In love with this cover, somehow even more relaxing than the og <3

You nicely capture the open atmospheric quality of the original tune with minimal arrangement and really sell it with great vox.  Kudos!

Track taken from the forthcoming album 'Eaten Alive' due out on Denovali in January 2014.

An early version also appeared on the Headphone Commute curated-charity compilation '...And Darkness Came'.

Available here:
http://headphonecommute.bandcamp.com/

Talvihorros - Dyspnea

Darkest Dreaming - David Sylvian

a-part

Last Days - Whitecaps

Themes For A New Earth is available here: 

Spotify: http://spoti.fi/2zx1VW3 | iTunes: http://apple.co/2hhAvcA | Bandcamp: http://bit.ly/TeenDaze-ThemesForANewEarth

Themes For A New Earth is a collection of recordings that were made during the making of the most recent LP from Teen Daze (Jamison Isaak), Themes For Dying Earth. This nine track collection of instrumental, mostly ambient works, is embedded with a certain optimism that separates it from its counterpart. Themes For A New Earth will be the second release through Isaak's own label, FLORA, and will be released both digitally, and on a limited pressing of vinyl.

Themes For A New Earth

Limited Edition Vinyl

River Walk

From VA - Sleeplaboratory1​.​0 by Whitelabrecs label
https://whitelabrecs.bandcamp.com/album/sleeplaboratory10

‘Sleeplaboratory1.0’ is a sixteen track cross section of modern Ambient artists touching on everything from minimalist drone and modern classical cinematics to electro acoustic and synth influenced works. It is released in a run of 100 physical copies, as we’ve chosen to create a ‘gatefold LP’ styled CD package, complete with beautiful artwork provided over 4 panels by our regular collaborator Federica Jeanne de Luca. The album is also available digitally in a range of formats, carefully mastered by Tim Diagram who also contributes a track as Maps and Diagrams. 

This album is intended as a relaxing companion for either conscious or sub-conscious listening, with contributing artists briefed to create something vacant which is likely to induce sleep. Harry selected the artists with the theme in mind and to help them understand his vision, he shared a link to Janek Schaefer’s ‘Lay-by Lullaby’ released on 12k back in 2014. It is an album which has been a huge part of his personal sleep routine, with him playing it at low volume on his iPod in bed ever since it was released so it seemed to be the perfect starting point. 

Harry’s motivation behind creating this sleepy album was primarily due to his fascination on the relationship between Ambient music and sleep: Robert Rich, Max Richter and Tanner Menard all performed notable sleep concerts for starters. Harry was particularly honoured when Janek Schaefer agreed to provide the opening track to this accumulation of calming works and it was he that introduced the National Geographic edition at the time which had a large article about the science of sleep and how it sits in modern society. 
Additionally, Harry was expecting the arrival of his first child during the production stages of Sleeplaboratory1.0 and he wanted the album to be particularly calming for babies. 

We will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.

Deep Phase

~ IIKKI 008 ~

music : Aries Mond
photography : Dmitri Markov
album/book : Cut Off
duration : 37.55 mn
date : March 2019

edition : 
vinyl : limited to 300 copies hand numbered 
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 500 copies hand numbered + hand stamped

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pre-order : February 18th, 2019 / official release : March 18th, 2019

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Mastered by Taylor Deupree
Artwork by Dmitri Markov
Design by Sprflxgrfzm

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Links :

https://www.ariesmond.com/
https://soundcloud.com/aries-mond
http://www.dcim.ru/
https://www.iikki-books.com/

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℗ & © 2 0 1 9 - I I K K I - I I K K I 0 0 8

Aries Mond - Cut Off (album preview)

Four years ago, the California based musician r beny came on the radar with numerous videos on youtube and instagram in which he explored the world of tape and sound synthesis. You could easily see his music growing and pretty soon he came to the fore as a master in modular synthesis. 

This culminated in several solo releases and live shows (e.g. with Bing & Ruth, Suzanne Ciani). Herein, r beny, clearly showed his capacities to combine detailed and fragile melodies with subtle textures in order to create sonic narratives with a highly emotional character.
 
“Echo's Verse” forms no exception on that regard and continues along the same melancholic lines of his previous work. However, whereas the initial albums were much more centred around feelings of loneliness, isolation and solitude, the new album clearly moves away from a sole focus on sad and distressing emotions. “Echo's Verse” touches the other side of the spectrum as it is about emotional connections, bonds and not feeling alone in the universe.

“Echo's Verse” will be out on May 15th on heavyweight clear vinyl* and comes with original handprinted artwork by Femke Strijbol. In addition to the regular version, there will also be a special edition (30 copies) including a unique 1-minute tape loop alongside the record.

www.dauw.bandcamp.com

and fall, standing alone again

Caught In The Wake Forever is the solo project of Scottish multi-instrumentalist & songwriter Fraser McGowan. 
Treading a path of quiet lo-fi, ambient, folk & modern classical music, Caught In The Wake Forever has had releases on a variety of highly regarded labels such as Archives, Dronarivm, Fluid Audio & Hibernate Recordings. 
From the delicate torch songs of 2011's debut album 'Against A Simple Wooden Cross' to the nocturnal drones of 2016's 'Under Blankets', each recording has dealt with matters of emotional strain and release. 
Caught In The Wake Forever's newest offering 'Waypoints' is the first full length album to step away from this formula. Whilst previous albums drew on deeply personal subject matter to guide the writing process, Waypoints navigates unknown territories using improvisation as its starting point. Recording began with two intense day-long sessions of modular synthesizer and acoustic piano. The resulting hours of improvised material were then gradually shaped over a 4-year period, McGowan relying on his musicianship and intuition to structure the compositions. 

These exploratory pieces retain the abstract textures and sketch-like arrangements from which they were sculpted, finding form with the contemplative melancholy and delicate melodic warmth that characterises Caught In The Wake Forever's music. Seven instrumental works that sound like distant radio signals interspersed with fragments of lonely lo-fi piano, broadcast from an unknown, isolated location. 

Words by Chris Gowers (2019) 

Written & recorded by Fraser McGowan 

Performed by Fraser McGowan 

Rogers Eungblut Upright Acoustic Piano, Yamaha C5 Classical Guitar,
Ibanez Blazer Series Electric Guitar, Korg MS2000, Roland SH101, 
Moog Slim Phatty, Akai S20 Sampler, Make Noise System Cartesian, 
Arturia MicroBrute, Arturia Analog Lab, Harmonium, Pearl Acoustic Drums, AM Radio & Digital Processing 

With 
Colin Morrison 
Ibanez GA5TCE-AM Classical Guitar & Boss RDD-10 Micro Rack Delay (A1 & B3) 

Darren Galloway 
Roland JU-06, Roland Aira TR-8 & Boss DE-200 Digital Rack Delay (B3) 

Yellow6 
Gretsch G6134 Black Penguin Electric Guitar, EHX Platform Compressor & Strymon Flint Reverb (B3) 

Produced by Fraser McGowan & Darren Galloway 
www.connectedbylandscapes.com 

Special thanks to Chris Gowers, Colin Morrison, Darren Galloway, Andrew ‘Woody’ Woods, 
Jon Attwood, Euan & Ali Millar-McMeeken & Agus Mena for making this record possible 

Mastered by Taylor Deupree 
www.12kmastering.com 
Photography by Alexander Kopatz 
www.go70north.com 
Archives58 // ArchivesCD39 
Archives / 2019

Buy Vinyl/CD/Dig

Caught In The Wake Forever - The Houses Here Have Changed Lately

French composer Sylvain Chauveau’s new album Life Without Machines, a set ofshort compositions using Barnett Newman’s series of abstract painting The Stations of the Cross as visual scores, is set for release on 17th April 2020 through FLAU.

Known for very minimal compositions for acoustic instruments, electronics andsometimes vocals, with a focus on quietness and slowness; Sylvain has released records on labels such as FatCat, Sub Rosa, Type, Les Disques du Soleil et del’Acier, Brocoli and performed live across Europe, Canada and USA, Russia and Asia.

The title of his new album, Life Without Machines, expresses the fact that ourlives are entirely assisted by machines (for everything we eat, wear, transport,build, watch, listen…) which require a permanent, colossal use of energy – mostlyfossil fuels, whose combustion constantly sends CO to the atmosphere. The title₂suggests that this can’t last forever: living with less (and finally without)machines may have to become a collective decision in the future or (moreprobably) a consequence of a combination of crisis (both energetic, economicaland ecological).

Composed by Sylvain and performed by french pianist Melaine Dalibert, thereare a total of 15 pieces, yet only 14 will appear on the tracklist (one hidden track ishearable after a period of silence at the end of track 14). This mirrors the stonegarden of Ryoanji in Kyoto, where there are 15 stones but from any point of viewone can only see a maximum of 14 at the same time.

Sylvain Chauveau -        e

(1978)

The style of a woman, the kiss of a man.

Best covers in town.

Darkest Dreaming - David Sylvian

marlondeanclift

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