So many rich textures and a glorious soundscape!

How well realized, Martin! Colorful and transporting.

“Heavenly Sound” Such gorgeous changes  even the occasional introduction of the brass is enchanting!

🎭🎭Fantastic Performance .. Loopy🎭🎭
🎭your musical thoughts roaming around your creative 🧠 brain and put into a composition & arrangement is brilliant 
🎭really love these songs
🎭a lot of emotional connectivity is being acknowledged by many like myself 
👏🏻👏🏻👏🏻👏🏻Bravo👏🏻👏🏻👏🏻👏🏻

ԼƖƓӇƬƝƖƝƓ 💥

Gewölk

Homeland (Remix)

Cast of Characters: 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, Paul Reed Smith semi hollow body electric Guitar 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ, Love Triangle ( ha!)
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song, in case you're not familiar, was written by Medeski, Martin, and Wood with guitarist John Scofield, and performed by them on an album eponymously named A Go Go. Josh has always been a huge fan of both MMW and J.S., and has always wanted to play more of their music, as he used to cover a couple of their songs in one of his main old bands. 
  Josh laid down the bass and after going back an forth a couple of times with Ken and his thrilling drums, they established the rhythm section. Soon after, Josh added his jazzy guitar, as well. We needed someone to play John Medeski's part, too, of course. So, we asked JJ if he'd do the honors, which he did in grand fashion. 
  Once it was all laid down, we needed a good mix, and no one is gooder than Stephen, so we asked him to mix it for us, which he did in his always pro manner. 
  This was a lot of fun to record, and we hope that comes through. This is a stripped down Eclectic Collective collab, where most of what we're all doing is improv. We hope you enjoy listening to it as much as we enjoyed making it.

A Go Go( loose interpretation of a Medeski, Martin and Wood song)-Eclectic Collective

Dark Ambient with synth, noise and Bass Drums. Theremin & Kaospad played in noise lines

1 - B

As Mr Seeger almost said, "when will we ever learn?"......

Find Seagull's brilliant music here: https://soundcloud.com/farout-music-studio

Find David's sublime guitar work here: https://soundcloud.com/david-dunhamuser589535203
______________________________________________________________________________

Web of Circles

…and place the host upon my tongue
as his grace, the bishop did, when I was young
to set life's path as angels sung
since when I've tracked an arcing line
my cracked heart marinades in altar wine
as webbed circles on repeat define…
……the mirrored threads within my mind.

…and carbon copies as before
in mobius time reflect the score
while catastrophes gorge today once more
identikits forged on command from yesterday
nothing learned, just press replay
and watch heads in hands as the people pray…
……for the pendulum to swing the other way

…and certain as the wheeling orbit's path
history founders on future’s aftermath
to sin once more as lucifer belly laughs
run aground we last forget that sacred host
‘neath chancel’s hell he resurrects what aches the most
humanity self-lashed to eternity’s whipping post…
……by the Father, Son and Holy Ghost
_______________________________________________________________________________

Image : MC Escher

Web of Circles:  Seagull, David Dunham, 1234567890

Song written, sung, produced and engineered by Chris Scheri.
Instrumentation by Chris, Mark, David, Brendan

COULD HAVE STOPPED THIS

(Intro. Instrumental theme )
Walking in the park on a hot Summer night.
Make the best of this - he wants to help.
Walking in the park on a hot Summer's night.
Make the best of this - and help yourself.

But you know
You could have stopped this
could have stopped this
could have stopped this (repeat chorus)

(repeat instrumental theme)
Walking in the park on a hot Summer night
Where's the rest of this? Where are you now?
I'm walking in the park on a hot Summer night
What's the best of this? I need to know the rest of this.
Because I know
I could have stopped this
could have stopped this
could have stopped this
I could have stopped this

Over and Over. It keeps me awake at night.
“Could have stopped this” (background vocals)

Guitar solo.

M8 Just when you think, “Everything's alright.”
Just when you think, “We're under control.”
You trip on a thought and slip into “If Only”
If only I'd known, I would have been there!

There – on a hot Summer night
Your thoughts are everywhere.
Can I still help you?
Walking in the park on a hot Summer night,
You're the best of this!
Oh can you tell me, is there anything
I can still do for YOU?

(Choruses repeat till the end, joined by lead guitar on the
third repeat)
YOU COULD HAVE STOPPED THIS

Could Have Stopped This

You Could Have Stopped This

Korg Gaget track on ipad. 
I mixed this on the internal ipad pro speakers..
This is kindof like an electronic music rhapsody ;)

Deep Dive

For An Angel (Piano-Improv) PM 7987 5:40 08-09-2025

music for getting croissants at the bakery in the morning

Fresh croissants from the bakery

A Waste Land Companion is, as its title implies, an addendum to Boris Rogowski‘s
album The Waste Land which was released in February 2023 on Piano and Coffee
Records. A meditation on the infamous eponymous 1922 poem by T.S. Eliot, The
Waste Land traces its psychological journey through a barren world in search of lifegiving
water as well as its physical journey through London on the zenith of
Modernism.

During the recording sessions for the album—whose sound is characterised by the
interplay between a string quartet, flute and a collection of specifically created,
deeply warped and tape-weathered samples—over 20 pieces were recorded.
Rogowski had originally intended to use all of them in chronological order, beginning
with the famous part about April being the „cruellest month“. However, it turned out
that a shorter playlist and a strictly musical order worked better for the album.
Rogowski decided to focus on the string-centred pieces to give the album a dreamlike,
hypnotic pull. However, as he valued the shorter, piano-based pieces just as
much, the idea for a companion (mini) album was born almost immediately.

It was a most sensible decision: Chamber gems like „The Hyacinth Girl“ and „A
Wicked Pack of Cards“, mixing English folklore with nods to Richard Wagner’s Tristan
and Isolde, might have gotten lost between the dark, monolithic soundscapes of the
album. Here, however, framed by works for solo piano and harmonium, they are
allowed to shine. A Waste Land Companion begins and ends with two piano pieces
only loosely connected to T.S. Eliot’s poem: „Dear Jessie (to Jessie Laidlay Weston)“ is
an ethereal miniature in reverence of the brilliant English medievalist whose book
From Ritual to Romance, a historical examination of the King Arthur legend, greatly
influenced Eliot while working on The Waste Land. „Universe on a shoestring“ is even
serener, a kind of exhalation after a long and arduous journey. It was the last piece
Rogowski composed during his concluding writing session in the mountains of the
island of La Palma. Here, close to the GTC, the world’s largest optical telescope, the
universe seemed closer than anywhere else on earth—and the grim world of The
Waste Land already a distant memory.

Bandcamp

Dear Jessie (To Jessie Laidlay Weston)

Welcome! If you stick around a bit, you'll find some sketchy sketches of a looping guitarist, interested in minimal music, jazz, fusion etc.
 
I wish I would have thought of saying the following about me, but it was Robert Fripp, and he seems to have had himself in mind: “Music so wishes to be heard that it sometimes calls on unlikely characters to give it voice.”

Oh, and you might wonder why I call my sketches "meta-music". Well, since I am always inspired by others,  I think of my improvisations as music *about other music*, thus meta-music.

Gewölk

Going Loopy

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