WIE SCHWER WAR DER LETZTE TRACK? BLICKEN WIR DAHINTER

@personalgrowth96 @eclecticsydney

Coming at ya smooth and sensuous courtesy of eclectic, Personal Growth has supplied us with some serious goods. A Loon is Still a Loon promises buttery, booming lows joined by grittily sparkling top-lines of filtered synths and crunchy percussion.

You can catch the full EP on the 17th of December!

Coral Road

A Loon as Still a Loon

Pre-Order

[PREMIERE] Personal Growth - A Loon Is Still A Loon [eclectic]

My track selection always corresponds to my entire, current database of tracks (approx. 4,400, 02.07.22) genres from Ambient, Techno, Main Time, Organic House, Melodie Techno, Science fiction House from 1988 to today. 97% of the tracks are AIFF, some WAV and MP3 320 Kbits. I buy my tracks at Beatport, or similar portals.

What distinguishes my interpretation of a Dj gig in the club, with friends, for radio, streaming?

I have decided not to prepare for a gig or a mix in advance at all. 
When I buy new tracks, they are added to the database. Tracks are only sorted by date of creation, not by genre, etc. 
I know very few selected tracks from my favourite artists. 
I select my next track 95% randomly by quickly spinning through often hundreds of tracks and selecting it at random. Assigning the right deck.........THATS ALL.
Tracks are mostly not pre-planned, but roped off directly from Cue Start. This is often done in a loop....
Everything else, like when transitions, bridges, breaks, drawing, energy, athmo, statement and interpretation, mixing happens NOW in that moment, on up to 4 tracks simultaneously over minutes. 
I transform pumping bass runs into filigree, delicate sound carpets that warm the skin. Through the seemingly easy playing, the changing of sound energies, an always new, seemingly inzined, familiar and at the same time completely new build-up, of known and unknown interpreters, arises. Each set emerges from itself and its unknown players. I take what I get and create energy that enchants and captivates the listener.
The tension that you might know from Tetris in Level 100. No thinking, no conscious decision, just bringing the magic of the moment to life through his hands.
Have fun Martin

Translated with www.DeepL.com/Translator (free version)

MARTIN GROOVICMusicTHERE IS MORE TO FINDHouseTechnoDENON PRIME 43 to 4 decks

MARTIN GROOVIC & ZINED ## THE FORCE ##

Martin Groovic presents # Ich kuck mich mal um

Share and like when you like. 
More about me:
https://www.martin-groovic.com/
https://www.facebook.com/Martin.Groovic
https://www.youtube.com/MartinGroovic-official
https://www.instagram.com/groovic

Experience By Martin Groovic

A Better Way

Martin Groovic @ Dj Zined Studios Nbg. 08.08.2022

Symbiotical Relief, Vol. 3

Abstract Lines

An artist with a rich and varied release history, Hot TuneiK has created a powerful narrative through his "Heightened Senses" series. Through seven original tracks and remixes from Stas Drive and Orsen, a third volume now sees a striking new original track and a pair of remixes from Brazilian and Russian stars. "A Song for Camila" sparkles with percussive intensity and deep, resonant kick. Smoothly evolving over its 10-minute duration, rich melodies coruscate above a deep bassline growl and metallic synth. A stripped back breakdown brings together a swathe of melodic layers, glistening reverse-reverb and counterpoint emotion. Hitting its stride again in the third movement, rhythmic dynamism once more propels the heartfelt track through its latter stages.

Danny Oliveira has carved out an impressive name for himself over two decades involved in the electronic music, not least through his DNYO production moniker. Responsible for music featuring on Adidas TV during the 2006 World Cup and finalist for a Sasha remix competition, the Brazilian has been a leading light in underground dance. His production work for the likes of microCastle, Flow Vinyl and his own Konstrukt imprint has only served to enhance that reputation. His 2012 "Echo" EP and 2013's "Future Blending" for Proton were key releases in showcasing a stellar production talent as were remixes for Exoplanet, Lank and Andre Sobota. Now returning to the label for the first time in 7 years, the DNYO's remix of "Healing" makes stunning use of the Amega's original vocals as they drift through the 9-minute piece, coming to the fore in a powerful reworking that makes innovative use of Hot TuneiK's components. Using a dynamic rhythmic foundation to contrast the ethereal vocal and melodic phrasing, the driving techno beat and offbeat hats offer a stellar interpretation that reaches a rousing crescendo in the second half as all elements converge in a club-friendly collage of sonic force.

Operating out of his studio on the banks of the Volga and lauded by Mixmag Russia, Anton MAKe can boast almost a triple century of production credits to some of the finest modern imprints. A regular on Mango Alley, Replug and Balkan Connection, contributions to Proton Music have centred around the "Bulletproof" series which saw a five-track original offering in July 2020 followed by April 2021's "Vol. 2", including a further pair of original tracks plus standout remixes from D-Nox and Sebastian Sellares. A single remix of Huminal's "Life Lantern" in 2020 is now followed by a superb reworking of "Consciousness" which opens with familiar rhythmic underpinnings while whip-cracking kick takes things in a club-friendly direction. Carefully using elements from the original blended with an array of new melodic sequences, sees a new vocal treatment drawing parallels with Henry Saiz as the track reaches a rousing crescendo. Dropping back into the powerful beat and lilting percussive groove in the second half, the instrumental work from Osiris Heyerdahl comes to the fore in a striking interpretation that showcases Anton MAKe's sensitivity, skill and technique.

A third outing finds Hot TuneiK reaching a new state of arousal through his "Heightened Senses, Vol. 3".

Directed by Jay Epoch
Mastered by Cid Inc., Danny Oliveira, Anton MAKe
Design by Ben Mautner
Text by James Warren

Heightened Senses, Vol. 3

Buy on Beatport

Hot TuneiK - A Song for Camila

Joel Mull - Above The Treeline (Original Mix)

A Tension Attention

A Tension Attention (Acappella)

A World Beyond

On The Way to Energy by Martin Groovic_15.12.2023

H3 (CH) - Aarhus (Original Mix) (DarkForest)

Hello everyone and welcome to the second CMOK vinyl release. This music journey is reserved for lovers of true drama and precious queens sounds . Hope you'll enjoy it.

Artwork: Nemanja Karišić

Runy A1. - Ice Queen (Original Mix)

A Black Man in Space

A Black Man in Space (Original Mix)

For booking requests please here: 

booking@martin-groovic.de

Next: 
….

16.08.2024: 
Sonnendeck@alte Veste Zirndorf playtime 18.30-20:00

03.05.2024: 
HOUSEBAR55 FFM playtime 05:00-Open End

08.03.2024: 
HOUSEBAR55 FFM playtime 01:00-06:00

07.10.2022: 
PAN KLUB HANNOVER playtime 02:00 - 08:00


BIO:

Martin surely can be described as legend of Nuremberg‘s electronic music scene. In 1992, at the age of 16, he discovered his passion for electronic music and began playing vinyl on two borrowed Technics turntables. During that time he completed an internship at a local radio station (Radio N1), where he soon was recognized for his Djing. 

First bookings as „Martin Martinez“, his former Dj name, at various events of the radio station like „N1 Sunday Dancehall“ and the weekly radio show „N1 Club Night“ followed, where he not only played vinyl with lots of heart, but also took over the moderation of the radio show.

Especially as a resident of the „N1 Rave Signal“ events, which took place at Volksbad, an abandoned Art Nouveau-Style bath, he soon gained a large fan base with his captivating techno and breakbeat sets and weekly played on stage with famous musicians like Sven Väth, Westbam, Carl Cox, Earth Nation, Tanith, Resistance D, Jens Lissat, Oliver Lieb and many more.

To spred his wings wider and take his immense passion for Djing to the next level, he changed his name to Martin Groovic in 1995 and soon played gigs in all major techno clubs in Franconia such as Boot, Dolphin Club, Paisley Park, Forum, Lancia Odeon, DUB Club and the Octagon in Eltmann and invitations to clubs in Munich and festivals in Italy followed.

In 1996 he and two partners founded the legendary TOS Club, where he organized weekly club nights and after hours and quickly became a well known musician in the Nuremberg techno scene for blowing up the dancefloors with his unique music style. 

His characteristics as a deliverer of music are within the inexhaustible dimensions of sound, creating imaginary dream worlds within his listeners and taking them on a journey full of depth, magic and desires – always with an unconditional love to music. His repertoire ranges from rhythmic, spherical house and techno sounds filled with lots of emotion to downtempo and acid sounds with the right drive to dance the nights away.

In 1998, after two successful years of TOS, the club mysteriously burned down and Martin moved to Munich. In 2000 he founded his family and took a time out for several years. During his break the love to music still accompanied him in private, but now the passion for Djing and the wish to create musical suspense grew strong again. And so he‘s back, more motivated than ever, presenting new monthly mixes on his Soundcloud. In the near future Martin Groovic will surely be seen and heard again in the clubs.

On The Way to Energy by Martin Groovic_15.12.2023

Martin Groovic (Official)

Recent comments

Christian Lukas

Christian Lukas

...Rafuski...

SherpaDee

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