Ambient reel

Another wonderful track from the new Squanto album 'Every Night Draws the Same Crowd ' released through Fluid Audio.

www.fluidaudio.co.uk

Squanto - Like The Cold

Taken from the upcoming album 'Love At Dusk' released through MIE on November 18th. 

Buy it:

www.mie.limitedrun.com/products/519791-trouble-books-love-at-dusk

Info:

www.fluid-radio.co.uk/2013/10/trouble-books-love-at-dusk/ ‎

Trouble Books - Softscraper

Track taken from the new album 'Towards The Blessed Islands'...

Full Review:

http://www.fluid-radio.co.uk/2013/11/oliver-coates/

Oliver Coates - The Room Is The Resonator

Release Date: 10.11.14

Birthed between the burning fields of Kansas and the surreal landscape of the New Mexican desert, Black Vines is a dense layering of monophonic drones, delayed sitar and large scale cello arrangements. 

Combining the distorted and blackened influence of Aaron Martin’s recent solo and collaborative work with Joseph Angelo’s love of ragas, industrial noise and meditative minimalism, the eight elegiac strands of Black Vines are tribute to redemptive growth that occurs in the shadows.

Mastered by James Plotkin, featuring tracks reworked from the original parts by Dag Rosenqvist with stunning artwork by Chris Koell.

Packaging includes letter-pressed covers, glass mastered CD, 10 x limited edition prints on heavy card stock with glassine bags, all resting inside hand numbered, scented black envelopes. Limited edition of 200 copies!

www.fluidaudio.bigcartel.com/mailing-list

Black Vines - The Shadows We Cast

Tobias. | Cursor Item Only

Taken from "Human," out now.

iTunes www.smarturl.it/MCHuman / Beatport: smarturl.it/HumanBeatport
Vinyl + CD bit.ly/FIELDSshop

This track is the last one on my album, and it's supposed to be some sort of pleasant/easy closure after all of the hammering, and also the exit from the album as an awakening back to reality.

The track was originally designed around the idea of being asleep, and then being woken by rays of sun hitting your face. You can hear the sleepy filtered down melody to start, and then the sun rising and the rays coming through early on in the track, as a positive element from which the rest of the day and track are built around. 

I also used some binaural recordings from a market in Mexico City in this track, you can just about hear some people shouting and general human activity of the beginning of the day as the track develops.

The album is out now, I hope you can find some stuff in there that you like!

General album promo >

"Incredibly intense" - Pitchfork

"Insanely good" - The FADER

"Impossibly gorgeous" - FACT

"Burns with an incredible creative intensity ... sumptuous, enticingly beautiful" - Clash

"Freaky ... like Fuck Buttons on a tender hangover" - THUMP

"Wants you to dance and cry simultaneously, and will probably succeed in doing so" - DUMMY

"Ace" - theQuietus

"A religious experience .. a master at blending blissed-out, lightweight textures with moments of heavy darkness" - Earmilk

"A quiet elegance that's unique to the genre" - XLR8R

"Some of the more ambitious and exploratory music crafted within the last few years" 
- The Music Ninja

"One of today's most innovative electronic musicians" - DJZ

Awakening (clip) from HUMAN album Out Now

Our first exclusive Field Day mix of 2011 comes from one of the UK's most talented producers, an all-round musical prodigy who's regularly called upon by Brian Eno to add his studio flair to acclaimed productions by the likes of Wild Beasts, Four Tet and the ambient maestro's solo work. As a producer in his own right, he's released a succession of experimental electronic albums for Domino and promises that his afternoon set at Field Day will consist of "massively inappropriate rave". For this, amongst other things, we salute you Jon...


Field Day mix 01 - Jon Hopkins

Preview of IVCD07 - Âme Live ... coming March 2012 on Innervisions!


Henrik Schwarz / Âme / Dixon - DPOMB (Âme Live Version)

Offered as metaphor and delivered as analogy...

The Blizzard That Birthed Her is the continuing echo of this year’s Home Normal success, Book Of The Folded Forest. Birthed as two original Orla Wren tracks ‘Five Acre Ladder’ and ‘Mountains And Wishbones’ which were recorded in the same session, Tui then worked the cello, bass and vo- cals of Aaron Martin into two alternative versions of each track, making up the 4 tracks on the 10” vinyl for Facture.

He then offered the same to Isnaj Dui who contributed some flute for him to then create the two versions with her as guest. To complete the companion 8 track letter pressed CD version the two "reprise" versions were created by Tui utilizing parts from the other tracks.

Mastered precisely by James Plotkin, the project is released as a limited edition run of 300 copies designed by Daniel Crossley; 4 track 10” vinyl on reverse board heavy card with printed inner sleeves with designs by Montreal designer Urban9, download code, 8 track
4-panel letter pressed CDs with wrap-around letter pressed bands, 4 prints resting inside typed/ numbered glassine photo bags, 2 x double sided prints, pressed flowers, all resting inside large scented letter pressed envelopes with beautiful artwork again by Urban9.

To accompany the album an exclusive promo film was made for the track Five Acre Ladder (re- prise) by Lumacell. And a very special exclusive bonus track The Cup Of Remembered Things is also included as a free download.

A returned honour of growth and loss, this album complements her predecessor as an expressive companion piece requiring little explanation.

Release Date: 01.12.13

www.fac-ture.co.uk
www.orlawren.eu

Orla Wren - Five Acre Ladder ( Reprise )

Track taken from Dustin O’Halloran's upcoming album 'Lumiere' released via FatCat’s 130701 imprint (a home for the orchestrally/classically aligned composers attached to the label)

Ambient reel

Martin Amiot