The melodist and the light are back in this new page of the diary. A very seductive little piece!

Dub From Hafan

‘solus, altius’
Personal.
Live performance.

Pyrénées.

Tools :
Marbles (with jitter).
- Telharmonic (H & P outs) > Zagrzeb (hp out) > Desmodus Versio.
- Pluck > Fold 6 > FX Aid.
Zadar, Batumi, Ochd, Diode Chaos.
Sinc Defero.
Quad Vca, A-138s, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro.

Associated image : Petrus Major.

Mirapeis [personal]

in unison with myself

28-6-2025

This is a Danish song about the idyll of Denmark.

Danmark

listen in it's proper order at https://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharinghttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharingoper order at

stall instruments and voices: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

he told me bout the trail in the tunnel
that I'm walking while
I'm thinking other people's thoughts
little voices
like your father's father's father's
farther than the others
all combined and confined to a tunnel of your thinkin
turn that little voice off in your head
he said

you may find it advantageous
in the long run
there's an exit but you gotta take it
while riding on the boxcars full of other people's junk
pulled by trains of thought
on shaky rails

scalar fields pt 3, tensor yields  -- featuring Jo Richter

Lyrics: Mag ik dan bij jou (cover Claudia de Breij)

Als de oorlog komt, En als ik dan moet schuilen, Mag ik dan bij jou?
Als er een clubje komt, Waar ik niet bij wil horen,Mag ik dan bij jou?
Als er een regel komt, Waar ik niet aan voldoen kan, Mag ik dan bij jou? En als ik iets moet zijn, Wat ik nooit geweest ben Mag ik dan bij jou?

(chorus)  Mag ik dan bij jou schuilen, Als het nergens anders kan? En als ik moet huilen, Droog jij m'n tranen dan? Want als ik bij jou mag, Mag jij altijd bij mij Kom wanneer je wilt,Ik hou een kamer voor je vrij
Als het onweer komt, En als ik dan bang ben, Mag ik dan bij jou? Als de avond valt, En 't is mij te donker, Mag ik dan bij jou? ls de lente komt, En als ik dan verliefd ben, Mag ik dan bij jou? Als de liefde komt, En ik weet het zeker, Mag ik dan bij jou?
(chorus)  Mag ik dan bij jou schuilen, Als het nergens anders kan? En als ik moet huilen, Droog jij m'n tranen dan? Want als ik bij jou mag, Mag jij altijd bij mij Kom wanneer je wilt,Ik hou een kamer voor je vrij
 
Als het einde komt, En als ik dan bang ben, Mag ik dan bij jou? Als het einde komt, En als ik dan alleen ben, Mag ik dan bij jou?

Translation: When the war comes, And if I have to hide; Can I come to you then? If there is a club, That I don't want to belong to, Can I come to you then? If there is a rule, Which I cannot comply with, Can I come to you then?And if I have to be something, Which I've never been, Can I come to you then? Can I take shelter with you then? If it can't be done anywhere else? And if I have to cry; Will you dry my tears then? 
Chorus;
Because if I can be with you, You can always be with me  Come whenever you want, I'll save a room for you, When the storm comesAnd when I'm scared; Can I come to you then?
When night falls, And it's too dark for me, Can I come to you then? When spring comes, And when I'm in love, Can I come to you then? When love comes, And I'm sure, Can I come to you then? Can I take shelter with you then? If it can't be done anywhere else?And if I have to cry Will you dry my tears then?
Chorus;  Because if I can be with you,…L.
When the end comes, And when I'm scared, Can I come to you then? When the end comes
And when I'm alone Can I come to you then?

Mag ik dan bij jou (cover Claudia De Breij)

I think of some of the "old timers" that have influenced my life especially when I was a younger man, the stories they shared, the wisdom in those stories if I listened closely, and most sobering, that I'm an old timer myself now.  This song is a bit of a musical portrait of encountering an old timer at a small-town diner and enjoying a bit of food and conversation.  Joining me in this visit is ace pianist and valued collaborator Debra Buesking.  As always, her playing enriches and informs my playing and is totally sympathetic to the theme.  Thank you dear friend for sharing this special musical moment.  Hear more of Debbie's superb composing and playing @debra_buesking. Thanks to George Motz Photography for the track picture.

On a personal note, I appreciate all of you that reached out to me upon hearing about the devastating flood in central Texas that swept away many lives and much property.  It was a worst case scenario happening on one of the busiest weekends of the year.  Amarillo stayed high and dry during the event, but all of us were touched, as was the whole world, upon hearing of the tragedy.  Please continue to keep them in your thoughts and prayers.

Old Timer at the Diner (Debbie Buesking; piano, David; acoustic guitar)

Listen in its proper order athttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing


instruments: Jeff Gardiner and jo richter (including some slowed-down image data gleaned from the cover of pt 4 morphed into sound)
e-bow and voice: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

... and when he found that he was bound
and finially did detect
the binding of his storybook's
superego infancy
and contemplated all his days and nights
and the fire in the pit, and how guitar strings sing
and swing back to all the songs they ever played
while his loyal self was off to work
to pay the rent and make a dent in debts incurred along the way
when they came due with each and every breath

oh desert mind, oh lemon heart
we should have taught the children from the start
and yes the moon was right
from the very first beginning , and every night since then
filled with our voices singing NOT
but sleeping longing in the dawning
of sentience and yearning
for the comforts of the twilight
and those bridges left behind
brightly burning in the dark

scalar fields pt 5: Karma peaks- with Sonic Structures and Silent Stretches

Terra Deformata

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Step Two Clock  "

credit :  plug data, ipad9,grind,circuit rythm


Support us :
aleatoric music compositions at:
trampelfad.bandcamp.com

date: 16.07.2025
Daily Video:
https://www.youtube.com/shorts/TGTYXZqs-Y0
via
https://apps.apple.com/ca/app/dot-synthesis/id6450363034

Fet nig20 milsdis

diary is a container for my spontaneous and emotional electronic music. it is a mirror of my momentary mood and thoughts. I try to stay simple and pure, just recording my improvisations, using hardware devices like strega (make noise), neutron (behringer), arturia keystep pro, korg minilogue xd, preen fm2, roland p-6, behringer edge etc. The moment matters. Stay imperfect and fresh ! Enjoy!

in unison with myself

martin kratochwil diary

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