Great feel to this track, drums sound great and the piano chords add a nice touch

Beautiful minimal notes, fat beat and bass... I especially enjoyed the breaks and the short silences between measures, great work!

@marleyjade1: You are always on the top of the charts in YOUR MIND!

A lurching camel steadily lurching across the sand but still giving a smooth ride.

Best of SoundCloud

Justice Sound. Dubplate Mix 1, Foundation Reggae Roots & Culture Rub A Dub Style.

BADDADAN - Chase And Status (Swanga Remix)

A song inspired by people and places from my past (picture is related, it's of the town I was born and grew up in, Magog, Quebec). Thank you for listening!

Not A Day Goes By

Serenade Espagnole

Bear Grylls Survival School

Lapis Lazuli (KORG Gadget)

DaDaDu Dance

A prog-style keyboard-dominated piece. It's called 22nd Place because I've come 22nd in the Korg Gadget charts for the last 3 weeks. 

If you can guess the different time signatures, you'll win a prize!

*Please, like, leave a comment and share!*

Thanks for listening

Facebook: http://www.facebook.com/mattkeilmusic
YouTube: http://www.youtube.com/mattkeilmusic
Twitter: http://www.twitter.com/mattkeil 
Instagram: http://www.instagram.com/mattkeil 
Website: http://www.keil.life

Spotify/Apple Music

22nd Place

lipstick camel

Beat roots

Uploaded with AudioShare app - http://kymatica.com/audioshare

launchpad - Tough Trance 18.08.18, 20:04

Dope

I decided to try and combine Synthwave with Basshouse, and these are the results.  Created as part of a one-synth challenge, all sounds were created in Obsidian from scratch, no presets nor samples used (except for an inaudible hihat sample I used to trigger the sidechain compression).  All sounds shaped with Nanostudio2's internal effects with the exception of FabFilter Pro-MB on the midbass buss.  Mastered in the NS2 project itself with MagicDeathEye, Pro-Q2, and Pro-L2.

JWM - M0702(YC1ǝ

"She don't like to do it softly, so I hit it like Rocky"

Rocky Balboa

;-Combustion-;

;-Invisible Réalité-;

I'm a media composer with a passion for telling stories through sound. Specialising in music for film, television, games, and digital media, I create immersive scores that elevate narrative, deepen emotion, and bring visuals to life. Whether it's a sweeping orchestral theme, a subtle ambient texture, or a hybrid of electronic and acoustic elements, my work is always grounded in storytelling and emotional impact.

With a background in both classical composition and contemporary music production, I blend traditional techniques with modern tools to deliver bespoke music that aligns with each project's unique vision. I’ve worked on everything from independent short films and documentaries to interactive media and YouTube content, adapting my style to suit diverse genres and formats.
My studio setup includes industry-standard sample libraries and virtual instruments, allowing me to produce broadcast-quality music remotely and efficiently. I also collaborate with live performers where possible to add authenticity and depth to my scores.
Above all, I believe that great media music should serve the story first—enhancing, not overpowering. I'm always open to new creative collaborations, so feel free to get in touch if you're looking for music that moves, drives, or inspires.

lipstick camel

Lee Enty

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