Opening of a Viennese ball, young pairs in white and black showing different patterns on the large ballroom floor. Interpolating the entrance of dignitary guests. - Composed 1994/95. - Orchestra Samples by Vienna Symphonic Library - Special Edition No.1 and Trumpet Bb except Drum Kit (Logic Pro version 10.6.3) for Piatti.

Polonaise

Referring to the world of Oz and Wicked and their music, vocals (yes, it's me) recorded by Caz Wahr (1/2014)

Back To Oz

Project for orchestration course 2014 at DEUTSCHE POP - Wien.
Orchestrated with VIENNA SYMPHONIC LIBRARY - Special Edition Vol.1.

Zwischen Alltag und Erinnerung (Between daily routine and memory)

Anyone for a cappella musical? Here's an ensemble number featuring seven voices dealing with a modern version of the Jungle Book ("Das Großstadtdschungelbuch") concepted by and for IN THE GROOVE. You hear Edith Schmölz, Margit Szeliga-Schrall, Ariane Deimel, Karin Filipitsch, Wolfgang Kreuziger, Markus Eckl and Marko Mirkov. Sound by Elias M. Zsivkovits.

Im Großstadtdschungel

idea of modernizing a short jazz-based fragment of a chorus

Glimpse Forward

Back To Oz (Marko Mirkov), voice recorded in Inside Bar Vienna, May 16th (Musical Monday) - Pic by Emanuel Exers.

Just an 80's-like experiment with different synth-sounds

To The Beach '86

Project for arrangement course 2014 at DEUTSCHE POP - Wien.
Orchestrated with VIENNA SYMPHONIC LIBRARY - Special Edition Vol.1.

Bazar Race

A long time ago in the early 1990s, ages before I could afford a digital orchestra, I wrote this orchestral piece in a classical manner with the only help of Aleksandar Obradovics Orchestration Handbook. It was great fun to hear it now being played by the Vienna Symphonic Library Orchestra vol.1. The title is referring to the phrase "Die stillsten Worte sind es, welche den Sturm bringen." ("The softest words are those bringing the storm.") found in Friedrich Nietzsche's 'Also Sprach Zarathustra'

Marko Mirkov

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