Side to Side (Unreleased - Beyond the Moon)

⚡ Let It Whip
Electric sound, designed to rock the club. Track designed for the dance floor. Hypnotic groove, dark atmosphere, and a relentlessly driving bass.

Let it Whip

Way You Move

TECH CLUBBERS PODCAST W/ DIXIE 

Dixie is co-founder and resident DJ of Acquario at Masada Milan.

Follow DIXIE here:
Resident Advisor: https://www.residentadvisor.net/dj/dixie
Facebook: https://www.facebook.com/dixieacquario/
Instagram: https://www.instagram.com/dixie_gipsy/
Soundcloud: https://soundcloud.com/dixieacquario
Contact: acquariomasada@gmail.com

Follow TECH CLUBBERS here:
Web: https://www.techclubbers.com/ 
Resident Advisor: https://www.residentadvisor.net/profile/techclubbers
Facebook: https://www.facebook.com/TechClubbers/ 
Instagram: https://www.instagram.com/techclubbers/ 
Soundcloud: https://soundcloud.com/techclubbers 
Mixcloud: https://www.mixcloud.com/TechClubbersRadio/ 
Youtube: https://www.youtube.com/c/TechClubbersPodcast 
Itunes: https://podcasts.apple.com/it/podcast/tech-clubbers-podcast/id1453220509
Contact: info@techclubbers.com

Dixie - Tech Clubbers Podcast #137

NOTE FROM AS YOU LIKE IT:

As You Like It, like all of you, has gone on full lockdown. All of our shows over the coming several months have been cancelled or postponed to an undetermined date. However, in the coming days, we will release a series of podcasts and interviews as planned before COVID-19, supporting and showcasing local artists that were scheduled to be on the bills. 

We know that it’s a trying time for everyone’s finances and especially for the nightlife community who rely on the box office to cover expenses. We’ve always budgeted the costs of our SoundCloud and podcast series from the box office.  If you’re able, please donate to As You Like It via PayPal info@ayli-sf.com. Any amount will help, $1, $3 or $20. Proceeds will be split to recoup the costs lost to the Nightlife shutdown to artists and AYLI. 

Upcoming AYLI Podcasts:

@Rubidium (Konstruct)
@InfiniteJess (Vinyl Dreams / Soft Rendezvous) 
@Space-Ghost-1 (Tartelet Records / Apron Records / Open Soul)
@wʍwood (Squish)
@SisGirlPGH (Kosmetik)

http://www.ayli-sf.com/2020/03/25/ayli-podcast-94-eichef/
https://www.residentadvisor.net/dj/eichef
@eichef

As You Like It Podcast

AYLI Podcast #94 - Eichef

We proudly announced our 2nd project. Which is the V/A compilation album by 20 ingenious artists.

There are many problems that are currently being highlighted in this world.One thing is for sure is you don't get what you value by bringing others down.

Please take a breath of the new dawn and make it a part of you. 
The center of the universe is everywhere…

Mastered by Kaelan Subosc Studio 
Artwork by Norihiro Yukimasa

Release Date : July 3rd 2020 
© Paradigma Records

paradigmarecords.bandcamp.com/album/sinr…ective-001

Tasoko - Satellite

INDEFINITE PITCH   |   PREMIERE 027

Ryogo Yamamori - Fin de Siecle
VA - Divercity I [ACP01 | Artscope]

Produced by Ryogo Yamamori
Mastered by Giovanni Conti at Artefacts Mastering
Artwork by Minjoon

Released by Artscope from Seoul, South Korea
Release Date: July 17 2020

Ryogo Yamamori
@ryogoyamamoritracks
https://951beat.bandcamp.com
https://www.facebook.com/ryogo.yamamori
https://www.residentadvisor.net/dj/ryogoyamamori

Artscope
@artscope_music
https://artscope.bandcamp.com
www.facebook.com/Artscopeseoul

Indefinite Pitch | Yantai
@indefinite-pitch
https://www.facebook.com/indefinitepitchblog
https://bandcamp.com/indefinite_pitch
https://www.instagram.com/indefinite_pitch
https://twitter.com/IndefinitePitch
https://www.discogs.com/user/Indefinite.Pitch

Divercity I

Salamander

Buy & Support

PREMIERE: Ryogo Yamamori - Fin de Siecle [Artscope]

Oslated Premiere 227

Kimtaeyeon - Breaker
V.A - Divercity I [ACP01 / Artscope]

Produced by Taeyeon Kim aka Kimtaeyeon
Mastered by Giovanni Conti at Artefacts Mastering
Artwork by Minjoon
Released by Artscope from Seoul, South Korea
Release Date : July 17th. 2020

Kimtaeyeon (Incheon, South Korea)
His music expresses the aspect of developing by realizing his original duty of exploring the truth, and one aspect of re-regulated reality, not as it is.

In order to create works that amplify realism and vividness, he records and reconstructs various processes, scientific materials, and everyday objects.

그의 작업은 진실을 탐구하려는 본연의 의무를 실현하면서 발전하는 작업과 있는 그대로의 현실이 아닌 재규정된 현실의 한 단면을 담아낸다.

사실성과 현장감을 증폭 시키는 작업을 하기 위해 연습되지 않은 실제 자연환경이나 과학적 소재 일상생활의 사물들을 다양하게 다루며 기록하며 재구성하는 다양한 작업을 하고 있다.

https://soundcloud.com/kim_tae_yeon
https://www.facebook.com/DJKIMTAEYEON
https://www.instagram.com/k_i_m_t_a_e_y_e_o_n

Artscope
https://soundcloud.com/artscope_music
https://www.facebook.com/Artscopeseoul
https://www.instagram.com/artscope_music
https://artscope.bandcamp.com

Oslated Seoul.
http://www.oslatedseoul.com
https://soundcloud.com/oslated
https://www.facebook.com/oslated
https://www.instagram.com/oslated
https://oslated.bandcamp.com

V.A - Divercity I

Breaker

Support & Buy

PREMIERE : Kimtaeyeon - Breaker [Artscope]

noise vandals

2020-12-23_CDR_259_

Markallen303/crate-digger-radio-show-260-w-mark-allen-on-wwwnoisevandalscouk-20201230-2111/

This is my last show of 2020 I was knackerd and it took me a while to get into it but enjoyed the show

2020-12-30_CrateDiggerRadioShow_260

DOWNLOAD FOR FREE: 
https://michalwolskimusic.bandcamp.com/album/ray

Some time ago I gifted my Mom, who has to look out for herself more than others due to the pandemic, with an iPad. This tablet has served me well over the years in the studio, on stage, on the road, while waiting for a show, and sometimes after shows, as well as during countless jam sessions with other artists. The iPad has functioned both as an instrument, and as a MIDI controller, and as a sequencer controlling a modular synthesizer, and as a sketchbook sketcher, etc. A lot of music has been created with this tool - all because of the touch interface, which I feel opens up a unique connection between the digital world and the analog world. However, I felt it was time to share this device in order to open up a bit of the world to a parent who has been home for many months.

As I gave my iPad to Mom, the need arose to purchase another iPad. The pandemic drains the wallet quite effectively, so I chose a used, slightly older model. However, I managed to buy a tablet in perfect, like-new condition, which confirms that it's worth buying used equipment... maybe it helps relieve our planet at least a little. 

After a month of searching for a new device I felt that I am finally back to regular music work - the tablet allows me to control the studio in a completely unique, one of a kind way with which I feel a full connection. So it was time to restore the backup of the previous iPad I had given away, and get it back in working order. 

What does it turn out, though? After many attempts, a message appears: "Unable to restore iPad because an error occurred". I've searched half the internet for a solution, consulted magicians who help fix corrupted archives. And nothing. 

Gone were the years of work on projects that accompanied me during countless live acts, gone were the drafts of songs I'd been working on over the past months, gone were a ton of unique samples I'd recorded while in all sorts of places I'd visited, giving concerts or working with other musicians... Finally, I also lost some wonderful applications which are no longer available. With the broken backup, the ephemeral nature of (digital) reality was on full display, a form to which one shouldn't get attached too much. 

While this event froze the blood in my veins at first, I feel that it can be a refreshing, uplifting and enlightening event. It's time to start working with familiar environments and familiar instruments, as well as those I'm just getting to know, all over again.

So I thought I would share with you a recording that was made in this no longer existing environment as the last one, which was supposed to be still polished, refined, but from which the trace was lost, whose sounds were lost and whose tracks evaporated irretrievably. The only thing that remained was the form played live during one of the studio sessions. 

I recorded the whole thing using samples that I had recorded while eavesdropping on a rehearsal of a trumpeter whose intensive work prevented me from being in the studio. He played beautifully, though so loudly that all I could do was turn off my equipment and speakers to turn myself into a listener. Then a recording of a few seconds was transformed in a million ways into what you hear. 

May this piece serve you well. Maybe there will be some use for it. 

https://michalwolskimusic.bandcamp.com/album/ray

Have a good day!
🌹🏴‍☠️

PS. I am making the piece available for free. However, if you want, you can support my musical work also in "other" ways :)
PS2. This rather pathetic title was invented by me in a hurry, right after the recording session was over. If you look at it from a certain perspective, it turned out to be quite prophetic...

2020-12-23_CDR_259_

mark allen

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