Free form jam electronic noise! Dr Mario played into erbeverb. Eurorack and digitakt and keys. Trio.

theDr.isin.wav

Lorenzo Abattoir - Contorsione

Feast On My Body

Maryam Sirvan - On the Giant's Belly

Techno/Industrial track. One take, no overlays.

Gear : Make Noise eurorack system, Dynacord tape echo, Anasounds Element

Ex Ferro

1st solo with the Ripley in Berlin and the 1st solo performance of 2022

An Echo Mirror production at Petersburg Art Space (PAS)7.01.22.  20.00h start. Kaiserin Augusta Allee 101, 10553 Berlin.  Atelier HH, aufgang II.  Alongside a fantastic line up. Lucio Capece, Andrea Neumann, Natural Realms, Chris Peck and David Hocknee.

Moments of Toad -  PAS, Berlin

caput draconis is a new ourorack (ouroboric eurorack) module for gnarlular audio processing, and advanced serpentine all-frequency CV and audio pattern generation, encoding a series of successively pleasurable and tortuous sliding dislocations.

Details and availability: www.1010.co.uk/org/ERD.html

In these recordings caput draconis is paired with all the colours of the noise:  a eurorack module for ouroboric becoming-noise at all timescales and frequencies, from the cloudy smoke of stray industrial furnace noise burning snakes to thunder and lightning noise from stricken server farms.

caput draconis & all the colours of the noise [0000]

Process
For the living. My response is always a burial, rather an upturned crypt above the earth, an inverted groove cast with the trowel in this recording as a long line in concrete through and against the earth. Plastic pipes enter the pavement and are sealed roughly at the edges with the same mix of sand and cement. Inversely, rusted steel spines emerge from crumbled concrete, a salt white crystal sups into the grooves.

This piece is an edited recording of that burial, in premixed fast
setting concrete, the etching or inversion of the last work into a
freshly trowelled layer. It took place at the site of the crypt, above ground. It was buried as far as I remember in Copenhagen, close to the botanical gardens. Or was it in Salo, in the sand beneath the two still catfish, wondered if they were still alive?  I think finally it must have been in the grounds of Salpêtrière, in Paris; a bloom, flush or blossom of saltpeter was scraped from the basement walls there and played back with a stick.

Biography
Martin Howse is occupied with an artistic investigation of the links between the earth (geophysical phenomena), software and the human psyche (psychogeophysics), proposing a return to animism within a critical misuse of scientific technology. Through the construction of experimental situations (within process-driven performance, laboratories, walks, and workshops), material art works and texts, Martin Howse explores the rich links between substance or materials and execution or protocol, excavating issues of visibility and of hiding within the world. For the last ten years he has collaborated on numerous open-laboratory style projects and performed, published, lectured and exhibited diversely. He is equally the creator of the skin-driven audio divination module, aka. The Dark Interpreter.

Artist Website
http://1010.co.uk

Soundcloud
https://soundcloud.com/martin_howse

Twitter
https://twitter.com/micro_research

Salpêtrière by Martin Howse

ERD/TOAD is a new ourorack (ouroboric eurorack) module functioning as an hermaphroditic analogue computer driven by the times of pulses and slopes, designed to model both physical and imaginary processes underlying the vocal emissions of various twinned lunar and solar creatures (such as ravens and toads). Ruddy, bursting and overcharged, running by turns hot and cold, breaking and stretching tracts and redefining pulses and control as the venomous spots on the belly of a bulky blackened TOAD, they bring forth all the rarest colours.

Details and availability: www.1010.co.uk/org/ERD.html 

All recordings use a combination of ERD modules (caput draconis, all colours, ERD geomantic toolkit and prototype VIA for control), occasional use of Serge slope generators, and with no further processing. The output is recorded on a Zoom H4n Pro always directly from one of the TOAD outputs.

ERD/TOAD 003

modules used:

- monotron EURORACK
- non-inverting DIY amp (doepfer.de / dinsync.info)
- TipTop Audio BD808
- MakeNoise MATHS (for LFO modulations on monotron EURORACK)
- Acidlab Autobot sequencer

monotron EURORACK

Isn'tses 'Fort Processor' psychogeographic noise synth patched into Doepfer Wasp filter via York Modular matrix mixer + a bit of Tesseract Modular Low Coast radio noise. Recorded for Noisevember 2020: https://www.facebook.com/groups/1068389180300375/
More info on the Fort Processor at http://isntses.co.uk

NOISEVEMBER: Fort Processor X Eurorack robo-stomach

Broadcasting from radio station In the Middle Of The Rhythm (ITMOTR)
12.09.2020
JacqNoise & Max Frimout  GOGBOT 2020

#improvisation
#eurorack
#modularsynth
#morewillcome

Q&A see here
https://www.facebook.com/watch/live/?v=235395461245216&ref=watch_permalink

Pick 2

http://1010.co.uk

http://www.1010.co.uk/org/ERD.html


aged release: http://www.archive.org/details/xxxxx-is_land

ERD/TOAD 003

martin_howse

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