Beautiful piece 😍 🙏 🍀 🎶 🎧 

dein sound erinnert mich an Bob Rutman! klingt wunderbar, was du machst!!!

The title of the track sums it up perfectly

Wonderful soundscape, great tonal qualities... love the ending.

Sara Oswald & Feldermelder - Dual | Duel
Cat #: OUS038
Release date: July 7, 2023
Distributed by Kudos: https://kudosdistribution.co.uk
Label Bandcamp: https://ousooo.bandcamp.com

«We find ourselves venturing into the depths of a rugged terrain. In our hands, we hold stones and minerals, each possessing its own distinct texture, weight, and sonic potential. It is through the artistic touch and through the musical instruments that these earthly treasures, once dormant, are awaken to life.» — Sara Oswald + Feldermelder

The 3rd collaboration of prolific cellist Sara Oswald and electronic musician Feldermelder evokes captivating sensations that oscillate between impending doom and hope. The albums’ sonic journey is highly immersive, transporting the listener from one cerebral landscape to another. The transformative nature of metallic elements being integrated in sustained orchestral tones weaves the sonic tapestry, resulting in a captivating experience for the listeners. The organic sounding — reminiscent of minerals’ timbres — brings a touch of brightness and a distinctive edge, while the orchestral harmonic structures lend a sense of grandeur and continuity. The origins of this music remain enigmatic, while the tracks of the album gradually unveil concealed aspects and the hidden truth.
One can step into a realm where melodies are reborn, as Sara Oswald’s cello spins tales and emotions burst forth. Nature’s eternal splendor intertwines with the essence of music, as she infuses harmonies with the soul of mountains. Vibrant hues come alive with delicate strokes, and cascading notes resonate with a select few. Feldermelder conjures profound echoes that swirl like ancient whispers of the earth’s primordial past. He sculpts textures, from fragmented glitches to expansive atmospheres, that warp the fabric of reality. The two musicians merge together harmoniously, blending the acoustic and electronic worlds into a transcendent unity. This fusion of contrasting elements adds a unique and intriguing quality to the music. The cello’s warmth merges with pulsating electronic beats, creating a symphony of contrasts and sonic upheaval. Each composition is woven in intricate layers, combining electroacoustic architecture with delicate precision. A subtle balance of chaos and control permeates the music as it meanders through the labyrinth of the mind. The soundscape unfolds like a grand tapestry, distant echoes murmuring like grains of sand.

Trained in baroque cello and advocating improvised music, Sara Oswald is the perfect match for sound artist and electronic musician Feldermelder. She plays solo, composes for film and theatre and collaborates with musicians like The Young Gods, Pascal Auberson, Sophie Hunger and Julian Sartorius. Feldermelder is a polymathic creative whose artistry spans composition, sound design, installation and code. He is co-founders of -OUS and part of Encor.studio, a collective of artists who specialise in creating immersive audio-visual installations. Through his work, he explores the idea of secrecy and its impact on our lives, using music and sound to create a thought-provoking and immersive experience for his audience.

CREDITS
Written by Feldermelder & Sara Oswald 
Produced by Manuel Oberholzer
Mastered by VFBM
Cover Design by Isaak Rickenbacher

https://ous.ooo
OUS038
@feldermelder

Dual | Duel

Buy on Bandcamp

Sara Oswald & Feldermelder - 3 - Everything Vibrating Is An Illusion

(Originally posted 14/06/2019 on LYL Radio)

Faitiche founder Jan Jelinek introduces Jonathan Scherk & Daniel Majer for this month’s broadcast, offering a one-hour ping-pong match between the two, rebounding from John Sangster to Alessandro Bosetti via Sean McCaan, Miles Davis, Sara Auster and many more.. Keep an ear close to this two on Faitiche…

    JAMES DIN A4 – Oma Muss Ins Altersheim
    URSULA BOGNER – Illusorische Planeten
    JONATHAN SCHERK – Get a Little s
    SIGFRID KARG ELERT – Harmonium Works Vol 1 (processed)
    LEWIS – Love Showered Me (processed)
    SAMUEL DZIERZAWA – untitled
    JONATHAN SCHERK – untitled
    THE FOCUS GROUP – Inside the Rubber Box
    THE FOCUS GROUP – Hazy Time
    MILES DAVIS – Nem Um Talvez (rework)
    MILES DAVIS – Nem Um Talvez 
    PERREY & KINGSLEY COLLAGE and rework
    JONATHAN SCHERK & FOREVER – untitled excerpt 
    SAMUEL DZIERZAWA – untitled 
    SCOTT JOHNSON GAILEY – Curtain With Wind
    ROBERT ASHLEY & ROBERT ASHLEY OPERA ENSEMBLE – Characters 
    JOHN SANGSTER – In the Rainforest
    THE AVALANCHES – Zap!
    DANIEL MAJER – untitled
    Si Lang Tan Mu
    SEAN MCCAAN – This Was Nearly Mine
    SARA AUSTER – Sound Meditation
    Владимир Леви, Ким Брейтбург – Не Уходи, Дарящий
    W/ JONNY GREENWOOD – Bode Radio / Glass Light / Broken Hearts
    ALESSANDRO BOSETTI – Restless (Mandarin)
    DANIEL MAJER – untitled
    ALESSANDRO BOSETTI – Restless (Mandarin) cont.
    MO CHAN & BROSHUA – Lied Fuerhase
    SUFJAN STEVENS – Year of the Sheep
    SECRET MOMMY – Trust Me, Cub
    SUN-RA – I Am Strange

Temple Of Faitiche #16 (Jonathan Scherk & Daniel Majer)

NOÉMI BÜCHI @noemibuchi
HYLE - OUS039
April 15, 2022; digital

«I create my compositions from a symphonic-orchestral viewpoint, where the sounds are my orchestra, and I arrange them in time and space.» - Noémi Büchi

Noémi Büchi’s first EP for -OUS, ‘Hyle’ is a reference to the ancient greek term for ‘matter’ - which is composed of fire, water, air and earth - and only comes into existence when ‘form’ is attached to it. Balancing between the elements of electroacoustic music, neo-classical composition and sound design, ‘Hyle’ unfolds in three compositions that translate ‘matter’ into music. «We all are matter, and music is matter. My compositions convert personal and collective memories between trauma and joy into music that is rooted in the emotional dimension, but also intends to spark intellectual euphoria», she explains.

Consciously returning to the appreciation of harmony,
Noémi Büchi unfolds its musical potential through chordal combinations and reduced musical intervals. Her pieces are written with a classical understanding of compositional forms, structures and textures, which she translates to experimental electronic music. Just as life can be segmented into layers of knowledge and experience, Noémi Büchi composes in layers: she explores the potential of harmonies and dissonance, contrasts rhythmic figures with disruptive moments and playfully emphasizes irregularities, in order to expand our listening habits and create dense moments and harmonic grandeur alike. ‘Hyle’ is a prelude to her debut album ‘Matter’, which will be released on -OUS in 2022.

Composer and sound artist Noémi Büchi explores electronic and symphonic maximalism. Her music is defined by a delicate blend of electronic-orchestral condensations and textural rhythms. She strives for a combination of harmonic and dissonant sonorities, to evoke both intellectual and emotional euphoria. Her 2019 debut EP ‘Matière’, released through Light of Other Days, attracted widespread attention within the experimental music scene. In 2020, she released a second EP Prismic Passages on the Leipzig-based tape label Visible Dinner. -OUS will be releasing her debut album ‘Matter’ and its prelude ‘Hyle’ in 2022, as well as the debut album of Musique Infinie, a collaboration between Noémi Büchi and Feldermelder. 

CREDITS
Music by Noémi Büchi
Mixed and mastered by Manuel Oberholzer at vfbm Fribourg
Cover photograph by Jean-Marc Avila

Noémi Büchi - Hyle  - 1 - Nothing Is Artificial

Rene Lorenzo - Phases & Stages
Pre orders start 25.11.2022 / release date: 02.12.2022
Format: CD - Digital

https://shimmeringmoodsrecords.bandcamp.com

Limited CD's available, handmade packages, hand numbered....

Rene Lorenzo - Phases & Stages (Album Preview)

listen to me now 

07.02
@lyl_radio

more lyl.live/show/choses-contraires/

Why Do You Believe Me?

@texturcph is proud to present The New Old, the first solo album of Nathan L. The New Old is de-composed chamber music on ketamine. The New Old is a performative practice based on improvisation and chance (& ketamine). The New Old is noise. The New Old is not noise. The New Old is an emotional act of transforming, of doing violence to the integrity of the original material as a constructive act of demolition.

The album surfaces from a unique and inordinate working process in which sonic material from various traditional classical instruments are shredded, forced into feedback loops, and mixed with recordings of crashing software, futuristic self-built instruments, and tender
manual processing. 

The New Old is the eighth release on Textur, a non-profit label and music collective rooted in Copenhagen, with an ambition to create a platform for exposure, collaboration, and community among artists outside the commercial music scene. 

Nathan L. is a musician, composer, and visual artist who thrives in uncertainty and finds delight in the entropy of noise. Originally trained in classical flute, jazz composition, and arrangement, L. is now involved in various experimental and genre-breaking contexts spanning improvisation, electronics, installation and performance.

Format: Digital 
Release Date: April 21st 2023

Support the label

Premiere - Nathan L - The Life of The Others (Textur)

The https://soundcloud.com/appropriate_savagery project was born in 2017 from an attempt by its author to encapsulate and transcribe in his sounds the most visceral emotions of the human race, such as joy, fear, sadness, hatred or disgust. As a result, this project is fiercely interested in the different relationships that unite and divide humans.
This podcast is a collection of atmospheres, past and recent sources of inspirations, which he likes to listen to and which give him the strength to continue his work.

"What has been a crucial sound experience in your life?"
There have been many memorable experiences in the field of music but when reading this question I immediately thought of this one. In 2015 I was producing techno and had little interest in ambient and was unfamiliar with the world of noise in general. Then, a dear friend of mine made me listen to the album "Frozen Niagara Falls" by Prurient, an artist I knew nothing about until then. This album was a crucial discovery in my listening experience since I discovered a whole new musical world in which I recognized myself much more. I questioned the way I wanted to convey emotions in my music for months and then, the Appropriate Savagery project was born.

Links :
Instagram : https://www.instagram.com/appropriate_savagery/ 
Soundcloud : https://soundcloud.com/appropriate_savagery

Tracklist :
PGR - Into the Cutting Day
Miki Yui - Whisper
Siavash Amini & Eugene Thacker - Opulent Night
Jana Winderen - Spring Bloom in the Marginal Ice Zone 
Cheryl E. Leonard - Greater Than 20 Knots
Philip Samartzis + Eugene Ughetti - Radome
Ulla - inside means inside me (Side A)
Palus Somni - Luna Nix II
Ryuichi Sakamoto – Plankton
Ida Toninato - Hymne (Valerio Tricoli Remix)
Phauss - Audiodrome
Kassel Jaeger - Shifted In Dreams
Puce Mary - Anthem of Gratitude
Aviva Endean - Nightwork
The Humble Bee - An Opposite Fall
Claire Rousay - Sometimes I Feel Like I Have No Friends

MNEMOSYNE #048 - APPROPRIATE SAVAGERY

:zoviet*france: - Montag

Recorded live at Wave Gotik Treffen, Volkspalast Kantine, Leipzig, 29 May 2023

zf20230705aif

Released as a free download (AIFF 16/44.1) 5 July 2023

© 2023 copyright control

Montag

Cosmos (Instrumental)

TRACKLISTING / INFO:
http://www.self-titledmag.com/2016/11/04/ne205-andrew-peklers-newxotica-mix/

NE205: Andrew Pekler's '(N)E(W)XOTICA' Mix

cello player and electronic artist martina bertoni‘s new album „music for empty flats“ delivers masterfully crafted experimental ambient / drone for fans of hildur guðnadóttir, giulio aldinucci or lawrence english.

on her new album she continues to explore the sonic possibilities of her instrument which she uses as sound source - sounds which are then processed, adding reverb, feedback and sub-bass frequencies and thus crafting sonic sculptures, rich of atmospheres and frictions.

the resulting seven new tracks deliver masterfully crafted experimental ambient / drone, dense and intense but fragile and sensitive at the same time. A more than impressive new artistic statement by martina bertoni

all music composed and produced by martina bertoni in reykjavík & berlin 2019-2020
mastered & cut by helmut erler at dubplates & mastering, berlin

martina bertoni: cello and electronics

artwork by kaidoh
cover photo by martina bertoni

Music for Empty Flats

Music For Empty Flats

floating
∞ ੈ‧₊˚
Upcoming Live
26.04.2024 > West Germany, Berlin - Halldorophone Studies Première
28.07.2024  > Kiezsalon, Berlin - Hypnagogia live


https://linktr.ee/martinabertoni

Music For Empty Flats

Martina Bertoni

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