Future Is A Myth (OSC 189 - Dawesome Myth)

This track made for the KVR One Synth Challenge using only sounds from the VSTi Myth. Also, only DAW and free 3rd party FX used.

DAW: Reaper
Track Details:
50 * Myth
50 * ReaEQ
4 * kHz Transient shaper
4 * Twin Delay
2 * Oril River
9 * LFX-1310 (autopan)
1 * Bass Professor Mark 2
4 * TAL Dub Delay
Master:
SlickEQ
MSED
Limiter No. 6
Meter:
SPAN
Youlean Loudness Meter
Stats:
LUFS-I: -13.1
DR: 6

The Mythics play Techno - OSC #189 - Myth

"The Myth of Time"

November 2024 submission for One Synth Challenge #189

Synth: 12 x Dawesome Myth 1.5
Effects: ALL effects are synth-only.

Mastering: None. No limiter, so please dial up the volume a few dB.

----
DAW: Reaper 7
Synth: 12 x Dawesome Myth 1.5
DAW effects: None
Additional effects: None
Master bus: None

-----
Some of the fun experiments in this track:
* All effects in-synth. No mastering effects. LUFS low to minimize clipping.
* The track features 3 different main time signatures with some effort into seamless transitions.
* Melody / arp lines time warped with non-linear time-warping homebrew scrips (sinus and exponential time mapping).
* Multi-instrumental 1/8 echo delay. I.e. the delays are using different Myth instruments.
* Tempo is linearly changing between 90 and 135 BPM during most of the track.
* Sound design. Just random knob turning to taste, LFO stuff and effects.
* All EQs and reverbs are in-synth.
* Most volume mixing with MIDI velocity. (not 100% though).

--- 

Theme song to the sci-fi summer flick "The Myth of Time (2031)"
Oscar winner 2032 for best original soundtrack.

In a sprawling, dystopian future where the rich control the flow of time, Alex Kane, a hardened "Time Hunter," is hired to track down and eliminate rogue time manipulators—individuals who illegally alter the timeline for personal gain. Time is no longer a fixed constant; it has become a commodity, and those who possess the power to control it live like gods. When Alex is tasked with finding Evelyn Roarke, a mysterious woman who has reportedly discovered a way to break the time loop that has enslaved humanity, he uncovers a dangerous secret.

Evelyn, once a brilliant scientist, has become a fugitive after stealing the prototype for a device that could allow anyone to escape the corporate-controlled timeline. But her discovery comes with a chilling revelation: the timeline is not what it seems, and humanity’s history has been deliberately warped to maintain a cycle of oppression. As Alex dives deeper into the underworld of time manipulation, he begins to question his own past, unraveling memories that don’t seem to belong to him and discovering that his every decision may have already been made.

Haunted by visions of alternate realities, Alex must decide whether to follow his mission and kill Evelyn, or join her in her quest to shatter the myth of time itself. In a city where past, present, and future blur into a nightmarish kaleidoscope, The Myth of Time explores the boundaries of free will, memory, and the ultimate cost of controlling time.

Organic Synthesized Chaos

The Myth of Time [OSC189]

Made for the One Synth Challenge #189 with 25 Instances of Dawesome Myth in FL Studio 24. 

Every sound is made from audio samples of some videos i took at a.. uhm... convention.. for... people who work in the IT field.

Effects: 
Channel EQ [1]
Fruity Balance [1]
Fruity Delay 2 [3]
Fruity Limiter [3]
Fruity Parametric EQ2 [9]
Fruityx Reeverb 2 [3]
Fruity Stereo Enhancer [3]
Fruity Transient Processor [1]
Maximus/Soundgoodizer [10]
Melda MAutoPan [1]

Analyzing:
FL Tuner [2] 
Wave Candy [2]
Youlean Loudness Meter 2 [1] 











I was there... ironically. I mean i was teleported by actual aliens from outer space. Againts my will. I have proof. Somewhere. Mom, I swear it was just a coding convention!

Mom I swear it was a coding convention (OSC#189 - Myth)

Comment if you like but don't feel like you need to. I'm not happy with this one somehow. Feel like it slipped away. Don't feel like I figured out Myth so much. It is almost all init(as usual) with plenty of my own samples, some physical modeling, etc). Really tried to utilize what was special about Myth. But think I would have done better just with presets this time. 

OSC 189 Myth made in Reaper 6.83.
30ish instances. 
ReaLimit, ReEQ (not ReaEQ), OTT, Supermassive Valhalla, Raum, OrilRiver, A1Triggergate, Kiloheartz Trancegate, A1StereoControl, LoudMax, Replika, TDR Kotelnikov
LUFS-S=7.9
LUFS-I=11.4

OSC189 Cautionary Tale (Myth)

My submission for the KVR One Synth Challenge #189: Myth. Brutal feedback please!

DAW: Reaper

Plugins (not counting monitoring plugins):
- Myth x20
- JS: Stereo Width x1
- OrilRiver x1
- TDR Nova x1
- ReaComp x3
- ReaDelay x3
- ReaEQ x3
- ReaLimit x2

Ozymandias

Track created entirely with Myth...and a few mixing tools in Bitwig.

cb8rwh - Dragged Down

53-24

KVR OSC 189

Created in FL Studio with Dawesome “Myth”, an incredibly good synth where you can lose focus very quickly if you don't concentrate. A wonderful playground that invites you to create all possible and impossible sounds!

The Myth

My Entry for the OSC #189 Myth.
One Synth, one instance, one track, one sample (transformed into two Irises and one Modal), one take.
Done in Bitwig, no further processing or plugins have been used...


Tj-Shredder Gayatri

Zebralette 2 is a bit like a chameleon.

I wanted to make some music for the legendary OneSythChallenge (KVR OSC #191). Too little time - not finished.
Nevertheless, the first attempts turned into more
Maybe you can hear what crazy and wacky and normal, flattering sounds you can get out of the good old Zebralette 2. But I still can't mix. 
I still take my hat off to this instrument aka the developers!

DAW: StudioOne 7
43 x Zebralette 2
3rd party plugins: Raum, ZRev, MSED, ProQ4, LinearPhaseMB, L1+UltraMaximiser (each only once)
Some presets come from OSC #105, others from the FactoryLibrary and the rest is all head scratching anyway.
Automations only for volume and pitch on some tracks.
Otherwise I only used DAW's own effects (ProEQs, Compressors, DualPans, Gates, OpenAirs, Beat/Analogue/GrooveDelay).
That's how it sounds and it's intentional that some ‘instruments’ sound like a crumpled tape recording ....

Have fun ....

a bit like a chameleon

marks-a-whybikky

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