PREMIERE: Kid Francescoli - Moon (Calabasa Remix)

Jimmy Koskinen - Your Way (Original Mix)

Eng below

El 5 de Mayo de 1862, Mexico - Tenochtitlan logro defenderse de la invasion imperialista Francesa,.
La ilusion del tiempo no es lineal, la contemplacion del pensamiento genera movimiento en el espacio, por el que los nodos de energia nos permiten enviar descargas de Unidad, de Fuerza v Victoria. 
Africa Unida, la Paz de los pueblos en Armonia.

Texto por Random Fact

Framed Memories es como una colección de fotografías: momentos congelados en el tiempo, cada uno con fragmentos de una historia que aún perdura.
Es un homenaje a las "polaroid" que llevamos con nosotros, no solo en álbumes o paredes, sino en los rincones de nuestra mente. Creadas con nostalgia e introspección, la canción es un marco en sí misma, capturando emociones que antes parecían fugaces, dándoles un lugar donde vivir.
Invita a los oyentes a detenerse, reflexionar y quizás incluso a ver sus propios recuerdos con un poco más de claridad.

Music : @random-fact-765950275
Mastering : @salvador-poletti 
https://www.instagram.com/b2bmusicstudio/


On May 5, 1862, Mexico - Tenochtitlan successfully defended themselves from the French imperialist invasion.
The Ilusion of time is not linear; contemplation of thought generate movement in space, through which energy nodes allow us to send out bursts of Unity, Strength, and Victory.
Africa Unit, the Peace of towns in Harmony.

Text by Random Fact

Framed Memories is like a collection of photographs— moments frozen in time, each one holding a piece of a story that still lingers. 
It’s a tribute to the snapshots we carry with us, not just in albums or on walls, but in the corners of our minds. Made with a sense of nostalgia and introspection, the song is a frame itself, capturing emotions that once felt fleeting and giving them a place to live on. 
It invites listeners to pause, reflect, and maybe even see their own memories a little more clearly.

Bandcamp

Random Fact - Framed Memories (Original Mix)

Frenchman Traumer inaugurates his new label Gettraum this month, spicing things up with a move into a fresh micro-house blend, stepping away from the powerful techno sound we've come to expect for this release. The new label, in his own words, will be dedicated to "exposing his vision of music through his own sensibility", allowing him a certain freedom to exhibit his current tastes. You can check out an exclusive from the release today via When We Dip as we showcase the full premiere of 'Classroom' - a slow-burning tribal-flavour cut with an engrossing groove.

Pre-order - https://yoyaku.io/vinyl/gettraum-2/gettraum001/
Follow: https://soundcloud.com/traumer // https://soundcloud.com/gettraumrecords

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Release Info

Premiere: Traumer - Classroom [Gettraum001]

Released EP

Released Dubb (Mihai Popoviciu Remix)

Traumer - Gonna Get [GETTRAUM -– GRHS001]

Martin Buttrich - Meeting Dave Dish

Martin Dawson & Glimpse 'No One Belongs Here More Than You' Crosstown Rebels

Chris Lattner feat. Karina Junker - So He Finally Called? (Original Mix) - Polar 004

Dj Sneak - Funky Rhythm (Are:Age Bootleg Remix) - Free Download

Glenn Underground - There is A Time

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Martin Buttrich - Meeting Dave Dish

Martin Buttrich

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