BATHHOUSE BEATS curated  by MC2 - 2

Technique

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Premiere: Erta Ale - The Cure - Solenoid Records

Miluhska @ Floyd Miami 04.14.22 (LIVE)

$ome $exy $ongs 4 U

SOMEBODY LOVES ME

Eugen Grieg & Nebruk-Wavefolder (jE jE Music Recordings)

Trilucid and Brett Gould debut on Global Underground with ‘The Purpose’, a deep, melodic progressive house journey built for late nights.

Read More: https://whenwedip.com/2025/08/premiere-trilucid-brett-gould-the-purpose

Follow: @trilucidmusic / @brett_gould / @global-underground-ltd

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Premiere: Trilucid, Brett Gould - The Purpose [Global Underground]

Fossil [Minimal Groove Concept]

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Stream: TBC

The time has come for the third and final release of exclusive cuts from the Adana Twins mix compilation. Kicking things off is Aaaron’s ‘Muir’ where organic grooves lay the groundwork for ethereal melodies and sinister vocal calls before Adana Twins ‘Ocelotes’ picks up the pace as powerful percussives oppose robust sonic displays of emotion. 

Following suit of the previous track, Andre Hommen steps up next and delivers a vigorous journey where an unrelenting arpeggio drives forward at high velocity creating a wild and impassioned ride before Daniel Bortz and Sascha Sibler’s ‘Yuppie’ draws back the intensity level to deeper, dub infused territories where groove is paramount. 

‘Gazebo’ from Human Machine picks up the energy level once again as hi pace drums and rapid fire melodies culminate in a fever pitch of dance floor antics before Kadosh & Yost Koen’s ‘Dunkellila’ dives back into celestial territories as a ghostly lead winds eerily into oblivion. 

Rounding out the end of the release is Kintar & BOg’s ‘Tribelune’ where melodic percussion and lush sonics traverse a path deep into emotional sector’s before Upercent’s ‘La Lluita’ finalizes the release with an exquisite array of sonics laid over an engaging broken beat rhythm resulting in a lullaby-esque dreamscape of gorgeous harmonies. 

And for the vinyl connoisseurs Aaaron, Adana Twins, Human Machine, and André Hommen will be available via vinyl while the rest will be digital only. Enjoy!

Buy 12"

Daniel Bortz & Sascha Sibler - Yuppie

Artist: JAMES DEXTER
Track: LETS GO BACK *VINYL ONLY*
Release: LETS GO BACK
Cat.No: BOND12047

Ever-impressing UK talent James Dexter makes a return to Bondage-Music this December as he drops his latest three track EP Lets Go Back. 2018 has been a substantial year for London based DJ and producer James Dexter, with appearances at the likes of fabric (London), Claire (Amsterdam) and Sash (Sydney) and releases on Little Helpers, Gruuv, Deeperfect and his own Inermu imprint in the past 12 months alone. With the New Year in sight, here we find three new fresh productions in the form of his Lets Go Back EP, marking a return to Bondage Music in the process following his recent remix of Frinks Sofisticate on the imprint. Title cut Lets Go Back opens proceedings as Dexter reveals an up-front, bumping cut armed with crunchy drum licks, infectious vocal samples and rich, airy chords, before Simple Things utlises further rich and soulful vocals alongside crisp skipping hats and resonant kicks to guide the production through seven minutes of groove driven house music. Last up, Dexters Roll Through pairs refined, stripped back organic percussion arrangements with wandering synth lines and vocal coos to wrap up the EP in fine fashion.

James Dexter Links:
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Lets Go Back

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James Dexter - Lets Go Back

Days Go By

Days Go By (CamelPhat Extended Remix)

Taken from my new LP 'Spirals Heaven Wide', out on Local Action this November 15th.

More info and pre-order here: http://localactionrecords.co.uk/spirals/

Fall Control

Artist: Various Artists, Guti present LL
Title: Acid Love, Vol. 2 VA
Label: Get Physical Music
Release Date: 2019-12-06

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Acid Love Vol. II by Roland Leesker

No ACId No Party

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Guti presents LL - No ACId No Party (Original Mix) [Get Physical Music] [MI4L.com]

Northeast/Southwest

Southwest

Out now on Rebellion: lnk.to/RBL072

Italian natives Francesco Mami and SB-Unit get ready to release the ​Old Memory EP​ on Rebellion this July, delivering a delicate and mesmerizing four track journey.

“The “Old Memory” EP is the result of a path undertaken with my genuine friend SB-Unit: a journey focused on believing in ourselves, developing an intimate sound and the ability to express our roots. I can't be anything but grateful for this release.” - ​Francesco Mami

Roll The Dice o​ pens the EP and sets the tone as the rolling bassline gets to work. Next up, ​Lost In The Toilette​ lays down a sub groove whilst leaving room for the chords and bass notes to gradually build throughout. ​Old Memory​ follows, providing an upfront and energetic cut, as a delayed melody builds towards revealing itself in full. ​Keep On​ rounds off the release with sonically pleasing atmospheric elements and returns to a more laid-back groove.

Francesco Mami​ grew up in Rimini where he held one of his earliest residences at Le Cocoricò Riccione and has since then earned respect as both a talented producer and DJ, playing across the world at the likes of DC10 and Burning Man. Formerly under the name of DOS, Francesco has released on labels like BPitch Control, Get Physical and Ibadan Records. His solo release on Rhythm Cult Records was the starting point for his new artistic concept, following his monthly DJ residency at Weetamix Geneva and La Macarena Club Barcelona.

SB-Unit​ is the up and coming project from Salvo Buonocore. Inspired by the electronic sound from both Naples and London and after years of musical and technical studies, he is now proud to release his latest works. In addition to producing and DJing, Salvo heads up his own label ​Polluted Records​ alongside co-founder Mick Piscitelli.

Francesco Mami & SB-Unit - Lost In The Toilette

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Always on the hunt for new sounds. Exploring beats, discovering artists, and good vibe’s 
Let’s connect through music

Southwest

Martin Buttrich

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