Original compositions by Martin Stig Andersen

Video game music of Martin Stig Andersen

Composed, recorded and produced by Martin Stig Andersen
Bass clarinet: Gareth Davis
Co-composer: Eyvind Gulbrandsen

Rabbit at the Airport III

Composed, recorded and produced by Martin Stig Andersen
Bass clarinet: Gareth Davis

Rabbit at the Airport II

Composed, recorded and produced by Martin Stig Andersen

Rabbit at the Airport I

Composed and produced by Martin Stig Andersen (2004/05)

Ringroad A141

Ring road A141 (2005)

Are Ua sleepdriver by any chance???

Composed and produced by Martin Stig Andersen (2003-2004)

Sleepdriver (2004)

Bass clarinet and electroacoustic sound (2001-2002)

THIS PARK WILL BE CLOSED TO THE PUBLIC DUE TO ESSENTIAL TREE WORK

Composed, recorded and produced by Martin Stig Andersen
Bass clarinet, Gareth Davis

ESSENTAL TREE WORK

Essential Tree Work (2002)

From Wolfenstein II: The New Colossus Soundtrack
Baschet performance and recording by Nicolas Becker and Martin Stig Andersen
Original composition by Martin Stig Andersen (2017)
Assistant composer Andreas Frostholm Røeboe
Additional sound processing by Katrine Amsler
Recorded at the Association Structures Sonores Baschet, Saint Michel sur Orge, France
All rights reserved

Wolfenstein II: The New Colossus Soundtrack

Lontano

Lontano - Martin Stig Andersen

From Wolfenstein II: The New Colossus Soundtrack
Baschet performance and recording by Nicolas Becker and Martin Stig Andersen
Original composition by Martin Stig Andersen (2017)
Assistant composer Andreas Frostholm Røeboe
Recorded at the Association Structures Sonores Baschet, Saint Michel sur Orge, France
All rights reserved

Venus

Venus - Martin Stig Andersen

Original soundtrack from the video game INSIDE by Playdead

Shockwave - Martin Stig Andersen

Suite from the short film Rocketman (2009) by Jacob Ballinger

Music created from fluorescent lamps

https://www.youtube.com/watch?time_continue=3&v=bNaGPZhSxvs

Rocketman (2009)

Soundtrack from the art video The Finish Line by Martin Stig Andersen, Jacob Ballinger, Juliane Beer, Gareth Davis, and Verena Soltiz

https://www.youtube.com/watch?v=4TkyLPPL9qg

The Finish Line (2009)

Lost City

From Wolfenstein II: The New Colossus Soundtrack
Original composition by Martin Stig Andersen (2017)
Sound artists: Ann Kroeber, Nicholas Becker, Katrine Amsler
Assistant composer Andreas Frostholm Røeboe

Die Glocke (from Wolfenstein II: The New Colossus Soundtrack)

From Wolfenstein II: The New Colossus Soundtrack
Original composition by Martin Stig Andersen (2017)
Sound artists: Nicholas Becker, Katrine Amsler
Assistant composer Andreas Frostholm Røeboe

Wolfenstein II: The New Colossus

Nuked Manhattan (from Wolfenstein II: The New Colossus Soundtrack)

Original composition by Martin Stig Andersen and Robin Finck

From 'Wolfenstein: Youngblood', developed by MachineGames and Arkane Studios, 2019

All rights reserved

Heritage (with Robin Finck)

Lab X

Missing

Brother 3

Youngblood (with Robin Finck)

Original composition by Martin Stig Andersen

From 'Control' developed by Remedy, published by 505 Games, 2019

Sound artists: Nicolas Becker, Katrine Amsler, Daniel Porcelli and Emilie Søgaard

Vapour (from Control)

Observer (from Control)

Counterfeit (from Control)

Original composition by Martin Stig Andersen

From LIMBO, developed by Playdead, 2010

Sister

Boys' Fort

Gravity Jump

Martin Stig Andersen is a composer and game audio specialist, with his background in electroacoustic composition influencing his approach to game audio development and implementation.

Martin created and directed the audio for LIMBO and INSIDE, followed by focusing on interactive composition when scoring titles such as Wolfenstein II: The New Colossus, Control, and the recent release Back 4 Blood.

He was involved as an ambient music designer on Shadow of the Tomb Raider and has recently remastered the audio for Thekla’s upcoming Braid, Anniversary Edition.

Martin’s work has earned him several international awards, including two D.I.C.E. awards for Original Composition and Sound Design, respectively, and a Game Developers Choice Award for Best Audio.

Martin Stig Andersen

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