Lula Pena Intervista di Jonathan Giustini su Radio Elettrica (27/2/2023)

"Voch'e Notte" performed by Cuncordu e Tenore de Orosei, special guest Paolo Fresu. From the new upcoming album "Novaera", for label Buda Musique.
Release 8 june 2015.

VOCH'E NOTTE - CUNCORDU E TENORE DE OROSEI - special guest PAOLO FRESU

traditional religious chant performed by Cuncordu e Tenore de Orosei, From the new upcoming album "Novaera", for label Buda Musique.
Release 8 june 2015.

CUNCORDU E TENORE DE OROSEI - O VIV'ARBORE

"A Dori Lontana" performed by Cuncordu e Tenore de Orosei, special guest Ernst Reijseger. From the new upcoming album "Novaera", for label Buda Musique.
Release 8 june 2015.

CUNCORDU E TENORE DE OROSEI - special guest ERNST REIJSEGER - A DORI LONTANA

NOMADIC VOICES 
THE SONGS OF SARDINIAN TENORES AND THE DIPHONIC MONGOLIAN CHANT
CUNCORDU E TENORE DE OROSEI MEETS MONGOLIAN SINGERS TS. TSOGTGEREL ET N. GANZORING
In the heart of countryside still considered sacred, the harsh beauty of the Sardinian mountains meets the vast steppes through the polyphony of the Tenores and Khoomii overtone chants.
Within the confines of the sacred and the profane, somewhere between liturgy and peasant celebrations, these voices resonate in the heights of Sardinian mountains. 
It is there that the beauty of a pastoral culture is still to be found. The Sardinian polyphonies date back to the Nuragic age when these nuraghi or round towers were built, in the form of truncated cones. 
These megalithic edifices remain the symbol of this age between 1900 and 730 years BCE (between the bronze and iron ages).
Beyond these towards other mountains equally sacred since prehistoric times, those of the Gobi-Altai steppes, where the Altai mountains meet the immense Gobi desert, 
legend has it that overtone chant was born. Here it is known as Khoomii, meaning larynx. It is accompanied by the morin-khuur or khiil-khuur, the horse head fiddle of the poet and sootsayer. 
Overtone chant is a musical metaphor for this land: the hilltops and the valleys, the vastness of the steppes, the herds, the tumult of nature, its rumbles and its murmurs, the galloping horses and the rustling of its wind grasses.
Surprisingly, in the heart of these two traditions, we find the instrument known as the guimbarde or Jew's harp, an instrument familiar to nomadic shepherds all over the world.
This original work highlights the richness of these vocal techniques of people who belong to the same history of mankind and who are the last witnesses of ancient times when man knew how to be one with nature. 
IN COLLABORATION WITH ASSOCIATION ROUTES NOMADES > http://www.routesnomades.fr


9 NINNIA + NANNEDDU MEU

8 HAN HUI - CORSICANA

7 CELESTE TESORO + DUO

6 NUUTS TOUCHU - CONSOLADORA

5 DURVUM

4 CUNTEMPLA + GANZORING SONG

3 TSOGTGEREL SOLO

2 DILLU

1 ZUDNI GOBI - UNI STELLA

Bari, Teatro Forma 30th April 2019

Roberto Ottaviano > saxophones, compositions
Filippo Vignato > trombone
Alexander Hawkins > piano
Danilo Gallo > bass
Hamid Drake > drums

The year 2019 will be a time for commemorating and celebrating the incomparable American filmmaker John Cassavetes, the man who gave birth to the Independent American Cinema, with 2019 marking the anniversaries of both his birth (1929) and death (1989).
We wish to honour him with a musical tribute, in recognition of his close ties to jazz music, evident right from the start of his career, when he played the part of Johnny Staccato, a jazzman and detective with a heart of gold, as well as in his early films as a director, such as “Shadows”, whose sound track included music by Charlie Mingus and Shafi Hadi, and “Too Late Blues”. But Cassavetes' very style of filmmaking was heavily influenced by jazz, as shown by the extent to which his snap-shot, quick-cut approach to composition resembled the way in which a jazz tune creates itself while being performed, resulting in a masterful balance between improvisation and composition. His scenes appear to be improvised, but they were actually built on a rigorously written foundation, as were the pieces played by Charlie Parker or Miles Davis. Intensity, rhythm and enthralling beat marked the films of Cassavetes, as in the case of “Shadows”, in which the dialogue recorded live on the set mixes to admirable effect with the music of Mingus and the surrounding urban environment. Today, 30 years after his death, we can think of Cassavetes’ 11 films as the 11 tracks of the album that was his life.

Jazzavetes 03

Jazzavetes 02

Jazzavetes 01

Very pleased to announce that trio Reijseger Fraanje Sylla will release a new album.
‘We Were There” will be presented at the Bimhuis, Amsterdam (NL) on March 12, 2020 ! 
We’re very happy with the music. The album will be released on Just Listen Records, a label devoted to hi resolution acoustic audio recording.
A big thanks to Krijn van Noordwijk who made the beautiful photo.

Available tour dates 2020/2021

Info concerts
sabino martiradonna
marsab music management
sabmar55@gmail.com
Mob. +39 335 8029563

Sample WE WERE THERE RFS

MARSAB MUSIC MANAGEMENT IS:
booking agency - events production
WORLD MUSIC - JAZZ - CONTEMPORARY - CROSSOVER
based in Rome

WORLDWIDE BOOKING 2014/2015

CUNCORDU E TENORE DE OROSEI 
POLYPHONIC AND SACRED TRADITIONAL SONGS FROM SARDINIA 
http://www.youtube.com/watch?v=0aTYvHN7tQE&feature=g-upl 

NOMADS VOICES / SARDINIA - MONGOLIA 
CUNCORDU E TENORE DE OROSEI AND SINGERS TSOGTERI GANZORIG FROM MONGOLIA 

TRIO REIJSEGER - FRAANJE - SYLLA 
http://arbutusyarns.net/2012/11/29/ersnt-reijseger-and-the-cello-biennale/ 

THE FACE OF GOD 
CUNCORDU E TENORE DE OROSEI - ERNST REIJSEGER (cello) - HARMEN FRAANJE (piano, organ) 
http://www.youtube.com/watch?v=IJv-1KdVPgs&feature=g-upl 

BLACK TARANTA 
OFFICINA ZOE' MEETS BABA SISSOKO & MAMANI KEITA 
http://www.youtube.com/watch?v=EdqIEjobgQg&feature=g-upl 

OFFICINA ZOE' 
RHYTHMS AND DANCES FROM SALENTO 
http://www.youtube.com/watch?v=jVKRiWSXVqQ 

CAVE OF FORGOTTEN DREAMS CONCERT - MUSICS FOR A WERNER HERZOG FILM 
ERNST REIJSEGER (composer, cello), HARMEN FRAANJE (piano. church organ), KETTWIGER BACH ENSEMBLE (choir) 
http://www.youtube.com/watch?v=BBpZLGYcQS8 

WERNER HERZOG / ERNST REIJSEGER - REQUIEM FOR A DYING PLANET 
MUSICS BY ERNST REIJSEGER FOR TWO WERNER HERZOG'S FILMS 
http://www.youtube.com/watch?v=I3h1r5w3OnM 

ROMEO SCACCIA - PIANO SOLO 
http://www.youtube.com/watch?v=NI9E4wQS6hk&feature=g-upl 

marsab music management

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