I am amazed.  Its so nice how the different counterparts gradually build new structures which elevate the music to a most pleasing level and suddenly retreat at the end to a rebirth-like reality.

what a wonderful slice of classical music. Bravo!

🌊🐬🦭🐟🦈💦🐳🐋🪼🦢🧜‍♀️🧜💖❤️‍🔥💫

Mixed for Lillithe  06.08.23

Hans Zimmer - Chevaliers de Sangreal (OST The Da Vinci Code, 2006)

Music used in: Time To Go Home - Gravity - Steven Price

1. Tiangong
2. Shenzhou
3. Gravity

Enjoy, comment, Like and share

Time To Go Home - Gravity - Steven Price

Firefly Mist - Sonic Librarian

inspried by Hans Zimeer s track "Time" from the movie "Inception"


if you like this Piece of work then you probably will love ma new Piece:

https://soundcloud.com/martinmusic-1/persian-tear

thnx for all support

Blue Velvet --- Variation of Hans Zimmer s "Time" (Inception)

From the original soundtrack of X-Men: Days of Future Past

John Ottman - 03 - Hope (Xavier's Theme)

Composed and produced by: Chivicke
HomeStudio Productions ©2023
Voices Kontakt:
  Clara Sorace (female)
  Daniele (male)
Photographer: Lucas Pezeta

Lamento

This is a song I came up with, playing my five string fretless bass along with essentially a click track. I then invited everyone to share their talents on it, too. Ken (K2 and the Three, and K2 and the Four) came up with exactly the drums I was hoping for, strong and accentuating what I'm doing on the bass. JJ's (J.J. Terrell) keys gave it the character of a lighter, funkier jam and completely awakened a new sound within the song by adding a great, catchy riff that flows throughout. Tez (Llanpsych) added some magnificent guitar leads, as I've come welcomingly to expect from him. You can really hear his fiery guitar throughout the whole verse and first section, and at the end, too. Steve (Steve's Planet) added the vocals and wrote the original lyrics, too. His strong, creative singing really helped jump this into the category of a song, rather than a jam. He also showed us that he's willing to follow us anywhere creatively, and very boldly, too. Stephen (TexMex Shaman) added the wild, thrilling guitar solo in the crescendo section, as well as the guitar riffs at the end. He also brought the whole thing together by expertly and meticulously producing and mixing it. Ken and Tez both added some mastering to the final mix, too. We all hope you enjoy listening to it as much as we did putting it together.

Second Floor (Steve's Planet with Eclectic Collective)

This track is dedicated to my uncle who died few days ago. May he rest in peace....

Gone

song written, performed and produced by Martin Leonhardt

Under My Skin

My track with Juliet Lyons! What do you think?

Please follow me on Twitter and Facebook!
http://facebook.com/nickmurraymusic
http://twitter.com/nickmur

Between Oceans (ft. Juliet Lyons)

Eddie Hermoso - Mothers (Beautiful Emotional Orchestral)

A distinctive piece from the Ballroom Records archive, “When We Were Still Human” by Kostas Maskalides is featured on TEN: The Archive Series, Pt. 4 — a curated collection exploring the label’s most atmospheric and genre-defying Electronica.

TEN: The Archive Series, Pt. 4

When We Were Still Human

Hans Zimmer - Woad To Ruin

the official soundtrack of ''first man'' movie

 By Justin Hurwitz ''

“The Landing (from First Man) “ official soundtrack

RAISE THE FUNK
Happy to announce my 13th collaboration with Hans Albers(Clouders for:)
Vocals: Urban Shokker
https://www.looperman.com/acapellas/detail/7217/raise-the-funk-acapella-with-additional-stems-by-urbanshokker-96bpm-funk-acapella
On Soundcloud:
https://soundcloud.com/urban-shokker
Lillithe: backing track, arrangement and production
Guitar: Hans-Michael Albers
Bass and Mastering:  Paploviante
https://soundcloud.com/paul-racle

RAISE THE FUNK (Vocals Urban Shokker) - Hans-Michael Albers / Paploviante (Prod. Lillithe)

Nobody Dies In Dreamland

Likewyse Productions - Music for Media
Likewyse Productions – musical solutions is a german based music production company founded in 2012 by the german composer and producer Martin Leonhardt focused on writing songs for the use on radio and tv as well as developing instrumental audio concepts for computer games, advertisings and movies.

Artistically and conceptually Likewyse productions is internationally orientated with a programme concerning a wideranging number of genres – always focussing on the aim to show a variety of current art on a high level. By merging various elements such as electronic, pop, hip hop, and symphonic undertones, Likewyseproductions offers a diversified and unique portfolio to its listeners.

Blue Velvet --- Variation of Hans Zimmer s "Time" (Inception)

Likewyse Productions

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