NICE 1 GLAD 2 HEAR YOUR NEW WORK , GOT SOME 4 TWENTY WAX . THIS IS TIGHT A MUST GET

TechYes

https://www.deejay.de/Triptil_Omnichord_EP_VELVET001_Vinyl__1024100

@jnjsmusic (@jaynortown & @jacobosaavedradj)
@triptil
www.instagram.com/velvetmusic.es/

Premiere : Triptil - Digg It (JNJS remix) (VELVET001)

"Music in the soul can be heard by the universe." Baban EP, featuring Fedo and Techu retouches, is now available digitally for Bandcamp Friday! Mastered by Silat Beksi. Link in bio! 🎶 #Bandcampfriday #House #Minimal

Baban - Asahi Hiroko Daiki  (Fedo Remix)

https://intelligentsoundua.bandcamp.com/album/beiger-fabulate-ep-isrd033

@intelligentsoundua
@beiger_official

Beiger - BU

PREMIERE: Beiger - BU [ISRD033]

We are back with our Top Secret series 19th chapter and the concept stays the same - The artists remain anonymous, leaving the sound to speak for itself.

🔊 Mastered by Silat Beksi
🌌 Artwork by Fivedotfour
_________________

linktr.ee/micronica

Buy here

Unknown Artist - Yanateguta (Snippet) [TST019]

Only You - the seventh instalment of Spectral Shift.

linktr.ee/fonixsounds

Spectral Shift

Only You

Artista: @come_closer
Sello: @magic-tribe-music

La dupla Mike Spirit & Asaga afila su lenguaje club en “Big Dada Smile”, un corte que condensa el ADN de Come Closer: groove inmediato, bajo elástico y una arquitectura rítmica que respira orgánica mientras empuja hacia el trance melódico. Las percusiones —bien esculpidas, en capas— se enredan con una línea principal luminosa que no recurre al tópico del “break épico”: aquí el clímax está en el vaivén hipnótico, en el detalle micro, en cómo cada elemento encuentra aire.

El track funciona como tarjeta de presentación de One Bro, el álbum debut de Come Closer en Magic Tribe Music, donde el dúo pule años de cabina y estudio en un sonido que flirtea con el afro-y latin-rhythm desde una estética mínima europea. “Big Dada Smile” es frontal en club, sí, pero suena vivo: hi-hats humanos, congas que sostienen el pulso y un bajo que camina sin prisa, perfecto para esa franja que separa la medianoche del primer rayo de festival.

Hay dramaturgia, pero sin artificio: un breakdown breve que abre la mezcla, una respuesta melódica tersa y un retorno firme del kick para volver a la pista con más oxígeno. Profundidad sin exceso de reverb, calidez sin caer en lo “tropical”, progresión sin pirotecnia. Si la tesis del proyecto es unir energía de directo con raíz club, “Big Dada Smile” la defiende con una sonrisa de fondo y los pies en la tierra.

PREMIERE: Come Closer – Big Bada Smile – Magic Tribe Music

Dubfire - Rejekt

Show love : labelsphere.bandcamp.com/releases
Mastering by Kolkoz

You can follow us on Facebook and Youtube.
If you like the work, show support!

Facebook: bit.ly/lsp01fb
Youtube: bit.ly/LSPHERE01

Demos and bookings: labelspherecontact@gmail.com

Irv.in - Air

Set i did at the famous Dutch beach club Woodstock´69, starts funky and slowly builds in to Techno :) enjoy!

Adam Beyer@Woodstock 2012-AUG-19

Martin Buttrich - Roads

Alexander Kowalski DJ-Set at Up Madrid 05.01.2013

More info - TBA

Pre-sale - Feb. 2020
Copyright 2020 - Baile Musik
Mastered by Matthias Heinstein

Distribution & Promo by Move Music Distribution
www.movemusic.io

A2 Zlatnichi - Black Serenade (Daniel Sanchez ''Halftime'' Remix)

Support&Buy :
https://urbanmidirecords.bandcamp.com/album/urb004-unknown-civilian

@urbanmidirecords

Premiere : Unknown Civilian - A1 (URB004)

After the success of the Slam + Gary Beck (Alliances 1) release, Slam welcome friends and peers Pan-Pot to the next phase of their 'Alliances' series. Slam & Pan-Pot have shared the stage at many an occasion whether it be at Slam's Pressure or Return To Mono nights at The Arches & Sub Club respectively, or at the Mobilee Rooftop or Poolside parties, Off-Sonar. Pan-Pot have also remixed Slam's 'Room 2' & 'Lifetimes' tracks while Slam have reworked Pan-Pot's 'Face To Face' & 'Confronted' tracks. Their sounds are well matched, as are their personalities. 'Media' brings the drive, swing and melody that both pairs of producers do so well. Twisting and turning through delayed FX and doubling drums, 'Media' swells until it hits an epic bass sequence at the tracks half-way mark before dropping back to a stripped groove. When the two acts combine they are most certainly a formidable force. 'Media' is the perfect example of this.

Slam + Pan-Pot - Media (Alliances 2)

Pan-Pot at Awakenings 29-03-2013 (Gashouder, Amsterdam)

SoundCloud: @soundcloud.com/awakenings
Facebook: www.facebook.com/awakenings
Website: www.awakenings.com/

Pan-Pot at Awakenings Easter 29-03-2013 (Gashouder, Amsterdam)

128 kb version promo only !
Suita pt pian si bass / 6th track on our New World Disorder LP

we decided to release one track per week until NYE 21', on our #bandcamp page. Building one big LP featuring all our #quarantine #rooftop original work, our unreleased set at #Trommel and other #lockdown goodies 🪐

Release date 3.12.2020
label: EVERYDAYPARADISE

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Suita pt pian si bass

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Martin Buttrich - Roads

Martin Buttrich

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