Name: Round and Round by Likewyse Productions in Giving And Taking IPG1 and Paploviante....New Tracks and others
Duration: 3 min 5 s
Description: The song "Round and Round" is a one day production from Scratch to Master - please enjoy

@user-919732565: countless thanks my friend!!

Awesome song, Martin! And very impressive for one day production. Great vocal performance and superb production. Bravo! 👏🏻

Fantastic original sound! Catchy and solid vocal. I feel a kind of adventure atmosphere. Wonderful production!

great theatrical production! love the orchestration and fantastic vocals! love the gothic song imagery as well! excellent and entertaining!

🎭🎭Fantastic Performance Likewyse🎭🎭
🎭great title & composition & arrangement 
🎭great vocals & lyrics..
🎭brilliant instrumental accompaniment choices 
🎭nicely done mixing & production 
👏🏻👏🏻👏🏻👏🏻Bravo👏🏻👏🏻👏🏻👏🏻

Wunderbares Geschichtenerzählen! Bezaubernd! Hypnotischer Rhythmus. Dein Zauber lässt mich im Kreis kreisen! Prost!  Vielen Dank, dass Sie mir folgen. Ich freue mich sehr, Ihr schauspielerisches Talent auf meiner Seite zu haben! Herzliche Grüße! Ich schätze Ihre Vielseitigkeit! 😍😎😎😎👏🏼👏🏼👏🏼👏🏼⭐🎯🙏🏼

Giving And Taking IPG1 and Paploviante....New Tracks and others

Conga and Bass brothers

IfYouPlease

I
I believe 
This world could be much better
If you please

A little bit smarter
A whole lot kinder 
So much better
If you please

Designer chains
Of revolving debt
A World of hurt 
From the top percent
To feed 
The greed 
Of pigs 
At the trough
Getting fat 
On others loss 

I
I believe 
That we can do much better
If you please

I 
I believe 
This world can be much better
For you and me

A little bit smarter
A whole lot kinder 
So  much better
If you please

Designer chains
Of revolving debt
A World of hurt 
From the top percent
To feed 
The greed 
Of pigs 
At the trough
Getting fat 
On others loss 

I
I still believe 
This world could be much better
If you please

And D.E.I.
Is not a crime

I believe
I believe

IfYouPlease

I have been hearing so much AI music lately on SoundCloud and these  thoughts have been percolating with me for a while and finally they coalesced into a song. (created without the use of AI).
***
Vocals & Back Up Vocals: Joe Stroffolino
Guitar Strumming Track:  Joe Stroffolino Taylor 114CE
Drums: EZ Drummer 3
Bass: PG Music Real track
Piano:  EZ Keys2 
Synth Bass: Logic Pro 
***
You got tired of struggling so hard to write a great original song
And then this amazing newfangled technology came along
Now you’re using AI to create music, and it’s a much easier process
And you’re convinced you found the ticket to achieving great success.
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great
It makes you feel so good but you don’t ever set them straight
Those classic rockers used to write 10 or 12 good songs every couple of years
Now you’re posting two or three songs a day and hoping for a bunch of cheers
You’re rolling the musical dice, hoping you’ll come up with a catchy viral hit 
But there’s so much music flooding the internet that no one gives a shit
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great, it makes you feel so good but you don’t ever set them straight
Some people believe we’re living in simulation and none of this is real
We’re just digital creations in a computer with the ability to feel
But even if that’s not the case, we’re quickly, heading to a place where no one’s going to be able to tell the difference.
You used strum your guitar, trying to capture lightning in a bottle and the songs that emerged came from you.
And now the songs you write with AI, what they’re saying, you don’t have a clue.
Music used to feel therapeutic, it was a window on your soul that you could share.
But now something feels missing because your songs no longer lay your heart bare.

Prompting Takes A Lot Of Skill

Sci-fi nerd alert! A song inspired as much by author Liu Cixin as it is by Massive Attack.

Also, h/t to the bass octave pedal. You da best, mate!

The Dark Forest Hypothesis

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, composition
J.J. Terrell– @j-j-terrell – organ and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — drums and percussion
Mistermark-- @user-432503709 -- Mark –- clavinet, VST saxophone solo, VST horns, effects, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HHS electric guitrar
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song began back at the beginning of the summer, when Josh was messing around on his electric piano and found a structure to which to add his bass. As soon as he opened the project to the rest of Eclectic Collective, JJ jumped right in, adding his thrilling organ and ethereal background synth. Thus, Josh dropped his original e. piano part in favor of JJ's new parts. Ken was next up, adding the drums in reverse order from how he and Josh usually do it. Ken is very skilled at being able to add drums to a pre-existing bass line, which he displays in here. He also added the clever auxilary percussion you hear throughout. Mark was next to the trough, adding his funky clavinet, as well as his sax solo you hear lighting it up in there. He also added some well composed horns toward the end, not to be confused with JJ's synth. 
  Then it was time for the guitarists to do their thing. Stephen added the strong, melodic solos in the first two breaks with his guitar and wah pedal. After Tez added his thrilling solos at the end, Stephen went back in and added the funky rhythm guitar part. Tez also added the funky guitar riffs throughout the verses.
  All that was left was to get Carl in on the action, as he is the newest core member of Eclectic Collective. He wrote a poem and sung it in his signature, wild style for us.
  This is Eclectic Collective at its almost full strength, pulling six musicians from two different continents and four different countries together to create a song. We hope you enjoy listening to it as much as we enjoyed creating it.
   On a side note, this will be Eclectic Collective's last song for two weeks. As most of you know, we release a song every Thursday at midnight. Due to vacation and travel at the end of summer, we'll be skipping  next Friday, the 15th, but should be returning the following Friday, the 22nd. We may also put something out this coming Tuesday, the 12th, so please stay tuned. Can't thank enough those of you who tune in regularly and support us every week. 
Original lyrics by The Beautiful Dark:
Hey Human
It's official
The get down on fire funk
Future sizzle
All members agree
Gotta collect that love
Then give it back and well, we see
Fuel for that musical party

Initition ceremony
Transcontinental spanking machine
Uh oh it's a musical tri sexual
Try anything that melody mentioning
Do it for the song
We gonna right some wrong
Rolling rhythm unkown
The human touch
The get down

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got eachother man
Music
Keep that campfire warm
Ooo Ooo

Aw man, I'm feeling back tingle
Lads, go tell Fiona Apple I'm single
Llanspych, nudge PJ Harvey
Jamming that genius soul new wave!

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got eachother man
Music
Keep that campfire warm
Ooo Ooo

Thrust that rush
Sine waved funk
Flying musical J's
Aw man it's Mike like dunk
Thrust that rush
Sine waved funk
To musical 24
You get a song
Drained 81 now on this floor

The get down
Friends don't frown
We got each-other man
Music, keep that campfire warm
The get down
Love legends loud
Rest in peace good Kobe one
This one's for you
Good G.O.A.T of stun!

The Get Down (Eclectic Collective)

Hello everyone,
this is the second part – or rather, another chapter – of my musical theater project.
For this song, I’m lucky enough to be joined by Sarah Paradise-Brown, whose incredible voice gives this piece a very special depth.

"Blood" is a song about a seemingly hopeless love between a woman and a vampire. It tells a story of longing, danger, and the bittersweet realization that this love can never be fulfilled. Between attraction and pain, both struggle with the desire that binds them and the necessity of letting go so they won’t destroy each other. 

Video now on YouTube: https://youtu.be/wrYE7F06mwU



Blood

Your scent is moonlight on the wind
A promise wrapped in trembling skin
I hold you close, but not too near
For what I want is what you fear

You breathe like fire beneath restraint
Your touch is warm, your world is faint
And though your lips could steal my soul
I’d give you all, and not feel cold

You shine where I can never go
But still I linger in your glow
If love means letting go of fire
Then let us rise above desire

Blood is calling from below
Blood is more than I should know
Blood would turn the night to me
But love… wants more than destiny
Blood is silence wrapped in sound
But love is where we won’t be bound

I've tasted death in every shade
But nothing made me feel this way
You made the world turn soft and slow
And showed me things I’ll never know

You gave me truth without disguise
A world of pain beneath your eyes
But I can't live with what you are
Even love can’t cross that scar

I want you…
I know...
I need you…
But we can’t...
So hold me once, then let me go
Don’t drink the love we’ve come to know

Blood is beating like a drum
Blood is where we both came from
Blood could bind me to your name
But love is not a thing to tame
Blood may sing, may plead, may flood…
But not tonight, not with blood

If I must live without your flame
Then I will carry still your name
If I must walk into the day
I’ll dream you home some other way
Some love survives, 
survives in broken light
But not tonight…

Not with blood!


_______________________________
Credits:
Vocals: Sarah Paradise-Brown &  Axel Menningen
Music: Axel Menningen
_______________________________

Blood

(Intro)
Gotta cut it up, gotta cut it up—-yeah!
Just because, just because
Gotta cut it up, gotta cut it up—-yeah!
Just because, just because

(Chorus)
Play my beats loud, rock and move the crowd 
Just because, just because
make it real, keep it real, underground feel
Just because, just because


Just because, just because

Just because, just because

(Verse1)
Sometimes, cold as ice, twice is nice
Gotta cut it up, added some flavor to the slice—
Honed and crafted, chop and dice
Fire and heat,— free—-, no price
Gotta cut it up, added flavor to the slice
Price been paid, rampage and raid
Just because, just because
Since back in the day, yo I got it made
flat tops and fades
Now I’m rockin braids,
Basement, rooftop, outdoors more
Just because, just because

(Verse2)
So here I am again, memory
Like finding a long lost friend
A focused pattern, that never seems to really end
That loops and repeats, 
Over and over again
Over and over again,

Time passes, old and new trends,
It’s simply not an option, so how can I pretend?
Just enough rope, to run to the end
Before the same Pattern, pulls me back again
before the same pattern, pulls me back again
pulls me back again

(Chorus)

(Verse3)
If the world feels heavy, let the music lift, 
To ease every burden, let the rhythms shift
party through the night, no worries relief
hip-hop strength, brings a melody of peace

Just Because

- Picture -
Art Cover Editor. Shyntwirl
Colorist. Shyntwirl
Lightning. Shyntwirl
Quality. Shyntwirl
Effects. Shyntwirl 

- Music -
Producer. Shyntwirl
Programmer. Shyntwirl
Composer. Shyntwirl
Structure. Shyntwirl
Developer. Shyntwirl
Quality. Shyntwirl
Keyboard. Shyntwirl
Music Box. Shyntwirl
Reverb. Shyntwirl
Background. Shyntwirl
Fx. Shyntwirl
Synthesizer. Shyntwirl

PROD. Shyntwirl

Shyntwirl - The Last Rays Of The Sun Of The Day

Sunset

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

The song "Round and Round" is a one day production from Scratch to Master - please enjoy

Round and Round

J’AI RÊVÉ DE VOUS
VOUS M’AVEZ RÊVÉE
ET PUIS ON S’EST RÉVEILLÉS

WAS I IN YOUR DREAMS LAST NIGHT
YOU WERE IN MINE SO I FIGURED I MIGHT
COS WE ALL DREAM OF EACH OTHER
YES WE ALL DREAM OF ONE ANOTHER
ALL WILL BE FINE LAST NIGHT YOU WERE MINE

I’LL BE IN YOUR DREAMS TONIGHT
YES I’LL BE AROUND SOMEWHERE AFTER MIDNIGHT
COS WE ALL DREAM OF EACH OTHER
YES WE ALL DREAM OF ONE ANOTHER
AND OUT OF SIGHT AT NIGHT WE REUNITE

WE ALL DREAM OF EACH OTHER
YES WE ALL DREAM OF ONE ANOTHER
AND BY THE LIGHT OF THE MOON SHINING BRIGHT
TONIGHT YOU WILL BE MINE

WE WERE FRIENDS WE WERE FRIENDS

DREAMS (Lyrics) + Barbara Browning vocals

Giving and Taking (open invitation for a collaboration from IPG1) 
https://soundcloud.com/ipg1/giving-and-taking-vox-90-bpm
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering
Lyrics IPG1:
Cloud Stepping (Chorus) Life is relative, 
to the one that’s living it Inside outlook, 
to giving and taking it 
Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few 
we have can nearly fit
(Verse1) 
If we knew it all, and all, and all 
Then nothing would matter It’s all a puzzle to be solved 
We have always been the answer 
The plan of god without reward 
Evolves in different ways 
We are all awake in different dreams 
To let the devil play
(Verse2)
 Who amongst us hear the screams 
Of millions of lives lost,  and don’t look on it as savagery
 And wonder what’s the cost 
What’s the worth, and what’s the cost 
Are we listening or not 
Are we listening or not
(Chorus)
 Life is relative, to the one that’s living it Inside outlook, to giving and taking it Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few we have can nearly fit

Giving And Taking IPG1 and Paploviante

world changer

Collaborating with Amin on this song was a completely different experience for me, and I'm glad that I did it. 😍
Piano and Strings by me 😊
this track originally released is 2018.
mix & mastering by @amin-pishehvar

Children of the sun (featuring amin pishehvar)

Likewyse Productions - Music for Media
Likewyse Productions – musical solutions is a german based music production company founded in 2012 by the german composer and producer Martin Leonhardt focused on writing songs for the use on radio and tv as well as developing instrumental audio concepts for computer games, advertisings and movies.

Artistically and conceptually Likewyse productions is internationally orientated with a programme concerning a wideranging number of genres – always focussing on the aim to show a variety of current art on a high level. By merging various elements such as electronic, pop, hip hop, and symphonic undertones, Likewyseproductions offers a diversified and unique portfolio to its listeners.

Round and Round

Likewyse Productions

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