Name: Dripping Light by martin kratochwil diary
Duration: 3 min 46 s
Description: from "Monomanic Movements and Spaces of Broken Light", following the idea of sharply reduced music

It's very beautiful, and if it's 'experimental' it's not unrelated to a certain innocence. This music could accompany a children's cartoon.

from "Monomanic Movements and Spaces of Broken Light", following the idea of sharply reduced music

Dripping Light

Made for the haiku challenge 618 of Naviar records.

the harp player moves under cover market day

by: kjmunro

kjmunro cultivates poetry on the traditional territories of the Kwanlin Dün First Nation & the Ta'an Kwäch'än Council in Whitehorse, Yukon Territory, Canada. She founded & facilitates ‘solstice haiku', a monthly haiku discussion group in Whitehorse, & manages a weekly blog feature for The Haiku Foundation called Haiku Dialogue. She is the recipient of the 2023 Borealis Prize – The Commissioner of Yukon Award for Literary Contribution, her work has been nominated for the Pushcart Prize, & her debut poetry collection is contractions (Red Moon Press, 2019).

More informations about haiku challenge:
https://www.naviarrecords.com/haiku-music-challenge/

The harp player (naviarhaiku618)

Nonparticipation

Guitar Signal from the Loft

This was my contribution for Disquiet Junto Project 0724: Work it. The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

Here’s a copy of my post on the Disquiet Junto 0724 discussion thread on Lines:

I have a tendency to overwork a track to the point where it drifts away from what I initially envisioned. Many times it works out okay but other times, it doesn’t. So this time I backed off and tried to keep it minimal, which was my original vision.

Created in Ableton Live using Slate + Ash Cycles and a MIDI keyboard

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

Remembering Stone Patterns [disquiet0724]

Flower in Asphalt (2013).

At the Beginning (And In The End)

Co, gdyby w USSR ukazała się Terra Deflorata, jako Teraa Deflorata? Czy są większe tajemnice? Co z moją korespondencją z Niną Morozov? Sowieckimi hipisami? Co, jeśli covery ADII i Roberta Calverta nagrano u nas co najmniej tak samo szybko, jak Wojtek Korda grał Hendrixa z Niebiesko-Czarnymi? Co, jeśli “Demoludy” to nie tylko moja płyta, ale też stan umysłu? Co, jeśli zimnowojenna paranoja powraca? Nie wiem. Ale skądś wygrzebałem te nagrania. Może ktoś pomyśli, że nie są moje. Co jeśli tak będzie? Nie wiem, pewnie ZAiKS nie wypłaci mi pieniędzy. Nie, żeby kiedykolwiek to zrobił. Może pora przywrócić “egzamin na artystę”? 90% obecnej szołbizowej gówniarzerii by go nie zdało. Stare dziady, takie jak ja, pewnie poległyby przy fortepianie. I też bym nie został artystą. Ale wtedy nie miałbym kapitalistycznych złudzeń i urojeń potęgi. Wszystkie zwierzęta są równe.

https://shatteredlotusflower.wordpress.com/2025/11/17/szpulowe-widma-wschodu/

Szpulowe Widma Wschodu

Noir II

Paradigm For Bereft

COSMOZY // The Independent Life Of Cosmos // In Memory Of Our Father ... R.I.P.
@docfritz // All Musical Stuff, Rhythm Design, Cover, Mix & Production
Composed, Arranged & Performed by DOCFRITZ @OESJ 
© 2025 // All Rights Reserved by @OESJ

COSMOZY

diary is a container for my spontaneous and emotional electronic music. it is a mirror of my momentary mood and thoughts. I try to stay simple and pure, just recording my improvisations, using hardware devices like strega (make noise), neutron (behringer), arturia keystep pro, korg minilogue xd, preen fm2, roland p-6, behringer edge etc. The moment matters. Stay imperfect and fresh ! Enjoy!

Dripping Light

martin kratochwil diary

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