That vocal , that bass .. like it was made yesterday

Deep / Techno

Ricardo Villalobos - Wispa

Makam - Girls Night

Free DL

Vittor, ONNE - Disco Shit

just a simple minimalist sound, not easy not to take a break like everyone else

My drug

Nanni's favourite playlist for Privat Party [October Session]

III b. Robag Wruhme - Hodgkin Mopp

Review :
http://recordeep.fr/review-paolo-rocco-lessi-s-havantepe-moment-of-serenity-bergamon06/

@rogergerressen
@havantepe
@berg_audio

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Premiere : Havantepe - Passing by (Roger Gerressen Remix) (BERGAMON06)

Mark Henning - Supersonic (Clink 2010)

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

Get it here

H&T04 Robag Wruhme - Wuzzelbud FF

Makam - Clearings

Remember the house...

"Deep Burnt", is based musically on Freddie Hubbard's "Little Sunflower". 

Pepe Bradock - Deep Burnt

Mark Henning - Big Ride (Cityfox 2012)

Trevino - Forged [Klockworks]

The Black Pony Orchestra - Bhakti

mathew jonson - folding space

Jennifer Cardini and Shonky - Tuesday Paranoia

British born techno artist Mark Henning is known for his raw, heady, dark and swinging beats and is all about the vibe of sweaty, smoke-filled basements and warehouses. He has proven himself as a versatile DJ and live act over the span of almost two decades having toured all over the world and back again. He primarily releases music on legendary UK techno institution Soma Records.

Mark started off as a Drum & Bass DJ back in 1998 but has had a huge passion for techno ever since the late 90s when he had his first taste of a TR-909 being pounded through a huge sound system. Not wanting to be pigeon-holed, he has been releasing and performing his own unique take on house and techno for the past 15 years but has now come full circle and is focussing his efforts on his deep love for the fast, raw and hypnotic sounds that captured his attention so many years ago.

An avid record digger, he truly appreciates the art of DJing - something that can be heard in his podcasts and recorded mixes. He has performed at clubs such as Fabric, Tresor, Panorama Bar, Space, Rex, Watergate, D!Club, Lux, Village Underground and The Arches to name just a few, as well as the festivals T In The Park, Rockness, BPM, Fusion, Portugal’s BOOM and Free Rotation.

Mark Henning - Supersonic (Clink 2010)

Mark Henning

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