The song has a great lilt and flow to it. The bass and the drums and the synths. What a jam!!!

When I get on to the stage
And my heart's pounding
I look around to find
Just one familiar face

I try to use my imagination
The moment the music starts
Just then a voice from inside tells me
To follow my heart

Oh the heart never fails
To open up its sails
And show the way

It comes as such a revelation
When it's time to play your part
A story may end or have a new beginning
But you gotta follow your heart

I sing a line or two
And my senses return
The world's a stage with more than one known face
What a precious thing to learn

The drums jive and the flute dances
As I twirl and march
It's a magical world, a beauty to unfold
When we can follow our heart

It comes as such a revelation
When it's time to play your part
A story may end or have a new beginning
But you gotta follow your heart


Album - Heart to Heart (C)2020
Song - Follow Your Heart
Music - Russell Lucas and  Sreyashi Mukherjee
Vocals and Lyrics - Sumi (Sreyashi Mukherjee)
Arrangement and Production - Russell Lucas 
Mixing - Romano Erafficci

Heart to Heart

Follow Your Heart (EP - Heart to Heart)

My new album won't be out until may. But so that you don't have to wait too long and the demand for something new was....
and my excitement increased, here is the sun that shines for you...
I look forward for comments.
Be peaceful to each other!!!

Delizie Da Sole

Viva La Musica

Where Are You Now

Mom - Single

Останній

Get Over Here (demo)

Duration: ca. 20'
Music by Robert Paterson • Lyrics by David Cote

Instrumentation: baritone and chamber ensemble (wind doubler [flute, B-flat clarinet, oboe], violin, cello, percussion, piano)
Performed by American Modern Ensemble, Jorell Williams, Baritone

Purchase Sheet Music: (Version for Soprano and Chamber Ensemble): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2778

Purchase Sheet Music: (Version for Baritone and Chamber Ensemble): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2777

For more information:
Version for Baritone and Chamber Ensemble: https://robertpaterson.com/in-real-life-ii-version-for-baritone-and-chamber-ensemble
Version for Baritone and Piano: https://robertpaterson.com/in-real-life-ii-version-for-baritone-and-piano

In Real Life I for soprano and chamber ensemble and soprano and piano also available. (In Real Life I consists of different songs than In Real Life II.)

PROGRAM NOTE
As a follow-up to our song cycle for soprano and chamber ensemble (or piano), Robert and I  agreed the concept of five characters looking for love online should have a male counterpart. Written for baritone and chamber ensemble, In Real Life II looks at five contemporary men clicking their way to second chances and romance. In “No Frog” we meet a prototypical player, a guy who fluffs his profile, but the truth keeps slipping out. The tone shifts with “Sola Fide,” in which a U.S. veteran of the war in Afghanistan explains the tattoo on his chest and the wounds inside. An older gentleman envisions one last fling in the irreverent “Die with Me.” In “Still Vamping,” a gay man muses on his start-and-stop romantic history. Finally, in “Nice-Plus,” an everyday guy reveals a hidden passion. In Real Life II was commissioned by American Modern Ensemble with funding from the Doctorow Family Foundation.

American Modern Ensemble: In Real Life

In Real Life II - IV. Still Vamping

Dark Days And The Rain

Written: 2016
Duration: 5'
Instrumentation: solo five-octave marimba (four mallets)
Commissioned by Micheal Barnes
Performed by MIDI
World Premiere: National Conference on Percussion Pedagogy Concert, University of Arkansas: Faulkner Performing Arts Center, Fayetteville, AR, May 22, 2017
Publisher: Bill Holab Music
For More Info: https://robertpaterson.com/binary-hearts
Buy Sheet Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1343

PROGRAM NOTE
Couples who are in love often share the same interests, finish each other sentences, and laugh at the same jokes. In fact, Scientists at the University of California, Davis discovered that a couple’s breathing patterns and heart rates match up if they sit close to each other or look into each other’s eyes. They don’t even have to hold hands or talk for this to happen. However, a similar effect apparently does not occur among strangers, only couples in love. Coupled with this idea, I have always been fascinated by binary stars, which are two stars that rotate together, on the same axis. Binary Hearts for solo marimba is inspired by these phenomena. In this piece, I use heartbeat-like motives and ostinati, fast moto-perpetuo rhythmic sections and choral-like episodes, creating a joyous, gently shifting tapestry that is meant to reflect how two people feel when they are in love. Binary Hearts was commissioned by Micheal Barnes in honor of his marriage to Carly Prince.

Binary Hearts for Solo Marimba

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Pop Echoes

This enigmatic creator, Saphira 79, who unveils her true identity as Martina Pittl, hails from the heart of Berlin, 
a city steeped in the history of electronic music but has been living in Innsbruck, Austria for some time now. 
From the earliest steps of her creative journey, she was drawn into the realm of electronic soundscapes. 
Inspired by a multitude of genres, she embarked on her musical journey in 2021, determined to carve her unique path in the industry. 
Her music exudes joy and aims to seduce listeners into immersing themselves in the music and being carried away by it.

Viva La Musica

Saphira 79

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