Future Sounds from Korea 25. Guest mix by Nina Eba @ninaeba
한국 독립 전자음악 라디오 25번 - Electronic/Experimental Music Podcast  
이 팟캐스트는 한국의 전자/실험적인 음악을 당신에게 소개합니다
⬇ Click for Track List below ⬇

Guest mix by Nina Eba @ninaeba

Track list:

00:00 O N E S U N - A Million Roses 백만송이 장미 (O N E S U N Raw Cuss Beats remix)
04:41 Londy - Hold On
05:46 Slom - Recurring Dreams (feat. Blanda)
07:36 Owen Ovadoz - Players Passionate (Macrohard DJ Tool)
09:06 J E L L V A K O - S P L A S H
09:51 조용구 - Blind Corners - Corruption
12:51 Syunman - GUNSAN LIFE
15:14 mcthfg - Plain Existence
18:06 kimjaewonkimjaewon - My Fault
20:54 Cong Vu - Nheo Purikeh
22:56 Room306  - Distance 간격
24:44 Beck & Fontenot - Dreams of you
27:15 Londy - Last Night
28:10 LEENALCHI - Ultimate Prescription
31:12 JWK - Forest
32:17 Father of Chrome X Macrohard - Acid Jam
36:15 SDK, KOREA TOWN ACID - On The Run
37:47 Room306 - Silence 침묵
43:23 J E L L V A K O - D O S I
44:08 Kim Oki - Head Banging 머가리 돌리기
45:31 Syunman - CYBER FORMULA
46:38 mcthfg - Deep Groove
49:06 Beck Junghyun - Cosmos
50:33 Yetsuby - Dolphin Song
53:08 Sylarbomb - BYOP
54:35 And Rose Peacock - First Sight
56:35 FFRD - Drummer Wanted
59:14 TFO - 원뿔
61:17 J E L L V A K O - Salvation
63:50 Nxtyourtype - I LOST MY JOB

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Support your local scene ~^^

Future Sounds from Korea 25. Guest Mix: Nina Eba

Arcane Patterns on Noods Radio from April 22 2021 w/ Kl.ne & a special guest mix by ABADIR @rami-abadir originally from Cairo, Egypt. His selection showcases a very diverse range of experimental and club oriented music entirely from artists from the Arab Region. 

Tracklist:
noodsradio.com/shows/arcane-patterns-w-kl-ne-abadir-22nd-april-21

Noods Radio Resident Page:
noodsradio.com/residents/arcane-patterns

Arcane Patterns #31 on Noods Radio w/ Kl.ne & Guest Mix by ABADIR

Palto Flats is a record label based out of NYC specializing in idiomatic forms of pop, electronic and experimental music. Reissues and new material.

IG- @paltoflats

https://soundcloud.com/paltoflats

paltoflats.com

Palto Flats @ The Lot Radio 06 - 30 - 2021

ROOM 2 - SATURDAY 20 til 22 🐊🐊🐊

Thanks to Suzybee & Steevio, the volunteers, the dancers, the musicians, Théo & Ugo, the Friends of Fictions, Alex & very special thanks to @iambruce for mastering the recording :)

Hug to @r4r_luz who sadly couldn't make it this year and was supposed to play before me.

Shorter context: https://www.instagram.com/p/C9NI2bwMVcu/

Longer context: https://fictionsandreflections.com/a-fluid-togetherness-that-manages/

Freerotation 2024 : The House Of Crocodiles Part 2 (Live Recording)

Full album releases 28th of October on Anterior Insula and Le Pacifique!

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Terror, ecstasy, and even comfort. Mark lJzerman summons an unmistakably modern gamut of emotions with the thrillingly cinematic Flounder Maps.

Perspective is key: the album oscillates between panoramic, desolate synths and beautiful, twinkling microworlds, each angle complicating a work that functions as a portrait of near-future worlds. There is a palpable precarity to these speculative soundscapes reflected in the title — "flounder," i.e. to navigate difficult situations. Rushes of digital euphoria collapse into cataclysmic noise, suggesting eternal biological cycles: life, death, growth, decay, and the constant transfer of energy.
Occupying a parallel zone to Jeff VanderMeer's distorted eco-fiction, Flounder Maps opens with "All Of Moss Holding All Of Her": warm, primordial synths swirl alongside a buoyant bassline, as if soundtracking a chill-out room in the depths of a sentient forest. Next is "Kinship Of Clover": hypnotic electronic tones seem to chirrup like mechanical birds while breathy human vocals rise blissfully in the background — a hypnotic synthesis of nature and technology.
There is a keen psychogeographic aspect to the dense collages of Flounder Maps, as if lJzerman, who also creates media installations focusing on ecology, is guiding us through a vividly rendered world, hyperreal like a video game. First we wander, taking in the bucolic scene. Then, when the kick drum screams into life on "First Flounder," we run — in fear. But this isn't a work of dystopia, nor utopia, but of mutation and change, ideas which are audible in each heavily processed sound. It feels fitting that the album should end with "Leer Van De Laatste Dingen," or "learn from the last things" in English. The track's title implies growth, conversation, and openness: out of its bed of bittersweet, gauzy electronics, a melody blooms forth.

(Lewis Gordon) 

All tracks written and produced by Mark IJzerman
Mixing and mastering by Robin Koek
Design and photography by Mats Arnouts
Text on back sleeve by Odette van Heesbeen

Released by Anterior Insula and Le Pacifique

First Flounder

feat. Laurel Halo, Kuljit Bhamra, Jonny Lam, Verity Susman, Untold

Beatrice Dillon - Workaround
Format: LP / DL
Cat.No: PAN 106
Release Date: 07 February 2020
Purchase: bit.ly/33ISoYr

‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythmobsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro- Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

Recorded over 2017-2019 between studios in London, Berlin and New York, ‘Workaround’ renders a hypnotic series of polymetric permutations at a fixed 150bpm tempo. Mixing meticulous FM synthesis and harmonics with crisply edited acoustic samples from a wide range of guests including UK Bhangra pioneer Kuljit Bhamra (tabla); Pharoah Sanders Band’s Jonny Lam (pedal steel guitar); techno innovators Laurel Halo (synth/vocal) and Batu (samples); Senegalese Griot Kadialy Kouyaté (Kora), Hemlock’s Untold and new music specialist Lucy Railton (cello); amongst others, Dillon deftly absorbs their distinct instrumental colours and melody into 14 bright and spacious computerised frameworks that suggest immersive, nuanced options for dancers, DJs and domestic play.

‘Workaround’ evolves Dillon’s notions in a coolly unfolding manner that speaks directly to the album’s literary and visual inspirations, ranging from James P. Carse’s book ‘Finite And Infinite Games’ to the abstract drawings of Tomma Abts or Jorinde Voigt as well as painter Bridget Riley’s essays on grids and colour. Operating inside this rooted but mutable theoretical wireframe, Dillon’s ideas come to life as interrelated, efficient patterns in a self-sufficient system.

With a naturally fractal-not-fractional logic, Dillon’s rhythms unfold between unresolved 5/4 tresillo patterns, complex tabla strokes and spark-jumping tics in a fluid, tactile dance of dynamic contrasts between strong/light, sudden/restrained, and bound/free made in reference to the notational instructions of choreographer Rudolf Laban. Working in and around the beat and philosophy, the album’s freehand physics contract and expand between the lissom rolls of Bhamra’s tabla in the first, to a harmonious balance of hard drum angles and swooping FM synth cadence featuring additional synth and vocal from Laurel Halo in ‘Workaround Two’, while the extruded strings of Lucy Railton create a sublime tension at the album’s palatecleansing denouement, triggering a scintillating run of technoid pieces that riff on the kind of swung physics found in Artwork’s seminal ‘Basic G’, or Rian Treanor’s disruptive flux with a singularly tight yet loose motion and infectious joy.

Crucially, the album sees Dillon focus on dub music’s pliable emptiness, rather than the moody dematerialisation of reverb and echo. The substance of her music is rematerialised in supple, concise emotional curves and soberly freed to enact its ideas in balletic plies, rugged parries and sweeping, capoeira-like floor action. Applying deeply canny insight drawn from her years of practice as sound designer, musician and hugely knowledgable/intuitive DJ, ‘Workaround’ can be heard as Dillon’s ingenious solution or key to unlocking to perceptions of stiffness, darkness or grid-locked rigidity in electronic music. And as such it speaks to an ideal of rhythm-based and experimental music ranging from the hypnotic senegalese mbalax of Mark Ernestus’ Ndagga Rhythm Force, through SND and, more currently, the hard drum torque of DJ Plead; to adroitly exert the sensation of weightlessness and freedom in the dance and personal headspace.

The album is mixed by James Rand and mastered by Rashad Becker at Dubplates & Mastering. Artwork by Thomas Ruff, layout by Johannes Schnatmann & Bill Kouligas.

Workaround

Beatrice Dillon - Workaround Two (PAN 106)

A super-special 2019 new year’s reunion episode. We improvise our way through a look back of  the year and the decade closing in art, culture and tech and chart a vague course for a somewhat hopeful future in the rearview mirror.

http://goodpointpodcast.com/shownotes/ShowNotes2019NewYearsReunionEpisode.html

92 - 2019 new year’s reunion episode

the gerassic organ is playing the melody line, triggered from tides.  tides is also changing the rate of an lfo from stages, which is sent as a dc offset added to the gerassic audio signal...it. creates the kick drum-esque pulse, noise and ultrasonic stuff.  the bass notes are fed in from mangrove, ripples and three sisters.

gerassic studies 2

Breathlull

16 channel binaural render

Watch the video : https://vimeo.com/503023399

First Flounder

Mark IJzerman

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