Few works of art captures such feelings as this does (and the video AND Inside). It means a lot to me, so does all your work, Martin. Thank you

This thing fills me with dread just like your soundtrack compositions, please make an extended cut of the outro from 1:08 onwards if you can mister Andersen! <3

Omg😦😦😦😦❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

is this an early Rabbits At The Airport? Sounds incredible

24-bit Dark Ambient Track: "equilibrium is no longer part of us, on the way something has been lost, we are nothing but what we have, it's all our own creation" - xuNx & objectless - (I would like to thank my dear friend for collaboration) #darkambient

xuNx & objectless - Something Is Lost

Soundtrack from Painkiller (2004) game, created by Marcin "Cedyn" Czartynski, Adam «Scorpik» Skorupa and "Mech"

Painkiller (2004) — Docks Music 01

I awoke from a vivid dream to record this piece.  The melody is exactly what I heard as I was digging through a pile of dead bodies in search of new friends.  I would then take these dead bodies and plant them in the ground...sort of like a morbid flower and slowly watch as they grew back to their former selves.  

Apocryphos - Dead Body Reincarnation

A track from my new  album, "Oblitus Est Infinitus" 
Available now !
https://drednaut.bandcamp.com/releases

Onerariam Eon

Soundtrack from the art video The Finish Line by Martin Stig Andersen, Jacob Ballinger, Juliane Beer, Gareth Davis, and Verena Soltiz

https://www.youtube.com/watch?v=4TkyLPPL9qg

The Finish Line (2009)

Original composition by Martin Stig Andersen and Robin Finck

From 'Wolfenstein: Youngblood', developed by MachineGames and Arkane Studios, 2019

All rights reserved

Heritage (with Robin Finck)

Original composition by Martin Stig Andersen

From 'Wolfenstein: Youngblood', developed by MachineGames and Arkane Studios, 2019

All rights reserved

Lab X

Brother 3

Original composition by Martin Stig Andersen

From 'Control' developed by Remedy, published by 505 Games, 2019

Sound artists: Nicolas Becker, Katrine Amsler, Daniel Porcelli and Emilie Søgaard

Vapour (from Control)

Observer (from Control)

Counterfeit (from Control)

Martin Stig Andersen is a composer and game audio specialist, with his background in electroacoustic composition influencing his approach to game audio development and implementation.

Martin created and directed the audio for LIMBO and INSIDE, followed by focusing on interactive composition when scoring titles such as Wolfenstein II: The New Colossus, Control, and the recent release Back 4 Blood.

He was involved as an ambient music designer on Shadow of the Tomb Raider and has recently remastered the audio for Thekla’s upcoming Braid, Anniversary Edition.

Martin’s work has earned him several international awards, including two D.I.C.E. awards for Original Composition and Sound Design, respectively, and a Game Developers Choice Award for Best Audio.

The Finish Line (2009)

Martin Stig Andersen

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