Stacey Pullen - Any Which Way (Martin Buttrich Red Mix)

Mixmag Presents Hot Since 82: Knee Deep in Mixmag (DJ Mix)

Smack Back (Mixed)

'John Tejada’s Palette Recordings celebrates 25 years with a stellar remix of Tejada’s 2004 classic hit ‘Mono On Mono,’ remixed by the incredible Robag Wruhme...'

Follow: @robag_fm // @paletterecordings

Mono On Mono

John Tejada - Mono On Mono /// Robag Wruhme Remix    2021

Konrad Black & Martin Buttrich - Siamese Connection

SUN IS UP

Laid back yet groovy deep house from the Netherlands, blending warm synths, soulful textures, and a smooth underground vibe for late night listening or chilled dance floors.

Thinkin' 'Bout

Alain Springer - Thinkin' 'Bout

Download & Stream / http://lnk.to/ALLEY310

ALLEY310
MOB (LB) Vibrance

001 vibrance
002 vibrance analog jungs remix
003 vibrance sam scheme remix
004 vibrance rokazer remix

/ written and produced by Mohamad Badran
/ remix production by Claudio Cornejo, Gustavo Ruarte, Sam Zateev, Maxime Rocca-Serra
/ mastering by Cid Inc.

ALLEY310 MOB (LB) Vibrance

Download & Stream

MOB (LB) Vibrance (Sam Scheme Remix)

♫ See more ♫:
http://www.deephouseamsterdam.com/london/full-premiere-dj-honesty-schillerkiez-burnski-remix

Hailing from Cologne, Hans Schaaf first release as Honesty was in 1995 via Space Teddy Recordings.

Since then Schaaf moved to Berlin, performing as part of an improv-jazz band named Gelee Royale, as well as focusing on producing club music under various monikers. Schaff’s best-known pseudonyms, such as Honesty, Honeydrop and a duo named Slope alongside Cabinet founder Daniel Paul, have collectively released on the likes of Room With A View, Cabinet and Sonar Kollektiv.

Burnski is by no means the fresh faced new comer he looks. Despite still being relatively young, he has actually been toiling away, building up an enviable discography and laying down fierce DJ sets for a whole decade and a half. Right from the off he began making a big impact with early releases and has continued to quietly but competently build up momentum ever since. The upshot of this is that he is now at the point where he is a mainstay on the underground scene around Europe and beyond.

As a DJ, Burnski aims to mix the old with the new, is still a passionate vinyl hoarder and spends plenty of time digging deep for sounds and styles a mile away from the ordinary: if he didn’t, he wouldn’t be able to boast regular gigs at places like DC10 in Ibiza, Fabric in London, Rex Club in Paris and Watergate in Berlin, all of which find him weaving together tracks that make you want to dance as well as making you feel something deep down inside.

In the wake of early, standout career hits, Burnski is now crafting darker, more stripped back and rawer output. Today, we premiere Burnski's hypnotic interpretation of DJ Honesty's 'Schillerkiez', featuring a low-slung groove and added vocal to the already infectious synth hook.

‘Schillerkiez’ EP is available on Vessel Records on 5th October 2015.

♫ See more ♫

Full Premiere: DJ Honesty - Schillerkiez (Burnski Remix)

https://www.SoISaidToTheMonster.wordpress.com

Superpitcher - Rabbits in a Hurry

Buy it here --> beatport.com/release/little-helpers-320/2232643
*Two weeks later in all other shops
Stream full tracks on YouTube --> https://www.youtube.com/user/littlehelpersrec

Kevin Toro & Vanguardist - Little Helper 320-3

Can't Be Touched

Can't Be Touched (Fairtone Remix)

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Smack Back (Mixed)

Martin Buttrich

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