A Conversation w/ H' & Them

We were discussing how hard it is to narrow down his genre because he fuses elements from a lot of genres in his music.

GO STREAM HIS NEW ALBUM RIGHT HERE ON SOUNCLOUD OR ON OTHER DIGITAL PLATFORMS.

On Genre: How would you classify your music?

DEMOS* has a star in it's title because I don't think I'm remixing these songs,  I'm correcting them. Demos* is a compilation of flips I made in the "Lokshini" era but didn't make the final cut. But I loved the other flips so much I decided to save them for the next Mixtape. PT. 2 coming next week. One Loveee

OMEGA w/ Kendrick Lamar

I See Jigaboos w/ Kendrick Lamar

Fuseg w/ Riky Rick

Don't You Agree ? w/ Jay-Z, YE

Umzwangedwa(prodby. Buraa Beats)

Ndabuko is based on real events
I normally jot about love or what not but in this case I tried to let you into my life kancane & had contemplate on what I’ve been through empilweni, I share a bit about the hard times we had we the fam.
Most importantly this is dedicated to my rents & is isithembiso sokuthi ubomi buzoshintsha. & Yes these joints are all in isizulu ngisakhathele ukucula ngesngisi
I hope you enjoy, sing a long & relate if you can, thanks for your time & energy ❤️


Composer: Sihle Ndlovu 
Performer: Enocs Mae
Art Cover: @sihlethegoodguy
Mix & Master: Mav Msuks

Ndabuko

WEWAYU

ABAZALI

I don't wanna say too much but ThankGodForSoul* is the first of a long series of tapes and projects with the titles beginning with 'Thank God For xxx' I started with Soul because that's what this project is laced with. I believe this is a good start. Ngiyabonga my broers for even pressing the link.

NTWANA YAM' w/ Okmalumkoolkat

The Saccharine Radio umbrella is ever expanding and I am grateful and honoured to have been granted the opportunity to release new music from two of my favourite artists right now. The music encompasses all of the Saccharine Radio moods and could not be a better representation of the brand. This single is just the beginning. We have more music coming soon so stay tuned. 

- Ayanda Mzaca

in his most boneless approach to composition & arrangement — a barefooted take is brought to life by [kimetsu.] through a loop of string progressions, before the lacing & layered of multiple percussive elements that gain prominence as the song takes shape.

in their nature, these are minimal & one take — with Johnny Wxlf, sculpting the setting, not only with his brilliant writing & vocal delivery but by equally directing the boneless beyond its minimal nature.

- [kimetsu.]

The one thing I always appreciate and love about working with [kimetsu.] is always how organically and easily the songs come up. I remember scrolling through WhatsApp status' and he had posted a sample of this instrumental. I immediately asked him about it and he responded with the instrumental itself. The interesting part is that the initial instrumental was almost 2 mins and I already knew I had alot I wanted to do on it. So going into studio I had to extend it to accommodate the song I had to sing for it. The song itself ‘amadlozi’ is a song I've had since 2018 but never actually got the chance to record it or bring it to life anywhere and this instrumental felt like the perfect canvas for what I wanted to express with this song. Amadlozi is a call to our ancestors to reach out to our generation and guide them back to their African roots. I wrote this song during a period of deep frustration with how westernised African music and life had become.

- Johnny Wxlf

Credits

Production: Written, composed and produced by Itumeleng Leso (@congaspylations on Instagram and Twitter) and Gugulethu Mngoma (@johnnywxlfmusic on Instagram and Twitter)

Vocals: Written, arranged and performed by Gugulethu Mngoma (@johnnywxlfmusic on Instagram and Twitter)

Cover art: Designed and illustrated by Kimberly Mdluli (@kimmy.jones_ on Instagram and @isibusiso_ on Twitter)

On Genre: How would you classify your music?

MARTIN

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