And We Are One...  (432Hz) (Free Download)

Chillout dance vibe on this one, I just love all the synths, arpeggiators and loops that Logic has on offer! Thank you for taking your time to listen as always!

Our Hiding Place

In Touch (musical shadow)

Transmitted Love

stems by Melcom. mixed by Sábila Orbe. vocals: Mist Spectra.
free download the full compilation album past collaborations with different artist across the years. from 2 alternative links:
- https://humanfobia-official.bandcamp.com/album/cross3s-tri-ngl3s-compilation
- https://archive.org/details/v-a-cross3s-triangl3s

▲​†​CROSS3S & TRI​▲​NGL3S​▲​†

La Muerte de 登gel en el acantilado La Piedra Feliz

... and just another endless improvisation ...

ENDLESS

Hibernia

Big thanks to Entheogenic Psychonaught (Josh Clary) for collabing on this one, bringing incredible slide guitar and organ to this track.  I am very happy to have worked with Josh on this one, as he has added a whole other dimension and perspective to this track.

Big Pharma:  Lyrics, Vocals, Steel String Acoustic, Bass, Drums, Didgeridoo

Josh Clary: Slide Guitar, Organ
 

Lyrics:

Cars crashing, windows smashing
God’s laughing to the sound of hurricanes and thunder
Blood splatters, nothing matters,
Need some answers to the questions we are asking
Within

Sitting at my seat, carpet at my feet
Patterns arranged so that the cycle is complete
Patterns made the blood has already has been stained
What’s happened once will happen again it’s been engrained

People clapping, limbs are snapping
Sinners lapping up the blood of the everlasting
Wind swirling, pages turning
Flesh burning as the sound of guns are blasting
Within

Within Ft. Entheogenic Psychonaught (Josh Clary)

English
Symphony No. 3 - Mov IV Iraq - Dawn of Civilization

We are located in Sumer, between the Tigris and Euphrates rivers at the dawn of civilization, in the Metal Age about 6,000 years BC.

The action begins in a Forge, where various apparently unconnected sounds follow one another, such as those that occur in this type of industry, where through a dissonant harmony an attempt is made to represent the work that was carried out there; Thus, one can imagine those people, some hitting pieces of metal on an anvil, others operating bellows, melting, sawing, cutting, etc. After that stage, we find a harmony where consonance abounds, which represents the successful completion of the work that was done there. As we advance in the successive measures, we find various parts, some with changes in tonality, which represent the growth of the population with people coming from other places who contribute other knowledge, such as science, poetry, music, dance, etc. Arrived here and after this brief guide on which the author has been based, I invite listeners to imagine their own scenes...

Español
Sinfonía No. 3 - Mov IV Irak - Albores de la civilización

Nos situamos en Sumeria, entre los ríos Tigris y Eúfrates en los albores de la civilización, en la Edad de los Metales unos 6.000 años a. C.

La acción comienza en una Fragua, donde se suceden diversos sonidos aparentemente inconexos, como los que se dan en este tipo de industrias, donde mediante una armonía disonante se intenta representar los trabajos que allí se efectuaban; así, se puede imaginar a aquellas gentes, unos golpeando piezas de metales en un yunque, otros accionando fuelles, fundiendo, serrando, cortando, etc. Superada esa etapa, encontramos una armonía donde abunda la consonancia, que representa la culminación exitosa de los trabajos que allí se hacían. A medida que avanzamos en los sucesivos compases, encontramos diversas partes, algunas con cambios de tonalidad, que representan el crecimiento de la población con gentes venidas de otros lugares que aportan otros conocimientos, como las ciencias, la poesía, la música, la danza, etc.  Llegados aquí y tras esta breve guía en la que se ha basado el autor, invito a los oyentes a imaginar su propias escenas…

Irak

Sinf. No. 3 - Mov. IV - Irak

Contemplative Melancholy

Louise Adam & K G G - Hearth

Alice

I composed it with the horizon in mind!　
I felt that there were various countries scattered beyond the horizon and various musical instruments.

⭕Spotify↓↓⭕
open.spotify.com/artist/312MPUfW0fyacOfLoDMc9u

⭕Instagram↓↓⭕
https://gate.sc/?url=https%3A%2F%2Fwww.instagram.com%2Fsuperps32023%2F%3Fhl%3Dja&token=68bce4-1-1686833662817

Beyond the horizon

Y-Benelux

'Deep Roots' is a bright and upbeat Jazz Fusion track.

Or Is It All An Illusion

Deep Roots

Determination

Dead End

Video

Another song dedicated to the Simpsons character Barney Gumble.  Hope you enjoy.

Oh Oh My Heart Stopped

Sigh

Crossing Sines

This music was first uploaded 2 months ago. Sophie has been working on it since then have better fluidity and expression. Yesterday, 11-19-23, we recorded it again. I decided to exchange the files. If you heard it before there is  remarkable difference. I am proud of her.

Song for Johanna was written by Franz Gordan. Sophie is a student of mine, age 14, who I have been teaching for 4.5 years. There is a playlist with her name that has various pieces she has played or worked on with me since she was 9.

Learning to play the piano is more than learning to play the right note at the right time. A beginner doesn't have enough control over their hands to be able to affect how the note is played - how the keys are touched, and the sound blended. Can the emotion be felt? The player has to know the language of music so well that they don't have to think about the notes being played, and can separate themselves to  listen to the music they are playing. 

Unfortunately, most piano teachers can't teach this because they can't get beyond teaching songs in piano method books - They can only teach what they were taught. I have heard many parents tell me they took lessons when they were young, and when I ask if they are still playing, the answer is almost always, "No". They forgot whatever they had memorized so long ago and they never learned how to create music, so it is all moot. It is like learning another language. You can memorize a phrase but you don't understand how the words in the phrase work together. You can't have a conversation in that language let alone show emotion. Music is a conversation.

I have been teaching for more than 50 years and have had hundreds of students. Most don't last long enough to get to the point I am with Sophie - and hopefully I will have a few more years with her before she goes out in the world. But what she is learning she won't forget. Memorizing music is a small portion of what we do. There is so much more to learning how to play music on any instrument than learning how to play what someone else wrote. 

Listen to her playlist and hear her growth. Song for Johanna is the beginning of her next phase of learning. Her lessons are 2-3 hours. She couldn't learn enough in one hour to play with this much maturity. She is such a joy to teach.

Song forJohanna Played by Sophie (revision)

曼殊沙華の歌（A song for red spider lilies）

曼殊沙華眞赤に咲き立つほそ徑を通りふりむけばそのまま又見ゆ
木下利玄（1886-1925）

Passing through a pathway full of bright red spider lilies. Looking back, I see that the red spider lilies are still in bloom.
Rigen Kinoshita (1886-1925)

出典：『木下利玄全歌集』五島 茂 編　岩波文庫
Source: “Complete Collected TANKA(Japanese Short Poem) by Rigen Kinoshita: editing by Shigeru Goto”　Iwanami Shoten Publisher
Art work: BinhMinh1983 via Pixabay

曼殊沙華の歌

In the summer of 2013, I heard Keith Jarrett AND Jamie Cullum play in Juan Les Pins. I was thinking about that magical evening, when improvising this piece.

Juan Les Pins

428Hz & 432Hz producer spiritual music, solfeggio, chakra's, binaurial, 🎸Bassplayer (*HERMES*HOUSE*BAND* ‘96-‘99), Vinyl-DJ (‘99-‘04), cajon, bandcoach, houseclearer, rhabdomant, writer.

And We Are One... (432Hz) (Free Download)

Marnix Lippmann