Bristol based producer Elpac has been emerging onto the scene at quite some pace. These past two years have introduced a host of releases to the artist’s toolbox and there’s no sign of that slowing down. Markham Road Records is happy to announce Elpac’s fourth full EP in the form of a colossal speaker weight ready to test your home system and your neighbours ability to put up with it. Boasting a strong five track makeup, the EP lands true with three original tracks and two remixes from E-Saggila and Henzo.

Starting from the beginning, ‘Late Night Bribe’ works as a call to action. With heavy sub sections and some (catchy) vocal chops, this track cuts straight to the point. Now that we’ve gotten started, Elpac dives right into a focused take on mutant dancehall with a rather metallic cut called ‘Rap Smoke’. The track falls at a mid-nineties bpm just like most other components of the EP but starts to will on a feeling of faster pace that continues to speed up in ‘Unhinged (Decour)’.

Late Night Bribe’s first remix comes correct from Manchester’s Henzo. A bumpy cut of UK garage willing to take a chance on almost every dancefloor. Toronto based innovator E-Saggila took a spin with the EP’s first track ‘Late Night Bribe’ resulting in a saturated journey that beautifully reflects the project storyline. We decided to include a little love note from the artist himself to keep things cordial (just like the project was intended to be).

“Both Rita and James are massssive inspirations in my music and it’s such a pleasure to have both of them involved. I think they both fit so perfectly with the body of work and also represent the sound I love so much” (Max)

BANDCAMP

Elpac - Late Night Bribe [MR004]

Mirrored, morphed and mellowed, the 5th offering from Markham Road Records finds its place in a catalog of dub frequencies. The latest collaboration from french artists Jan Loup and Son du Maquis is a certified enhancement for any forest + soundsystem scenario. With its echoing lead and rolling sub section, farfala dub takes listeners on a journey to…. Well we’re not quite sure where. After recent releases on Jupiter4, Nerve Collect, and Egregore we’re super excited to welcome both artists to the label. The single is presented in a two pack with a rather percussive interpretation from Warzou.

farfala dub (Warzou's Crows Skin Version) brings another dimension to the track, inviting listeners to (for lack of a better word) jam out :) Expect strong drum patterning intertwined with the overriding melodies of the original track.

Jan Loup & Son du Maquis - farfala dub [MR005]

MR006 crashes in straight from Brno, carving out a sonic current mirroring the ever-mutating scene. COUNT’s latest EP, a playful yet razor-sharp exploration of sound, provides a pack of oddly satisfying rollers. Spanning a spectrum of 140+, this four-track offering blends three originals with a remix from HEDO HYDR8 

THIRD TAKE starts off with CONVULSE, a pacey breakbeat track created to shake the early (and quicker) hours of the morning. The project then takes a more introspective approach as FIREWALL BLOCK rolls into the # 2 stop. With a similarly quick BPM register, FIREWALL BLOCK employs traces of dub and jungle along its varied storyboard. Coming up next is BLACKTAIL, a headbanger turned electro track suitable for a variety of people, places, and things. Bring up the caboose* is a remix from HEDO HYDR8. This time it's a fully pumped up techno remix of the aforementioned track.

*a crewed North American railroad car coupled at the end of a freight train (for our European listeners)  

@count2count
www.instagram.com/_countt/

@hedohydr8
https://www.instagram.com/hedohydr8/

@markhamroad
www.instagram.com/markhamroadrec/  
https://markhamroad.bandcamp.com/

COUNT - THIRD TAKE [MR006]

@entranas

Alas, spring is finally here… and while we’re at it, so is MR007)) This latest endeavor, brought together by Entrañas, offers an inspired take on traditional Ecuadorian rhythms like Bomba and Albazo. Criaturas, as the name suggests, dives into various animalistic tendencies, showcasing them across five heavy-hitting tracks.

The EP begins with Vibora, a collaborative track between Entrañas and fellow Quiteño, MIJIN. Sitting at 140 bpm, it makes for a fitting mid-paced entry to the release. Highlighted by cowbell and vocal chops galore, Vibora stands out equally for home listening and crowd retention alike.
Next up is Buitre, an absolutely ravaging (and scavenging) low-90 bpm cut named after the vulture. With passages full of crunched-out wubs and un-quantized rhythmics, this one will surely be a staple for the summer.

The third track in the project, Rata, cruises calmly around 100 bpm and is characterized by three distinct sections. These sections offer a certain versatility to selectors looking to add another weapon to their toolboxes, and with its distinct traditional patterning it offers a variety and nuance that we have yet to have seen at Markham Road. Stoked))

Sapo (frog), as described by the artist, is someone who likes to gossip. As a final scathing exclamation point for the project, Sapo joins us in two forms: the first being a 160 bpm tidal wave from Entrañas, and the second a grime-riddled remix from Rizla Ops. Both cuts employ various dancefloor tactics to stir movement inside and outside the booth, and we couldn’t imagine a better sonic marriage of label friends, both new and old. We’re particularly fond of the crescendo nature of both tracks as they warp through the speakers and are feeling lucky that they’ve found a home here at the Road.

Till next time,
MR

https://www.instagram.com/markhamroadrec/

Entrañas - Criaturas [MR007]

@pens29 & @konstantin-14

The first release from Markham Road comes in the form of a VA spined by frequent collaborators of its sister platform Infame Radio. The consequent nine tracks vary along a scale of percussive rhythms both relating to established and experimental ideas. As a trial in itself, this project took shape through exponential conversations between all those creatively involved. All tracks are written and mixed by each respective artist.

MR001

Pens & Degro - Waldbaur

@ruffkaval

The first release from Markham Road comes in the form of a VA spined by frequent collaborators of its sister platform Infame Radio. The consequent nine tracks vary along a scale of percussive rhythms both relating to established and experimental ideas. As a trial in itself, this project took shape through exponential conversations between all those creatively involved. All tracks are written and mixed by each respective artist.

Kaval - Pistolero

@count2count

MR002 sent in direct from Brno covers a sub-scape of sounds reflecting a current shift in the scene. Count’s sophomore EP showcases a versatile and refined style both in idea and application. Brno’s newest emergence has already had a hand in much that the scene has to offer. Between being a resident/booker at filtr and a regular host on Infame Radio, many have heard count playing at other venues such as Vitamin, Fraktal, and Ankali.

Taking form over a range of bpms, three original tracks accompanied by two remixes come together to shape this tightly knit project. The first track on the EP aptly named “WORK” is an enigmatic drum puzzler highlighted by the familiar voice of Missy Elliot. The track also comes as break-y dance floor heater when remixed by Brazilian -> Berlin based producer/DJ alys(alys)alys. Moving forward to “SPLIT”, a slow stepping wub of a track that is sure to take even the most menacing systems to the red. Stocked with its fair share of change ups, the track also gets tuned to run quick in a remix by Australian producer Lithe. The remix features a rendition of the track reminiscent of a calmer time, although still with its full share of sub attacks. The EP closes with the more introverted rhythm of “STICK N POKE”. This final track finds its niche within the opening or closing of a set when atmosphere is at a premium.

www.instagram.com/_countt/

www.instagram.com/markhamroadrec/

WORK [MR002]

COUNT - STICK N POKE

@count2count
@alys-alys-alys

MR002 sent in direct from Brno covers a sub-scape of sounds reflecting a current shift in the scene. Count’s sophomore EP showcases a versatile and refined style both in idea and application. Brno’s newest emergence has already had a hand in much that the scene has to offer. Between being a resident/booker at filtr and a regular host on Infame Radio, many have heard count playing at other venues such as Vitamin, Fraktal, and Ankali.

Taking form over a range of bpms, three original tracks accompanied by two remixes come together to shape this tightly knit project. The first track on the EP aptly named “WORK” is an enigmatic drum puzzler highlighted by the familiar voice of Missy Elliot. The track also comes as break-y dance floor heater when remixed by Brazilian -> Berlin based producer/DJ alys(alys)alys. Moving forward to “SPLIT”, a slow stepping wub of a track that is sure to take even the most menacing systems to the red. Stocked with its fair share of change ups, the track also gets tuned to run quick in a remix by Australian producer Lithe. The remix features a rendition of the track reminiscent of a calmer time, although still with its full share of sub attacks. The EP closes with the more introverted rhythm of “STICK N POKE”. This final track finds its niche within the opening or closing of a set when atmosphere is at a premium.

www.instagram.com/_countt/
www.instagram.com/alys.alys.alys/

www.instagram.com/markhamroadrec/

COUNT - WORK (alys(alys)alys Remix)

@count2count
@rizlaops
@atch222
@teqmun-tijmen-b

Markham Road Records is back steering steady with atch22, Count, Rizla Ops, and Teqmun in the driver seats. MR003 finds form as a quartet of percussion providing some real bang for your buck. This release was dreamt up for quick stepping activity, and the four tracks assembled provide a wide ranging toolkit to get us all moving. Although each artist provides a unique solution, movement was and remains the underlying idea behind this third release. 

Count’s “Hexagon” opens the project up with a spaced out ‘builder’ that seems to continuously fold in on itself. The track progresses through its 4 minute lifespan with natural and intuitive progression. With its sub heavy cadence “Hexagon” seeps through the speakers, and is sure to remain reliable when used under many circumstances. 

The second track of the release rebounds in as a ricochet rhythm from none other than London based RIZLA OPS. After receiving a demo titled “voo kah” we knew it was love at first sight… and the final iteration aptly named “Cortex” does not disappoint. When asked about the track RIZLA OPS shared “The triplet snare is locked in by a big roomy kick that squares it into that tool-y club space I notice my recent productions are exploring. Cortex finds its name in the buzzy bitcrushed bass that draws from ghosty drill, loose audio jack and ASMR machinery that buries itself in the cranium.” A steady mover with a circular undertone, it doesn’t take much to get moving when this track takes over the system. 

“sexta feira” finds itself on the borders of trance, dembow, and dubstep. Besides these initial patterning queues, atch22 also employs a variety of vocal stabs and modulation to keep the track moving. After a recent move to build a studio in Strahov Stadium (would definitely suggest looking this one up), atch22 has been back behind the monitors, with this track being the first product of his new musical home. The track defines itself in the world of peak time frequencies and fluctuates through a wide range of feelings. Truly something in it for everyone. 

MR003’s concluding track takes sonic blistering to a whole new level. Teqmun’s masterclass in unrelenting percussion continues to capture our hearts, and surge through our speakers. “Stop Scanning the Zebras” is a fast paced tech heavy track centered by vocals from the producer himself. “I imagined being so out of your mind that you can't stop trying to scan zebra's like barcodes with a scanner”. This track is easy to get lost inside of and therefore evokes some sort of free fall -> an exercise in letting go for eager ears in dimly lit spaces.

[MR003] VA

MR003 - Various Artists

@count2count

Markham Road Records is back steering steady with atch22, Count, Rizla Ops, and Teqmun in the driver seats. MR003 finds form as a quartet of percussion providing some real bang for your buck. This release was dreamt up for quick stepping activity, and the four tracks assembled provide a wide ranging toolkit to get us all moving. Although each artist provides a unique solution, movement was and remains the underlying idea behind this third release. 

Count’s “Hexagon” opens the project up with a spaced out ‘builder’ that seems to continuously fold in on itself. The track progresses through its 4 minute lifespan with natural and intuitive progression. With its sub heavy cadence “Hexagon” seeps through the speakers, and is sure to remain reliable when used under many circumstances.

www.instagram.com/markhamroadrec/

[MR003]

COUNT - Hexagon

@teqmun-microbyome

Markham Road Records is back steering steady with atch22, Count, Rizla Ops, and Teqmun in the driver seats. MR003 finds form as a quartet of percussion providing some real bang for your buck. This release was dreamt up for quick stepping activity, and the four tracks assembled provide a wide ranging toolkit to get us all moving. Although each artist provides a unique solution, movement was and remains the underlying idea behind this third release.

MR003’s concluding track takes sonic blistering to a whole new level. Teqmun’s masterclass in unrelenting percussion continues to capture our hearts, and surge through our speakers. “Stop Scanning the Zebras” is a fast paced tech heavy track centered by vocals from the producer himself. “I imagined being so out of your mind that you can't stop trying to scan zebra's like barcodes with a scanner”. This track is easy to get lost inside of and therefore evokes some sort of free fall -> an exercise in letting go for eager ears in dimly lit spaces.

www.instagram.com/markhamroadrec/

Teqmun - Stop Scanning The Zebras

@yomomsmokescrack & @kobayashi_maruuu

A lil' Sunday listening could never be complete without the wonders of psytrance. After recently finding their synergy, Prague based Marie Pravda and Kobayashi Maru have joined together on numerous joyful occasions. Spinning and spiralling rhythms have been the by-product as this duo  continue to step into the booth. This specific recordings comes not so live (but very direct) from this past years Amphibian x Nite Vibes party, and we hope you enjoy it as much as we do :')

When Marie Pravda settles into a DJ booth she’s there to spark some chemistry with those willing to embrace it. While she is perfectly capable of generating similar energy into her recordings for the online world, it’s the endless push & pull with the physical crowd that charges her selection and mixing. 

Developing into an avid digger during long shifts in gloomy basements and online, the Prague-based DJ and DIY promoter took the Czech scene by storm with her savage take on a growing range of club music – be it with selections from her trippy or dance folders. In 2020 she joined the resident collective of Ankali & Planeta Za where she runs her regular Planeta Pravda club series.
----
Kobayashi Maru is a Prague-based DJ, producer and resident of the Amphibian label. You could catch him spinning decks at venues such as Planeta Za, Vitamin61500, F2 Salo and Bike Jesus. His sets are influenced by heavy bass sound, dubstep, breaks, global percussion rhythms and psychedelic structures. Kobayashi Maru is a Prague-based DJ, producer and resident of the Amphibian label. You could catch him spinning decks at venues such as Planeta Za, Vitamin61500, F2 Salo and Bike Jesus. His sets are influenced by heavy bass sound, dubstep, breaks, global percussion rhythms and psychedelic structures.

MARKHAM 06 w/ Marie Pravda & Kobayashi Maru

@elpacuk

Bristol based producer Elpac has been emerging onto the scene at quite some pace. These past two years have introduced a host of releases to the artist’s toolbox and there’s no sign of that slowing down. Markham Road Records is happy to announce Elpac’s fourth full EP in the form of a colossal speaker weight ready to test your home system and your neighbours ability to put up with it. Boasting a strong five track makeup, the EP lands true with three original tracks and two remixes from E-Saggila and Henzo.

Starting from the beginning, ‘Late Night Bribe’ works as a call to action. With heavy sub sections and some (catchy) vocal chops, this track cuts straight to the point. Now that we’ve gotten started, Elpac dives right into a focused take on mutant dancehall with a rather metallic cut called ‘Rap Smoke’. The track falls at a mid-nineties bpm just like most other components of the EP but starts to will on a feeling of faster pace that continues to speed up in ‘Unhinged (Decour)’.

Late Night Bribe’s first remix comes correct from Manchester’s Henzo. A bumpy cut of UK garage willing to take a chance on almost every dancefloor. Toronto based innovator E-Saggila took a spin with the EP’s first track ‘Late Night Bribe’ resulting in a saturated journey that beautifully reflects the project storyline. We decided to include a little love note from the artist himself to keep things cordial (just like the project was intended to be).

“Both Rita and James are massssive inspirations in my music and it’s such a pleasure to have both of them involved. I think they both fit so perfectly with the body of work and also represent the sound I love so much” (Max)

Late Night Bribe [MR004]

ELPAC - LATE NIGHT BRIBE [MR004]

Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu www.instagram.com/seeksicksound/

Over the past two years, Bristol-based producer Elpac has been making a significant impact on the electronic music scene, adding an array of impressive releases to his growing repertoire. Markham Road Records has just announced Elpac’s fourth full EP, a heavyweight release designed to push your sound system to the limit. This powerful five-track EP features three original tracks, complemented by remixes from E-Saggila and Henzo.

Today we premiere the first remix coming from Manchester's Henzo. A bumpy cut of UK garage willing to take a chance on almost every dancefloor.

Elpac - Late Night Bribe [MR004] 
Markham Road Records, 2024
Buy: https://markhamroad.bandcamp.com/album/late-night-bribe-mr004

@elpacuk
@henzotrax
@markhamroad

[Premiere] Elpac - Unhinged (Henzo Remix) (out on Markham Road Records)

@e-saggila
@elp4c

Bristol based producer Elpac has been emerging onto the scene at quite some pace. These past two years have introduced a host of releases to the artist’s toolbox and there’s no sign of that slowing down. Markham Road Records is happy to announce Elpac’s fourth full EP in the form of a colossal speaker weight ready to test your home system and your neighbours ability to put up with it. Boasting a strong five track makeup, the EP lands true with three original tracks and two remixes from E-Saggila and Henzo.

www.instagram.com/markhamroadrec/

Elpac - Late Night Bribe (E-Saggila Remix)

@elp4c

Bristol based producer Elpac has been emerging onto the scene at quite some pace. These past two years have introduced a host of releases to the artist’s toolbox and there’s no sign of that slowing down. Markham Road Records is happy to announce Elpac’s fourth full EP in the form of a colossal speaker weight ready to test your home system and your neighbours ability to put up with it. Boasting a strong five track makeup, the EP lands true with three original tracks and two remixes from E-Saggila and Henzo.

www.instagram.com/markhamroadrec/

Elpac - Late Night Bribe

Elpac - Unhinged (decour)

@elp4c
@markhamroad

Bristol based producer Elpac has been emerging onto the scene at quite some pace. These past two years have introduced a host of releases to the artist’s toolbox and there’s no sign of that slowing down. Markham Road Records is happy to announce Elpac’s fourth full EP in the form of a colossal speaker weight ready to test your home system and your neighbours ability to put up with it. Boasting a strong five track makeup, the EP lands true with three original tracks and two remixes from E-Saggila and Henzo.

www.instagram.com/markhamroadrec/

Premiere: Elpac - Rap Smoke | Markham Road Records

@eroooos

Percussive by nature, eros delivers a seventh edition of the Markham Mix series that checks every imaginary checkbox we’ve dreamt up. Fast, it’s definitely fast…but also slow? With some real mind bending moments we’d suggest finding some time for this one. Don’t worry if you’re a bit tired too, it’s sure to have you moving in no time 

Over the past few years, Chicago-born, Brooklyn-based DJ Eros has steadily refined an eclectic and singular sound steeped in variegated rhythms and leftfield sonics. With a penchant for all things warped and percussive, their unpredictable sets often snake through various genres and tempos, encompassing everything from mutant bass and drum-coated club to fractured techno, dancehall, juke, and more. These boundless interests spurred them to launch Ring Flip, a genre-agnostic night at Bossa Nova Civic Club that has played host to some of the most talented and individual DJs in New York and beyond.

MARKHAM 07 w/ eros

https://soundcloud.com/janloup
https://soundcloud.com/maquis-son-sistem
https://soundcloud.com/markhamroad
🛒 https://markhamroad.bandcamp.com/album/farfala-dub-mr005
🔊 https://youtu.be/wHTTJ7Ta_Ng

Mirrored, morphed and mellowed, the 5th offering from Markham Road Records finds its place in a catalog of dub frequencies. The latest collaboration from french artists Jan Loup and Son du Maquis is a certified enhancement for any forest + soundsystem scenario. With its echoing lead and rolling sub section, farfala dub takes listeners on a journey to…. Well we’re not quite sure where. After recent releases on Jupiter4, Nerve Collect, and Egregore we’re super excited to welcome both artists to the label. The single is presented in a two pack with a rather percussive interpretation from Warzou.

farfala dub (Warzou's Crows Skin Version) brings another dimension to the track, inviting listeners to (for lack of a better word) jam out :) Expect strong drum patterning intertwined with the overriding melodies of the original track.

Tracklist: 

1) Jan Loup & Son du Maquis - farfala dub
2) Jan Loup & Son du Maquis - farfala dub (Warzou's Crows Skin Version)

PREMIERE: Jan Loup & Son du Maquis - farfala dub [Markham Road Records]

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Jan Loup & Son du Maquis - farfala dub [MR005]
Markham Road Records, 2024
𝓑𝓾𝔂 👉🏾 https://markhamroad.bandcamp.com/album/farfala-dub-mr005

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/warzouk
https://soundcloud.com/janloup
https://soundcloud.com/maquis-son-sistem

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://soundcloud.com/markhamroad
https://www.instagram.com/markhamroadrec/
https://markhamroad.bandcamp.com/

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#266 📢 Jan Loup & Son du Maquis - farfala dub (Warzou's Crows Skin Version)

@exhausted-modern

An essay to Wednesday for overtly curious listeners. It may come as no surprise that Oblaka was a key stimulus for the creation of Markham Road Records. Few and far between are the artists that continue to push past their comfort zones after many years of recognition. This one really means a lot for us. Thanks for doing what you do Lad'a. Ahhh and wondering whats in the mix? Just take a lil listen :)

MARKHAM 08 w/ Oblaka

@poly-chain

Poly Chain is the project of Ukrainian artist Sasha Zakrevska. Sasha is a composer, DJ, curator, and graphic designer currently based in Berlin due to full scale Russian invasion. This mix comes in heavy and driven, spanning breaks, bass, and 4 to the floor. Truly a Friday forecast, the mix represents everything we'd hope to encounter on the dance floor this weekend.

MARKHAM 09 w/ Poly Chain

@count2count

MR006 crashes in straight from Brno, carving out a sonic current mirroring the ever-mutating scene. COUNT’s latest EP, a playful yet razor-sharp exploration of sound, provides a pack of oddly satisfying rollers. Spanning a spectrum of 140+, this four-track offering blends three originals with a remix from HEDO HYDR8 

THIRD TAKE starts off with CONVULSE, a pacey breakbeat track created to shake the early (and quicker) hours of the morning. The project then takes a more introspective approach as FIREWALL BLOCK rolls into the #2 stop. With a similarly quick BPM register, FIREWALL BLOCK employs traces of dub and jungle along its varied storyboard. Coming up next is BLACKTAIL, a headbanger turned electro track suitable for a variety of people, places, and things. Bring up the caboose* is a remix from HEDO HYDR8. This time it's a fully pumped up techno remix of the aforementioned track.

*a crewed North American railroad car coupled at the end of a freight train (for our European listeners)  

www.instagram.com/markhamroadrec/

THIRD TAKE

THIRD TAKE [MR006]

COUNT - BLACKTAIL

Markham Road Records kicks off 2025 with a tasty new EP, THIRD TAKE. Spanning a spectrum of 140+, this four-track offering blends three originals with a remix from Hedo Hydr8. Opening the EP in style, the first track CONVULSE is a pacy breakbeat track with the perfect wormhole energy for the early morning crew. 

@markhamroad
@count2count

Premiere: COUNT - CONVULSE (Markham Road Records)

@smallcrab

Dublin based DJ/Producer Small Crab delivers a brilliant summary of pace and wub in this latest mix for Markham Road Records. With her latest release on Scuffed Recordings, Small Crab is continuing to push the boundaries of club ready sounds rooted in Dubstep and breaks. The mix continues to build to a rather nostalgic ending, definitely not something to miss.

Buckley - Dust Dance 
Theorist - Xchange 
Tymotica - Riptide  
Entrañas - Corviche  
SMIFF - Z-Bend  
Hiroma Keo - Agora (Rhyw Remix)  
mensik - Cuando todo se acaba  
Korzi - Cracked Plates 
Merca Bae, SIM - Füjeon Pt. 2 
Lyo XS - Resolución 
Dual Monitor - Seoul City Drift  
K-65 - Catch Me Down
jung latch - len sen  
Madison Willing - Patient (COIDO Remix)
Once Twice - COS 
Monibi - Boss Bish 
Space Drum Meditation - River Bank Funeral 

MARKHAM 10 w/ Small Crab

MR006 crashes in straight from Brno, carving out a sonic current mirroring the ever-mutating scene. COUNT’s latest EP, a playful yet razor-sharp exploration of sound, provides a pack of oddly satisfying rollers. Spanning a spectrum of 140+, this four-track offering blends three originals with a remix from HEDO HYDR8 

THIRD TAKE starts off with CONVULSE, a pacey breakbeat track created to shake the early (and quicker) hours of the morning. The project then takes a more introspective approach as FIREWALL BLOCK rolls into the #2 stop. With a similarly quick BPM register, FIREWALL BLOCK employs traces of dub and jungle along its varied storyboard. Coming up next is BLACKTAIL, a headbanger turned electro track suitable for a variety of people, places, and things. Bring up the caboose* is a remix from HEDO HYDR8. This time it's a fully pumped up techno remix of the aforementioned track.

*a crewed North American railroad car coupled at the end of a freight train (for our European listeners)  

COUNT
@count2count
www.instagram.com/_countt

Markham Road Records
@markhamroad
www.instagram.com/markhamroadrec

FIREWALL BLOCK

Premiere: COUNT - FIREWALL BLOCK | Markham Road Records

@count2count
@hedohydr8

MR006 crashes in straight from Brno, carving out a sonic current mirroring the ever-mutating scene. COUNT’s latest EP, a playful yet razor-sharp exploration of sound, provides a pack of oddly satisfying rollers. Spanning a spectrum of 140+, this four-track offering blends three originals with a remix from HEDO HYDR8

THIRD TAKE starts off with CONVULSE, a pacey breakbeat track created to shake the early (and quicker) hours of the morning. The project then takes a more introspective approach as FIREWALL BLOCK rolls into the #2 stop. With a similarly quick BPM register, FIREWALL BLOCK employs traces of dub and jungle along its varied storyboard. Coming up next is BLACKTAIL, a headbanger turned electro track suitable for a variety of people, places, and things. Bring up the caboose* is a remix from HEDO HYDR8. This time it's a fully pumped up techno remix of the aforementioned track.

*a crewed North American railroad car coupled at the end of a freight train (for our European listeners)

www.instagram.com/markhamroadrec/

COUNT - BLACKTAIL (HEDO HYDR8 Remix)

Alas, spring is finally here… and while we’re at it, so is MR007)) This latest endeavor, brought together by Entrañas, offers an inspired take on traditional Ecuadorian rhythms like Bomba and Albazo. Criaturas, as the name suggests, dives into various animalistic tendencies, showcasing them across five heavy-hitting tracks.

Sapo (frog), as described by the artist, is someone who likes to gossip. As a final scathing exclamation point for the project, Sapo joins us in two forms: the first being a 160 bpm tidal wave from Entrañas, and the second a grime-riddled remix from Rizla Ops. Both cuts employ various dancefloor tactics to stir movement inside and outside the booth, and we couldn’t imagine a better sonic marriage of label friends, both new and old. We’re particularly fond of the crescendo nature of both tracks as they warp through the speakers and are feeling lucky that they’ve found a home here at the Road.

Till next time,
MR 

www.instagram.com/markhamroadrec/

Criaturas

Criaturas [MR007]

Entrañas - Sapo

PREMIERE of ''Buitre'' by Entrañas, taken from Criaturas EP, available May 21st via Markham Road Records.

"Entrañas, offers an inspired take on traditional Ecuadorian rhythms: Criaturas, as the name suggests, dives into various animalistic tendencies, showcasing them across five heavy-hitting tracks. Buitre is an absolutely ravaging (and scavenging) low-90 bpm cut named after the vulture. With passages full of crunched-out wubs and un-quantized rhythmics, this one will surely be a staple for the summer.  "

Buy: https://markhamroad.bandcamp.com/album/criaturas-mr007

ENTRAÑAS
@entranas
Instagram: https://www.instagram.com/entranas_

MARKHAM ROAD
@markhamroad
Instagram: www.instagram.com/markhamroadrec

ANGELS GUN CLUB
@angelsgunclub
Instagram: www.instagram.com/angelsgunclub
Bandcamp: https://angelsgunclub.bandcamp.com
Spotify: https://tinyurl.com/angelspoti
YouTube: https://youtube.com/@angelsgunclub
Telegram: https://t.me/angelsgunclub

Entrañas - Buitre [Criaturas]

✱ SWINE PREMIERE ✱ @entranas and @mijinec teamed up for new EP by Entrañas - "Criaturas" for @markhamroad

This latest endeavor, brought together by @entranas, offers an inspired take on traditional Ecuadorian rhythms like Bomba and Albazo. Criaturas, as the name suggests, dives into various animalistic tendencies, showcasing them across five heavy-hitting tracks.

The EP begins with the track "Vibora", a collaborative track between Entrañas and fellow Quiteño, MIJIN. Sitting at 140 bpm, it makes for a fitting mid-paced entry to the release. Highlighted by cowbell and vocal chops galore, Vibora stands out equally for home listening and crowd retention alike. Like the title, this track is omnious and dangerous, in a typical @entranas production style 😈

[Víbora meaning]
a) Serpiente venenosa / Venomous snake
b) Persona con malas intenciones / Person with bad intentions

☛ The full EP releases on May 21, 2025 ☚

Written & Produced by Daniel Francisco Gachet Berrú, Mateo Sebastián García Martínez, Matt Hale
Mastered by Yant
Artwork by Daniel Robertson-Styles

[Swine Premiere] Entrañas x MIJIN - Vibora (Markham Road Records)

Alas, spring is finally here… and while we’re at it, so is MR007)) This latest endeavor, brought together by Entrañas, offers an inspired take on traditional Ecuadorian rhythms like Bomba and Albazo. Criaturas, as the name suggests, dives into various animalistic tendencies, showcasing them across five heavy-hitting tracks.

The third track in the project, Rata, cruises calmly around 100 bpm and is characterized by three distinct sections. These sections offer a certain versatility to selectors looking to add another weapon to their toolboxes, and with its distinct traditional patterning it offers a variety and nuance that we have yet to have seen at Markham Road. Stoked))

www.instagram.com/markhamroadrec/

Entrañas - Rata

Alas, spring is finally here… and while we’re at it, so is MR007)) This latest endeavor, brought together by Entrañas, offers an inspired take on traditional Ecuadorian rhythms like Bomba and Albazo. Criaturas, as the name suggests, dives into various animalistic tendencies, showcasing them across five heavy-hitting tracks.

Sapo (frog), as described by the artist, is someone who likes to gossip. As a final scathing exclamation point for the project, Sapo joins us in two forms: the first being a 160 bpm tidal wave from Entrañas, and the second a grime-riddled remix from Rizla Ops. Both cuts employ various dancefloor tactics to stir movement inside and outside the booth, and we couldn’t imagine a better sonic marriage of label friends, both new and old. We’re particularly fond of the crescendo nature of both tracks as they warp through the speakers and are feeling lucky that they’ve found a home here at the Road

Till next time,
MR

www.instagram.com/markhamroadrec/

Entrañas - Sapo (RIZLA OPS REMIX)

@dirtydms

Deeply rooted in Rotterdam’s nightlife, Dirtydms blends dub, IDM, ambient, techno, and contemporary electronic productions into a rich, immersive sound. Moving between deep bass and intricate rhythms, she crafts sets that reflect the colorful, experimental spirit of her digital art

Jan Loup & Son du Maquis – farfala dub
Aposematism – Stepper
Planète – Eternal Now
Viiaan -  Elohalo
Notte Infinita - Slippery Ruff
Horizontal Phase – Two Steps From The Darkest Side
Gillielove & Command D – L’s
Sabola – Southern Digital
Warzou – ESN FACE A
Klass Sirius – Boris
Mathis Ruffing – Y3000
Talker – Brenso Dub
Capiuz – Mobilize
Toumba – Sareer
Ploy - 5G bats 
Entrañas - Veneno
Slikback – Just I
Mosca – Thin That Blood Down
Gessaffelstein – Destinations
Priori – Hazard (Forest Drive West Slow Mix)
Georg-I – Torn in Two
Trois-Quarts  Taxi Sytem - Huem
NEW YORK (feat. Mina) – L.A.
 



MARKHAM 11 w/ Dirtydms

Markham Road Records is an electronic music label exploring both the established and experimental sides of percussive music.
Based out of @infameradio / @vitaminxxx
Structured by @westdaledan

Markham Road Records

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