//MNMD007// CleS

@errortica joins me on Netil Radio with a guest mix of pure soviet New Wave. TL to follow.

Wasted Space w/ Coolant Bowser & Errortica - Netil Radio - April 20

A jornada musical de um long set em formato de podcast. Esse é o Loooooooooong, novo podcast do Alplay. Todo mês um novo convidado nos apresenta de 4 a 10 horas de música. 

@thiagoguiselini

Curadoria: Alan Medeiros
Primeira temporada

Loooooooooong: Thiago Guiselini

Full on freshness from the Outplay camp with the ‘Surr Rendez-Vous ’ EP.  It's  the labels 13th release and it comes with a powerful serving from Russian team Scruscru & Meowsn. Both these guys have some pretty cool outings under their belt on SlothBoogie, Nómada, Nurvous & Star Creature Universal Vibrations.
 
On this sparkling  four tracker you’ll experience a patchwork of creative sampling, wonky jazz chords and powerful synth melodies with a sprinkling of tongue-in-cheek!  These cuts will make you reminisce over the rise of the loose beat and broken house of a few years back, while working in an oh so contemporary way.

https://www.phonicarecords.com/product/scruscru-meets-meowsn-surr-rendez-vous-ep-pre-order-outplay/169033

https://soundcloud.com/scruscru
https://soundcloud.com/meowsn
https://soundcloud.com/outplay

PREMIERE: Scruscru Meets Meowsn' - Inspector Potato [Outplay]

Up and coming British house artist Amy Dabbs takes us on a journey through the house music galaxy, pulling influences from the past while propelling us into the future with her latest release ‘Girl Like Me’ released on Distant Horizons, a sub-label of London mainstay Lobster Theremin.

The four track EP encapsulates the vision and virtues of classic house, reflecting elements from Amy's musical upbringing, infusing influences from Motown through to early house, and simultaneously instilling whispers of 80s and 90s soul that formed the building blocks of the modern day house sound.

Opening track ‘Girl Like Me’ sets the tone with a vibrant pace and rhythmic precision. Illustrating life’s ups and downs, it’s a true testament to the power of positivity and nurtures the ever-present possibility of enrichment in our lives, even through hard times. ‘Mellowday’ is a classic Detroit house number infused with touches of jazz. It’s sublimely uplifting, a feel-good tune with an exquisite sound pallett and vibey vocals.The positive energy of the track and the title itself are inspired by her adopted rescue dog, Melody. 

‘No More Distractions’ shouts-out to the old skool. Cited by Amy as “inspirations” in her musical career, musical legends such as Larry Heard and Metro Area are paid homage to in this track with a revitalised use of the Juno 106, remembering sounds in an 80s-into-90s style epic encounter. Lastly, ‘The Player’ is a pure complement to the end of the night, lifting you up with its soaring pads whilst grounding you with the lyrics of the spoken word. Lyrically relatable and a groove to end on. This is a tune to mend your wings and fly to.

‘Girl Like Me’ EP drops Friday 11th December, via Distant Horizons.

A1. Girl Like Me 
A2. Mellowday 
B1. No More Distractions 
B2. The Player

>> @amydabbs

Girl Like Me

BUY RELEASE

DISTANT003 // Amy Dabbs - Girl Like Me EP

𝖀𝖕𝖈𝖔𝖒𝖎𝖓𝖌 𝕯𝖆𝖙𝖊𝖘:

🌌

Verpasste Termine:
18.05.2024  −  Rave im Plänterwald, Berlin
31.10.2023  −  At Raphi's, Bielefeld
12.05.2023  −  V190, Berlin
17.02.2023  −  Triple Laser Celebration, Bielefeld 
10.12.2022  −  At Raphi's, Bielefeld
10.09.2022  −  Chirurgie Cherrie, Bielefeld
18.01.2020   − Chirurgie Cherrie, Bielefeld





_____________________________
3D-Artist / Graphic designer

Whispering into your Phone

Mark Radion