Superb song and collab, guys! Wonderful vocals, Mark! All performances are fantastic! Bravo!

Lovely brass and flute interlude. Constructed beautifully.  Guitar groove is sublime and the intro was gorgeous. Excellent song.

This is just great Mark! I thoroughly enjoyed it. Such a great arrangement and production.

Marvellous melody so full of feeling. Sweet sweet vocals Mark!!

I’m loving the silky, easy flow of this one. Everything lands just right without any rough edges. The way it fits together shines: that opening, the flute weaving in, the understated vocals drifting all the way through, and then that gorgeous piano drop. The whole thing builds so naturally, and those horns? Pure magic. Hats off to you all - stunning piece.

Wonderful transitions and gorgeous contributions from you all!

Such a lovely composition and collaboration 😊👏👏👏

Related tracks: UNREST IN THE GALAXY

Voice of the nation

MIRAGE

Produccion,bateria y teclados San Kajati(desde Valencia)todo lo demas yo.
Los peores sueños
                 Am-Em-Dm-Am

No voy a ir 
Dónde no puedo 
Por ahí pueden venir 
Los peores sueños 
Pensaba en vos 
Mirando de nuevo 
El juego, el color 
El otro veneno 
Las luces veo al fin 
Alumbran el piso 
Cuando vienen a mí 
Se vuelven pasillos 
Perdido en un laberinto 
Cerca del río 
Me pongo a caminar 
La salida persigo...

LOS PEORES SUEÑOS-Christian

I love the KSB sound. This instrumental inspired me to make the lyrics and songline, and i "gave it a bit of a new wave techno"-vibe.

https://soundcloud.com/killasoundboy/outlaws-instrumental-krt-production-open-for-collab?si=d2168fab89d94bacbe7c1a28be696eec&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing


I'm an outlaw- Lyrics

Maybe it’s true I’m wild and hard to control
And maybe it’s because
I have an untamable soul
I’m always on the run
I stay out of the sun, out of the sun, out out
Out of the light, out out
I’m an outlaw

I have to hide
An Outlaw
Yes Sir, Yes Mam,
That’s what I am
I am an outlaw

I’m under a ban
I’m under restriction
The law no longer offers me protection

Banned, barred, prohibitted, forbidden, Fugitive, Veto, embargo, outcast

Outlaw (KillaSoundBoy-Saskia)

Composed by Michele Ansani (2025).
Saxophone and female vocals (reworked) are courtesy by Daze of Nostalgia and Cinematic Vocals.
Cover picture: René Magritte, The Art of Conversation (1963).

Posted on SoundCloud:  2025 June 1.

Talking about our lifetime

Reminiscence – The Gentle Return
Sometimes the heaviest moments are the quiet ones.
When a single piano speaks louder than any voice,
not with words, but with the aching stillness left behind.

Reminiscence is the sound of looking back,
of revisiting the empty chair, the quiet room,
the laughter that once filled it – now just an echo.
It’s not a cry for comfort, but a slow exhale of memory.

This piece doesn’t try to escape the sorrow.
It walks beside it – unafraid, tender, honest.
Because some things cannot be forgotten.
They live on in sound, in silence, in the spaces between the notes.

Performed entirely on the Bechstein  –
a grand piano from EastWest, known for its haunting intimacy.
Its velvety resonance and delicate detail bring life to the sadness,
like a whispered goodbye that lingers in the air.
Every nuance was shaped by human hands – with reverence, with grief.

Part of the album Tides of Melancholy.
No AI. No shortcuts. Just soul, sorrow, and sincerity.

Composed, played, and felt by myself –
for all those who carry someone in their heart but can no longer hold them.
Thank you for listening – and for making space for this gentle return.


Reminiscence – Die leise Rückkehr
Manchmal sind es die stillsten Augenblicke, die am schwersten wiegen.
Wenn ein einziges Piano lauter spricht als jede Stimme –
nicht mit Worten, sondern mit dem Schmerz,
den nur die Abwesenheit kennt.

Reminiscence ist ein Blick zurück.
Zu dem leeren Stuhl. Dem stillen Raum.
Dem Lachen, das einmal darin lebte –
nun nur noch Erinnerung, verhallt im Nichts.
Dieses Stück sucht keinen Trost.
Es atmet die Trauer – langsam, behutsam, aufrichtig.

Denn manche Verluste verblassen nicht.
Sie bleiben – in einem Klang, in der Stille,
in dem, was zwischen den Tönen unausgesprochen bleibt.

Eingespielt auf dem Bechstein Sus Rep Lite DYN –
ein Konzertflügel aus der EastWest-Piano-Serie,
geschätzt für seine emotionale Tiefe und intime Klangcharakteristik.
Sein samtiger Ton und seine fragile Präsenz
verleihen dem Schmerz eine Stimme,
wie ein leiser Abschied, der in der Luft stehen bleibt.
Jede Note wurde mit Sorgfalt und Gefühl geformt – von echten Händen.

Teil des Albums Tides of Melancholy.
Keine KI. Kein Trick. Nur Seele. Nur Trauer. Nur Wahrheit.

Komponiert, gespielt und empfunden von mir –
für all jene, die jemanden im Herzen tragen, den sie nicht mehr in den Armen halten können.
Danke fürs Zuhören – und dafür, dieser leisen Rückkehr einen Platz zu geben.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Reminiscence

LYRIC VIDEO : https://youtu.be/FhXG2eUCCJs
This Song is What Can Happen when I have a Bad Week or the Heavy Weight of the World is Spinning in my Head & my Imagination Kicks In :-)  
To HOPE  !!!
It was a Fast Write & Really Fun to Record ~~
Hope Everyone Likes It !
©2025 Donna Dior

UNREST IN THE GALAXY

Special thanks to Ashesndreams for her acappella

Lyrics :
Baby no me pidas que me aparte
Yo ya te he buscado en todas partes
Solamente vengo a recordarte que estoy
Imaginandote
Una y otra vez
Que tu estas aqui conmigo
Acariciandome
No seas timido
Dejate querer
Que si dudas te prometo
Que vas a volver

No tengo miedo
Soy un kamikaze
Mi imaginacion se prende con lo que me haces
Diario yo te pienso
Te tengo en mis suenos
Eres el motor para escribir todos mis versos
No te voy a mentir te quiero todo pa mi

IMAGINANDOTE. 🎧.  feat  Ashesndreams

Tom Régnier https://soundcloud.com/tom-r-gnier approached me with a beautiful piano piece and with the words 'Kiss Me Goodbye' to ask if I could make a song lyric out of this. After receiving my short sung part and having superb contributions from Jussi Welin https://soundcloud.com/juswel (Guitars and guitar arrangements) and Georg Boehme https://soundcloud.com/georg-boehme (Flute & Horns), Tom described it more as a journey than a song and I think he is right.
Painting by Paul Cézanne.


Kiss me goodbye
Now is the time
For us to part
Let it show
With all of your heart
Kiss me goodbye, let me go

choose wisely

hypnotizing

method: basic sequence on a minilogue xd, adornments via vc 340, further adornments created by sounds in front of microphones, incl my voice, an interview sample and a field recording taken at a supermarket parking lot .... and then Jeff picked up his guitar ....
narration: there are literature tourists following the traces of the likes of Shakespeare and Kafka. some places consider those travellers in two worlds a good source of income. There is also a different kind of tourism on the magic-realistic tracks of the likes of Borges ;-)
image: copyright jo richter

poem / copyright jo richter:

sleeping on rocks out in the desert
imagine time and no way to clock it
events settle as smell on the tongue of a lizard
I took hidden notes inside of my pocket

doubling-up life in another attention
sit in the wind and learn not to block it
jenga sticks and the law of cohesion
I took hidden notes inside of my pocket

field notes

field notes - the stonerjazz version: re-release

This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

A reworking of Träumerei, "Kinderszenen" No. 7, Scenes from Childhood , in dedication to Sonni Quick who is bravely fighting ALS.  My prayers are with you, Sonni.  Sonni has dedicated her life to the art of improvisation and helping others along the way.  I hope you will avail yourself of her beautiful music.  @sonni-quick

Sincere thanks to David Dunham for his faithful help in mastering my tracks.
@david-dunhamuser589535203

Robert's Dream : Träumerei revisited and dedicated to Sonni Quick

https://open.spotify.com/intl-fr/album/10sxiy3Ds20LZwmXCscjae
https://music.apple.com/us/album/funny-days-ep/1822802207
https://www.youtube.com/channel/UCm8WMUk78ieCvdKBsnjLuVg

recorded in Area 52 Studio, Saugerties New York   
Steve Rust on Bass, Harvey Sorgen on Drums, Olivia Siegel Keyboards     Barbara Browning Vocals & Cello   Imre L. Vocals, Guitars, Hammond organ

"FUNNY DAYS" EP MEDLEY TEASER (see description for links)

I just redid the mix and fixed the drums, and some of the more glaring vocal problems, and got that cool guitar lead to shine a little. It sounds a lot better now.
Please pardon my vocals, this is actually for a female artist. Not autobiographical, just a story. My apologies to Irma Thomas.

You were my angel, and i was under your spell
And you promised life would be a fairytale
But i was no more than your possession
And you put me through hell
Though you called it heaven

And everytime i tried to leave, you’d just wave your hand
And I’d come crawling back on my knees
I would pray you’d treat me better
When you’d smile at me so sad and so sweet

But something’s changed inside, I can see now who you are
and that sweet smile aint gonna get you very far!

Now who’s the one? Who’s down on their knees?
No need to beg, there’s nothing left that you can take from me
You don’t have any power here no more
Well you’ve lost your wings, and I know just what you’re here for
You are no angel, you are a devil, to the core
And you ain’t welcome here no more

Don’t come back inside, don’t put your bags down on the floor
You ain’t welcome here no more

You ain't welcome here no more

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Dear listener, Feel free to leave comments and I'll try to reply.

I've been making music for around 16 years now but because of the wonderfully generous community that is SC, I have learned so much in a short time. I look forward to learning even more by collaborating. 
I suppose my strengths are in lyric-writing and singing. I feel fortunate to have been able to work with some stunning compositions by some very talented SCers.

My very best to you, Mark

Some links to recent Continental Collision streaming sites, etc are available below:

Kiss Me Goodbye - Tom Régnier & Friends

markjbennett

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