You're just jammin away on this one man it's real cool!  I love this indie stuff you can't find anywhere else

Wooow dance music Nice armony congratulations

These are the underdog tracks of 2024 that for whatever reason did not get as much attention as they deserved. This is a chance for people to again discover some unearthed gems of sonic bliss.

Gems of 2024

Lyrics
Monday was  a cold and raining
Tuesday never stopped it’s complaining
and Wednesday stuck around damn near longer than any day should
Thursday was a throbbing tooth ache
And even Friday didn’t give us a real break
Come quitting time I am gonna lay my hammer down 
(Chorus)
We earned this weekend baby
We earned this weekend baby
We earned this weekend
Ain’t nothing getting in our way

Friday night we’ll step out looking so great
Saturday sleep in don’t care how late
Cause little extra rest shouldn’t be some kind of guilty luxury
(Repeat Chorus)
All day Sunday we’ll cater to our best selves 
Dust off the dreams we keep   up on the back shelf
And remember the things we really love to do
(Repeat Chorus)
Cause Monday’s waiting for us anyway
Let’s live free for a couple days
If anyone deserves it, honey, it’s you and me
(Repeat Chorus)

We Earned This Weekend

As a child growing up in Liverpool during the eighties, I witnessed first hand the struggles people had to endure because of the government’s neglect of our city. The government got away with neglecting its children, whilst Yosser and no doubt many like him had theirs taken away.

Yosser Hughes, the fictional character from Alan Bleasdale's incredible television series 'Boys from the Blackstuff', depicted a single father unable to find work whilst trying to look after his three children. 

The perception of Yosser back then, and probably still now is that he was a crazy, weak, and dangerous person. The reality though, is that Yosser’s behaviour was fuelled by many factors, not just povery, lack of work, and a broken relationship that we witness on screen.

Mental health awareness was zilch back then and most men today like Yosser find it impossible to talk about their struggles in life. This is largely due to the stigma of being perceived as weak. The only person he felt that he could open up to was a priest behind a veiled confessional box, who seemingly offered no help, support or guidance.

There will have been many traumatic events in Yossers life, all as a result of a cycle of poverty and lack of support and understanding that was generationally passed down. 

Yosser struggled on with his failing mental health, but clearly his love remained for his children. He kept looking for work, feeding his children, doing the best he could with what little he had. He like many was unfortunately doomed to succeed, and yet if he had been given help and support he could have brought his children up and been there for them. His wife, like Yosser just another casualty of the continuing cycle of victims, and sadly their children next.

Anyone struggling with their mental health should break free from the societal  stigma and speak to someone. You’re only human and can’t carry that weight alone. You are not alone and It’s ok to be vulnerable, it’s what makes us human. Just please ask someone for help!

Additionally, If you know someone who may be struggling with things, ask them if they want to talk, lend your ear, normalize their worries or concerns, and encourage them to seek help and support.

Thanks to Liverpool artist Mikey Gannon, for letting me use his artwork: http://ko-fi.com/mikeygannon

Yosser hughes

Yosser Hughes

Party Styles

A gentle Song

Venus

The track "Magnetized Lens" is an acid house instrumental mix. It starts with a lead synth and an epic hook synth for texture, both with automated fading. The synth harmonizes with the UAD Polymax synth horn and eventually transitions joined by a big room after-party electronic drum kit. The middle part of the mix features an electrifying dance beat with various TB-3 acids and synclavier sub-bass. These were all sent through bus processing before the final master bus. My intention with this composition was to journey the listener in their mind through cosmic light as if bouncing from one "Magnetized Lens" to another.

Free Download

Magnetized Lens

NEVER BE THE SAME

As I sprinted up the platforms, the Pantheon towered above me, illuminated by the setting sun. Clouds drifted below as I leaped hundreds of feet in an attempt to reach the highest floating rise. With each step, I struggled to catch my breath. The serene evening provided a picturesque backdrop as I finally reached my destination: the top of the Pantheon. Also, listen to the track "Top of the Pantheon."

Solid Levels

An Audience at the Old Café

A common term related to investing can also apply to various aspects of life. The fear of missing out, driven by others' participation, can lead to negative outcomes. This track was started about a month ago using Model 84 and 77 Softube synthesizers, along with a Juno emulation. I incorporated guitars similar to those used in "Endless Summer Daze" and "Unrealized Future," and it features a synth bass Arturia preset called "Pet Shop Boys."

FOMO 

They all wait in line for the money machine 
Caught in an avalanche of emotion 
Don’t wanna rain on your parade

Fear of missing out
Now you’ve jumped into the
shark tank
You thought you’d join in too late 
Now the bank has taken it all away 
 
So you found what your hoping to emulate 
Everyone’s winning and you wanna 
partake in it

Fear of missing out
Now you’ve jumped into the
shark tank
You thought you’d join in too late 
Now the bank has taken it all away

FOMO

I completed this track last May. Although I hadn’t felt like sharing it, I thought it was important to include it in the tracks I’ve finished this year. It’s an unusual track to me because it evokes a sense of hiding from the spotlight. It mentions superheroes battling villains and captures a unique intensity. I’m not sure how this peculiar track will be received, but it does seem to have a strong emotional impact, even if it’s not as upbeat as some of my more recent tracks. I also created a music video for it with some interesting imagery which briefly shared and again now:

https://youtu.be/qRz3-hKlZbo

Hiding out from the Spotlight 
Go from street to street  
Corner to corner 
Aisle to aisle all before the escape 
Scurry down the hillside 
trailing meadow disguise my cape
One time I found my bearings 
Won’t be long until the return 

Oh yeah yeah yeah 
Where is the spotlight
Find my way over 
Oh yeah yeah yeah 
Why are the answers
Always 
in front of me 

One can bring one can try 

Gliding out with super powers
Now this ancient city trusts me 
Battle to battle 
Counting the hours
Waiting to save the day 
All the villians running for cover
They all fail to make their run
They all never had no fun and 
can’t take ours away
If I can’t make this journey
What will be left to return 

Oh yeah yeah yeah 
Where is the spotlight
Find my way over 
Oh yeah yeah yeah 
Why are the answers
Always 
in front of me 


Hiding out - from the spotlight beams 
See them silhouette the dark sky
through the mountains they make pathways
Looking for one they’ll just have to wait 
until the return  
Hiding out - battling villains with steel
Save the city from being burned

Spotlight

This track was one of the last holdouts from April that I hadn't shared yet. Originally titled "Acid Rain (the Good Kind)," the music has always resonated with me, though the title never quite fit. I even uploaded a live studio jam of it, combining the track with Arturia and a Roland MC-101:

https://youtu.be/cE6TVjUCZ9w?si=y3Nuc4hlwBe55T6u

At that time, I was deeply exploring Arturia Acid V emulations, but I feel this piece leans more toward electro-funk dance than acid. It certainly had the potential to be on my "Pantheon Escape" album, but for some reason, it didn't make the final cut. I attribute that to being in the midst of a move and taking a critical look at my life and musical journey. Hence the new title, "Salient Reflections."

When I listen back to the creation of this jam, its best traits are the production, bass melody, and the rocking solo at the end, similar to the one found in "Sea vs Sky."

Salient Reflections

In Reverse

Opening the Door

ITS 1917 IN SURREY AND

 FROM THE MOUNTAIN TOPS TO THE LOWLAND SEAS NEW LINES ARE DRAWN IN CASUALTIES

It’s been nice but I can not stay
I’ve seen what the papers say
Reminds me of what Iago said
And part of it stuck in my head
Hey slacker some men in khaki cry
It’s the green eyed monsters call to die
But it mocks the meat on which it feeds 
As the more it takes the more it needs

And at Madame Lind’s the lights are on
The clink of Glass and pianola song 
I can still hear as I reach my door 
Where a letter looms on the hallway floor

Now I was nearly forty one
when I appealed for my exemption 
For domestic hardship would ensue 
If I should limp round the colours too
Cause rheumatic fever did for me
When I was young my stick you see
So to aid the prosecution of the war 
In a civil role I’d help much more

And mechanically it carries on 
The ticking clock goes on and on 
Below the mantle piece supine on my knees
The fires lit with obituaries 

And like the steam from the six forty six
I was compelled into a new office
Where the letters swam in elusive shoals
I cast my net of coherent wholes
And the thief of time had been and gone
when the knot i tied it came undone
And that’s when I began to roam 
Beneath starlight and hedgerow 
I made my home

And I woke with the feathered songsters song 
And in my bones I felt the sunlight shone
Touched by the beauty of life and its brevity 
From small mindedness momentarily 

I took my, I took my, I took my , I took my      leave

Clink of Glass (Acoustic)

Producer of space rock, experimental lo-fi, House, EDM, vaporwave and synth-wave.

Solid Levels

Mark Antares

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Marco Ciccotti / Rex

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Mark Antares

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