http://www.beatport.com/release/impermanence/1174623

https://www.facebook.com/agoriaofficial

https://twitter.com/agoriamusic

https://www.residentadvisor.net/dj-home.aspx?name=agoria

Agoria - Speechless Feat. Carl Craig

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House music historian St. David kicks off an exciting new series with Tributes Ltd Collection Vol. 1 – a 4-track vinyl EP that reimagines classics from house music's pioneering era. Out June 3, 2025 on Italy's Tribute To House Masters (THMLTD 01), this 12" vinyl delivers swinging deep house, chunky disco-house, and soulful reworks of timeless tracks. Available for pre-order now at www.kraftwaves.com

Track-by-Track Magic:

🏢 "The Underground" – St. David's original swinging deep house cut sets the tone
🎹 Patrice Rushen 'Gentle Re-Touch' – Transformed into flavorful disco-house perfection
⚡ Armando 'Club Re-Diss' – A jacked-up, peak-time house bomb with retro flair
✨ Salsoul Orchestra 'Groovylizer Magic Dub' – Silky soulful reinterpretation

Why This Vinyl Belongs in Your Collection:

✔ Essential remixes of Patrice Rushen, Armando & Salsoul Orchestra classics
✔ Limited first volume in a collectible tribute series
✔ Perfect blend of deep house, disco, and classic house energy
✔ DJ-friendly formats for both club play and home listening

🎶 Own a piece of house history!
Pre-order now at www.kraftwaves.com – your trusted source for rare house vinyl and reissues.

Get Vinyl Copy

A1 - Celeda - The Underground (St David Dark Swing Mix)

The idea for this song came together in the late 90's. The words were inspired by what I was experiencing at the time. It seemed like just a repetitive phrase at first, but after listening to it several times, I realized how something little meant so much. 
When I first sent this to the Snuff Crew, they immediately replied that they were interested in it. I took the song back in the studio and gave it a slight update.  I kept the original vocal and 707/808 drums. 
I updated the Bass line and used a Juno 60 as opposed to the original Prophet 600 sound. I'm both surprised and happy as far as the amount of attention this has received. I can't thank The Snuff Crew enough for inspiring me to finish this. Also want to thank Strictly Rhythm for taking it to the next level with their Digital release.  Currently the vinyl version is the only place you can get the Acid & Instrumental mix. Also there's is an  A capella version found only on the digital release. The Ep is now available at most record stores and digital online sites. Here are a few links. 

Vinyl - http://www.deejay.de/STX013_-_Mystic_Bill_-_U_Wont_C_Me_-_12inch__202787

Digital - http://www.traxsource.com/

Mystic Bill -  U Won't C Me  Original Mix _Pre Mastering

It's been 10 years since their last release on 20/20 Vision, but it is with great excitement that we welcome Spirit Catcher back to the label with their aptly named Blast From The Past EP! 

As one of the corner stones of 20/20, their early singles and album are legendary label artefacts and these guys were total pioneers of the cosmic, disco infused house sound which then became prominent in following years. 

Blast From The Past has been getting heavy rotation in Ralph Lawson's sets over the summer and so we're really glad to finally see it reach the light of day. This one is a trip into hyperspace with cosmic synth pulses leading the way before a killer bass line takes you track straight to planet Spirit Catcher! 

On the flip Closer takes the trip further with more expert bass hooks being joined by vox pads and otherwordly fx. The EP is finished off with Routing Madness, a homeage to the duos love for analogue studio gear which you can hear in the intricate synth patterns which pop and weave through the tracks duration. 

Blast From The Past is out 18th January. 


1. Blast From The Past 
2. Closer 
3. Routing Madness 


VIS283 - Spirit Catcher - Closer

Martin Buttrich - Back It Up

Martin Buttrich -  I'm Going There One Day

Martin Buttrich - Hoochie Mama

Martin Buttrich - You Must Be This High

No.19 Music marks its 10th year in 2018 with a raft of incredible music set to propel the imprint to its 100th release by year end. As part of this celebration the label welcomes pioneering house producer Satoshi Tomiie for a very special new EP...'

Follow: @satoshitomiie

Resonant EP

Satoshi Tomiie - Bassline (Original Mix) [No.19 Music]

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

Get it here

H&T04 Robag Wruhme - Wuzzelbud FF

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Martin Buttrich - Hoochie Mama

Martin Buttrich

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